Comedian and Singer Newton Faulkner

Band: Newton Faulkner and Old Man River
Venue: Forum Theatre
Date: 6th september 2008
Reviewed By: Lyn Harder
Photos By : Lyn Harder


A mild spring night out in the Melbourne city and I sneezed my way to the forum theatre to witness Sam Newton Battenberg Faulkner aka Newton Faulkner play to a sold out crowd. Born in Surrey, England, the 23 year old is well known for his guitar techniques which see him not only use the guitar strings, but playfully tap the guitars body which creates some developed sounds that he has mastered and which he delightfully plays to the enchanted crowd.

On entering the forum theatre I wasn’t pleased with the new queuing regime that they have adopted, waiting in queue outside to then wait in another queue inside! What the! So here you have people queuing up the stairs to the top bar to then come down again once they got up there to be ushered into the theatre! Ridiculous!

Lights on and Rosie Henshaw enters the stage and sits down to play what looks like a sittah (forgive me if I’m wrong), and the eastern music fills the room as she carefully plucks this beautiful instrument. Old Man River aka Ohad Rein joins her and they sing Sunshine. The acoustic guitar and sittah do justice to Sunshine and their voices are melodic as well as soft and tonight they sing with passion and freedom. We’re hearing new tunes from Old Man River during the set, and Ohad is rather entertaining as he tries to get reactions from the crowd between songs. Old Man River’s music is for a laid back night out for those who want to listen to some decent, quirky tunes over a few brews.

Enter Newton Faulkner who puts on a great show tonight, he is quite the comedian up on stage as well as a talented muscian. To The Light starts the night full of melodic pop and a beat played by tapping the guitars body, something he is well known for and he takes us through many guitar twists and turns throughout the night.
He gives us plenty to laugh about as he tells stories with songs, She's got the time is about travelling with his brother and acting weird and UFO mentioned anal probes! Dream Catch Me is his biggest hit and when played the crowd went mad, singing and swaying with arms in the air, you can tell this is a much loved song. Newton covers Dead or Alive You Spin me right round and the Massive Attack hit Teardrop which is on his album.
The stage tonight isn't very glossy, a disco ball hangs centre of stage and the lights on the backdrop change every now and then, but Newton is such the act he doesnt require any more stage decoration. He is joined part of the way through the set by drummer and bassist who ad some beats and grunt to the music tonight.
Other songs played are Straight Towards the Sun and People Should Smile More which take us all on different journey's with each song, Newton's voice is passionate and strong showing us he has a great voice for the live scene. Newton's dreadlocks are rather long, it makes me wonder if they are real or whether he's grown them since birth! Considering he is 23 years of age! For Gods Sake and Take It are new songs tonight, and they are beautiful heartfelt songs which hopefully will be on his next album. He doesn't worry about an encore tonight, we just pretend he left stage and came back, and he sings Lullaby which is a bit like that, and the night ends on a Queen cover of Bohemian Rhapsody which brings out all the drunken boys and girls to sing along to.
Newton is a show that you can bring anyone along to and each person would get something out of the show, whether it be a hangover or sore belly from laughter!

Mr Murray at the beautiful forum theatre

Band: Pete Murray with support from Gin Wagmore and The Audrey's Trio
Venue: Forum theatre
Date: 15th August 2008
Reviewed By: Lyn

Another chilly night out in Melbourne and already the beautiful Forum Theatre is filled and punters are taking advantage of an early open bar. Gin Wagmore, her name as interesting as her sound is on first. Her sound is squeakier, nasaly version of welsh singer Duffy, but I like her style and sound very much. One cannot stop watching her. Her arms waving around madly or perhaps a mosie was bothering her!An eclectic mix of punters and a near full crowd for The Audrey's Trio. Singer Taasha Coates beautiful melodic voice singes songs which include 'Oh Honey', 'Found a Place', and an INXS cover 'Don't Change a Thing'. Crowd seems lazy with their applause for this band.A full house awaits Mr Murray and Co. On stage I observe the four large bookshelves complete with books and suitcases (same picture as front cover on new album) and the crashing sounds of bottles from the nearby bar being emptied into a rubbish bin interrupts my thoughts. At last the 5 mebmbers including Australia's boy next door enter and the punters scream and cheer. Ben McCarthy on keyboard, Andy Sylvio on drums, bassist Jonathon Zion and Brett on lead guitar. Straight into 'Chance to say Goodbye' with nice keyboard arrangement and electric guitar riffs. Pete in cowboy shirt sets the girls hearts thumping. old wood lamps adorne the stage and give it a homely feel and four rectangle screens above the stage emit light. The crowd becoming even more pumped with standing and sitting room full. Lights flash for and thebookcase becomes a light show and pink lights flood the stage 'Ten FT Tall'. A cymbol start followed by drum beats flavoured with guitar and keyboards gets the crowd pumping. Pete's electric guitar sounding fantastic with circular riffs for ' Fall Your Way', keys muching the sound and ending with smooth drum beats. 'Class A' includes all out instrumental and a drum solo that the crowd love and Andy recieves thunderous applause. Pete brings out shakers and the crowd clap, pleased with the singer/crowd connection and the lead guitarist ends the song. The latest single "Pick Me Up' tickles the punters and this song Pete says is one of his most upbeat so far. The bookcase comes alight displaying blue cubes of light and I'm sure some punters are now blind! This song is blended with guitar and drum. Pete's honey soaked voice has a soothing melody and is soul baring. Music from the new album is bright and positive, displaying energy and honest emotions.The lead guitarist likes to steal the limelight with rock moves and sound. 'Better Days', a song for inspiration, flowing keyboards and the grunting bass delivers the song with Pete's semi acoustic. Pete tells us he's been sick the last few days but I couldn't tell, although he is very still on stage. Next journey is the song which is about touring and leaving his family at home 'The Game' 'HELLO MISS YOU' is written in lights. This tour is called 'Eureka Tour' which is the latest titled album from Pete. Produced in Pete's studio in rural nothern NSW and recorded over summer. Pete wanted to produce this album himself so he wouldn't have to fall back on anyone else. The album reflects this freedom. Now Ben taks to a comfy lounge seat and pulls a book from the bookcase and reads a book called 'Spotlight on Love' to the crowd who hangs on his every word, once he has read a few bits he gives to a punter. Songs to follow are 'Opportunity' then 'Saving Grace' and is started with harmonica and followed by keyboard and semi acoustic. A soft song with lovely harmonies. Rest of band enter again for 'Lost Soul' which is a country rock tune. Big whoops for "Bail Me Out' and 'Sugar' followed by 'Feeler'. Ben the keyboard wiz has great stage presence and clearly loves being here tonight. The lead struts his rock side, hence the lights displaying the word ROCK during one of his solo's. Funeral music keyboard start for 'Please'. Short encore and back for some new tunes, some guitar changes for Mr Murray.The statues in the Forum Theatre seem to be keeping an eye on the show, I'm sure they are enjoying the show as much as the full house tonight. Pete gets back to the semi acoustic for the end song with "So beautiful' whilst the entire room sings along to every word. Melody of keys, back beats, guitar - I can see why this is a crowd favorite. Guitars off, held above head and Pete says goodbye.

Soul Glo

Band: Soul Glo
Venue: Blue Diamond
Date: 8th august 2008
Reviewed By: Lyn Harder

Blue Diamond is such a well suited venue for Soul Glo, it’s as though the stage is made for this band. With many talented members, they need all the space they can get! Adorning the stage is Shirley in her stunning outfits and sexy heels surrounded by 8 males in black suits and pink ties. The way the boys are dressed it certainly allows Shirley to stand out as the front for the band.

Tonight we are treated to 3 sets, kicking off nice and early in the first set with an instrumental then songs include ‘kiss my neck’, ‘crazy’ which is sung by their bassist and is a great cover of this song and lastly in the first set ‘carwash’. The crowd reaps the bands energy and watches the band like someone looking for a muse.
Blue diamond is full of fashionable ladies and gents’ kicking their heels off to the music, and the dance floor is chockoblock with groovsters. Stunning dresses and suits set the scene with their cocktails, only things missing were umbrellas in the drinks!
Second and third set we hear ‘rehab’, ‘ain’t no other man’, split milk’, ‘Valerie’ which had the dance floor packed, and ‘more mess on my thing’. Bands that are covered include Metro Station, Jaci Velasquez, Big Daddy Kane and Dizzee Rascal.

Soul Glo give an amazing performance to the ambience of the night, the horn section giving divine treats of sound, the drummer providing back beats, keyboards twinkling in the night, percussion delivering the grunt and of course the guitars melting with the music. Shirley gives one hell of a performance with her soulful voice bringing the music together and including dance moves and womanly banter as the voice, front of the band.

The music of soul glo is funk and soul and one leaves a Soul Glo gig looking forward to the next journey with the band and their music.
Check out their myspace for future shows.

Dirty York at the Espy

Band: Dirty York
Venue: the Esplanade Hotel
Date: 24th July 2008
Reviewed By: Lyn Harder

Photography By;Mark Geisel

Dirty York are a 6 piece Melbourne band and when they enter the stage, I can’t help but look – tall blokes and beards and I must not forget the dreadlocked lass on keys! Great bluesy grooves and rock moves and you are taken away to a space somewhere in time. Call it a bit of ‘Black Crowes’ sound, call it what you want, but this band takes you on a journey you won’t forget. With Clare Whitcombe on the Hammond organ, Benny James and Todd Bennett on guitarist (mmm….slide guitar), Luka Szpakolski on bass and singer Shaun Brown’s with his animated tamborine we are given such songs tonight as ‘take me home?’ a rock country song and ‘all my friends look like Jesus’ – yes laugh at this title.
Then they get pretty up we’re told which means time for softer song ‘crazy little thing you’re going through’. I can’t help but smile at the music with zesty beats and a profound chemistry throughout the band. The dance floor had people dancing and really enjoying the vibe of the band that is Dirty York. My only advice is to have your name on the drum kit or somewhere! As their myspace states, they boldly remind us what good rock and roll is all about

The High Drifters at the Espy

Band: The High Drifters
Venue: the Esplanade Hotel
Date: 24th July 2008
Reviewed By: Lyn Harder

The high drifters are a blues indie alternative rock, two-piece Melbourne duo who really do rock!
Ringo on guitar and Matt on drums and vocals. They entered the stage with confidence which remained throughout the set. Songs of the night were ‘somewhat thankful’, ‘stay’ -which is the first song they ever wrote, ‘upside down blues’ a guitar change for ‘blue room blues’ which is a real rocking bluesy instrumental.
They are a band who are solid, loud and work well together and judging from how well they play, they’ve been around a while but if not, they are doing extremely well.
Great vocals from Matt, anyone who can sing and drum at the same time gets my attention. Ringo is midly animated on stage including some nice slide guitar.
Set ended with ‘homebody?’ (I’m not sure on exact title), this song has a heavy spin on it – and I’m sure I heard the imperial death march during the song.
Name on drumkit! Yay! Always like bands who put names on a drum kit, especially when you’re at the espy on a Thursday night, watching a heap of bands, and can’t find the gig list around and sometimes one does not know which band of the line up are currently on stage! A top band, worthy of a second look
Their Ep is available for $5 on their myspace site.

shihad at hi fi bar and ballroom

Band: Shihad
Venue: Hi Fi Bar and Ballroom
Date: 12th June 2008
Reviewed By: Lyn Harder

Photography By : Mark Geisel

Shihad

rocked!

John "JT" Tomaino at Veludo Bar

Band: John JT Tomaino
Venue: Veludo Bar
Date: 10th June 2008
Reviewed By: Lyn Harder

Photos By: Mark Geisel

Live review and info about his new EP.

A Tuesday night in st Kilda had me venture out to the Veludo Bar to see a solo performance from JOHN “JT " TOMAINO. Having read great reviews about JT (as I’ll call him too) I thought I’d check it out for myself. JT recorded the EP with care and love in Scott Matthews’s boutique personal studio in San Francisco using analogue gear which brought about a non glitzy appeal to the EP. JT is very passionate earthy person, who could talk about his music forever, nothing wrong with that though! Many punters turned out tonight to sit and enjoy the solo show. I must say I enjoyed the gig and when I listened to the EP I had the feeling that seeing JT with band would be excellent. The EP treats us to JT’s melodic voice and balances it with keyboards, violin, percussion and back up singers, a very radio friendly EP with great potential. His voice live reminded me of Cat Stevens, singing with passion and showing us just how organic his music is. The type of sound could be said to be classic folk/pop.
The night started with the tune ‘Force of Habit’ which is a new song then followed with ‘blue tune’ from the new EP. After these songs finished JT realised some mixing was sought (yep, guitar was a little loud!). This definitely helped the rest of the set. More songs in the set were ‘Watching the Detectives’ an Elvis Costello cover which sounded very much like Costello. A cover of the Leonard Cohen classic ‘hallelujah’ was beautifully covered. A song called ‘scarecrow’ which is also off the new EP was a heart felt song about betrayal. The last few songs off the new EP were ‘how far is heaven’ (on the Ep this song has guitar loops that really perfect the song) and ‘as good a times as any’ which was a faster track to end on.
The EP is available on itunes and will be distributed across many countries very soon.

keep an eye on his myspace for when he is out and about next!

Soul Glo getting funky at Veludo Bar

Band: Soul Glo
Venue: Veludo Bar on Acland st, st kilda
Date: June 8th 2008
Reviewed By:Lyn Harder

Photos By:Lyn Harder

Soul glo is a crew of 8 talented funk members from Melbourne who have plenty of heart and soul. Stepping into Veludo Bar I felt I was taken to another world. Dancers were grooving away on the dance floor and the 8 members somehow fitted onto a very small stage! The female singer, Stunning Diva Davis (who was wearing a fantastic outfit and I loved her shoes!!!), was in the middle of the stage, singing her heart out surrounded by some hunky men. First set started with an instrumental song followed by colourful tunes like ‘kiss my neck’ ‘what have you done for me lately’ and carwash’. The horn section was a pleasure to watch as they were all smiles and totally enjoying the music they produce. Audience members were dancing away enthralled by the groovy music. Afro Centric Dave Dharumasena is the second vocalist with a deep melodic voice which suited the sound.

The second and third set consisted of tunes such as ‘ain’t no other woman’ ‘right on’ ‘Valerie’ and ‘dance with me’. One gets the impression that there could be no one in the room and Soul Glo would have an awesome time. They gel together and create the perfect mix of funk and groove.
Watching the band play together you feel like you are taken on a ride of a funky and groovy lifetime. They are playing around Melbourne in the next few months so check them out!

Dallas Crane at Hi Fi Bar and Ballroom

Band: Dallas Crane
Venue: Hi Fi Bar and Ballroom
Date: 30th May 2008
Reviewed By: Danelle Lee
Photos By: Danelle Lee
(please do not copy photos without permission)

Rumour has it that this Gig was the last Dallas Crane gig, which some might say was backed up by the fact that they didn't play any new material; had a big fan fare of fans up on the stage (of which I was one), and they even brought back their original bass player Chris. Rumour also has it that the band are in fact about to make a new album (sans MX May 30th) and if the band were to ever have a farewell gig it would be held at The Espy. Whichever rumour you prefer to favour the crowd loved the Crane, and I would personally be gutted if the band departed. Even the thought of it brings a tissue to dab at the wetness in my eyes. Nothing beats the rootsie dirty rock of The Crane, and tonight was no different. For me it felt like an old school reunion. It's been nearly two years since the band last played at the Hi Fi and a little less than that since they played at all. I ran into so many people that I haven't seen for years, and the set list compounded this for me. A set list of all the greats, spanning all of their albums, keeping all fans old and new very very happy, God Damn Pride, Sit on my Knee, Wrong Party, Numb all Over, Can't Work You Out, Dirty Heart and the list continues. I have to admit the night rocked and unlike most gigs there was no one sing-a-long song, every song was treated like a great by the crowd. Dave is a great showman, and one of my personal favourite acts is counting how many songs in, it takes for him to loose whichever hat he is wearing. Tonight it was by about the fourth song. Of course there are a few attempts to put it back on his head, but it never stays there for long. And who would Dave be if he wasn't well and truly drenched in sweat by the end of the gig, well it just wouldn't be a Crane gig if he was dryzabone now would it? I always feel that Shannon gets lost in the back there, hidden behind all the other band members, especially when he's not on a particularly high platform. But that's no slur at his playing, it's just sad because I didn't get much chance to ogle at my favourite piece of band candy, but i digress. It was a real night of comradery with all members talents on show equally impressive, that I really can't pin point any one solo as being any better than the other. I think has a lot to do with the attitude of the band on the night and Dave repetitively noting Dallas Crane to the audience ensuring that all members were constantly considered as a whole. Me, the group of friends I was with and every lost friend that I re-encountered that night had an incredible time. Dallas Crane epitomizes Melbourne rock and Melburniuns attitude to rock. It's a homely business with a lot of beer and all your friends celebrating a little piece of Australia. Oh how I love it and everything it stands for.

Milk in Brunswick

Band: Milk
Venue: Brunswick Hotel
Date: 1st June 2008
Reviewed By: Heather

This was a special performance for me - it doubled as a benefit (called Songs For Mary) for a friend's sister's family, who are going through a very difficult time with cancer. On that side of things there was a wonderful result, with the money raised exceeding expectations.

I had (shock, horror!) never set foot inside the Brunswick Hotel until that afternoon. I was pleasantly surprised by the clean look of the bar and the good size of the venue. Not too big, but certainly not poky. The biggest feature of the interior was the record wall. They had the most fantastic collection of vintage record sleeves displayed, and it provided a great source of conversation along with a little laughter at some of the more interesting cover artwork.

Milk were just taking the stage as we arrived around fifteen minutes after the advertised time. Their sound? Predominantly folk/roots, with a strong jazz influence and a touch of soul - oh, and some country thrown in for good measure.

The four members of the band are Helen Begley (Vocals, Guitar, Accordion), Emily Hayes (Vocals, percussion), Greg Craske (Vocals, Double Bass) and Teal Bain-Roben (Percussion). Oh, but the guitar was passed around freely between Helen and Emily, and when the ukeleles were on stage everybody seemed to be an expert. Separately they are obviously all great artists, but put them together and the blend is incredible. Helen has a rich and deep, solid tone that contrasts and harmonises perfectly with Emily's clear and sweet jazz voice. When you add the harmonies from both Greg and Teal the effect was breathtaking - a single sound that had a depth and clarity I've rarely seen. Sometimes it was difficult to hear where the melody ended and the harmony began. Songwriting is their strong point. A great sounds without lyrics to match tends to be empty, but every single song told a story.

Their set was varied, including songs from their current album (Shipwrecked at the Royal Oak) along with older songs and even a cover of I Will Survive thrown in at the end as a tribute to Mary's family. However, the standout song was one with a strong story behind it: All Aboard. It was written about their time with activists in the Tasmanian forests who were living on a pirate ship in protest. Emily described it as a song of mourning for the ship and those who lived on it. You can hear it on their Myspace, but that recording doesn't even come close to doing it justice. Hearing it live gave me goosebumps. It's to appear on a Wilderness Society Benefit CD entitled Forests Forever, which includes a huge lineup of Aussie artists.

Milk are not fading into the horizon - they're playing at the Forests Forever CD Launch at the East Brunswick Club on June 8th, and they have a month's residency coming up at the Brunswick Hotel too.

Have a listen to the Myspace or buy their CD, but if you can, get to a live gig. There really is no substitute.

Root takes on The Espy!

Band: Root
Venue: The Esplanade Hotel
Date: 24th May 2008
Reviewed By:Lyn Harder

Photo: Mark Geisel

I had expectation of the band Root! I thought they'd have to be a great band to see live. I have to say I wasn’t disappointed. A fantastic show, lots of great songs with much comical humour. The band put their all into the set and the crowd lapped it up. Out they came in suits and cowboy hats, very stylish I must ad! The front bar of the espy was chock o block, and the anticipation could be felt in the air. I mean who could blame the crowd for this! ‘Jet’ started the set; ‘get up’ was next, more of a talking song with great keyboards. Shazza, orange people glowing we’re told by front man DC Root, and out he came walking through the crowd, truly inspiring lyrics…not. ‘Spring me out of Caroline Springs’ was a hoot, the names sums that song up! ‘Pauline’ (yep Hanson), quote ‘she made the digestion of chewing gum seem quick’! A song called Crown summed up pokies and was sung in tune of hokey pokey, quite the crowd tickler. ‘Back to mine’ (not sure if this correct title) had a rock country feel – rhyming words with emo – clever adapted song.; ‘I wish I was Tex Perkins’ (he eats roots and leaves), this song most people would know, a highly hilarious song of the man that is Tex Perkins. To sum up, a show that was quirky, funny, full of hilarity, well dressed men, comical, musical as well as being raw, so I recommend you go see Root. Nothing quite compares really…..

Gyroscope at Hi Fi Bar and Ballroom

Band: Gyroscope with Young and Restless
Venue: Hi Fi Bar and Ballroom
Date: 17th may 2008
Reviewed By: Lyn Harder
Young and Restless started the night in a blaze of rock and roll. The band seemed to be fully into their set, showering it with all their must. I felt the crowd weren’t as into the band, maybe the main band was all they wanted, of course there were many cheers but didn’t set the crowd alight. There were those few moshing at the front, but needless to say, doesn’t mean they don’t rock. The band has been together since 2005. Karina, ever the rock chick, belted out the tunes, and when she removed her skirt to show us an almost ‘Sandi from grease’ outfit, the boys in the crowd stood up!
Gyroscope started with a bang, four hunky boys on stage and the crowd went nuts. Not my kind of hunky, but judging from some girl’s reactions a few would have taken any member home. The lead singer and guitarist Daniel Sanders and drummer Rob Nassif remind me of boys found on chapel st in pink and white tops and trendy hair do’s, Zoran Trivic looks like a rapper and Brad Campbell is the rock of the group. First song ‘weapon’ got the punters shaking and moshing. Other songs include ‘midnight’ ‘these days’ ‘ok’ 1981’ ‘driving’ ‘safe forever’. Daniel decided to join the crowd for the song ‘safe forever’ and he stayed in the crowd singing for a while. Brad sung great backing vocals. More songs were ‘all in on one’ ‘beware’ and ‘Doctor’ rocked with backing vocals by Brad.
Finished with ‘snakeskin’, which really is a fantastic song. They only played for one hour literally and managed to fit in 17 songs all up! I’m not used to such short gigs and my friend and I thought maybe the kids of today haven’t the energy to listen to a band for longer!!? I admit I am yet to own one of their cd’s so I didn’t know a few songs but overall these guys put on a great show, the crowd loved them. A sold out hi fi bar tells me this band will be around for a while.

Atmospheric Cog

Band: Cog with Kora and Jakob
Venue: Palace Nightclub
Date: 15th may 2008
Reviewed By:Lyn Harder

Photographs By: Mark Geisel

Tonight was my first night at the new palace venue and I must say hats off to the management for fixing the place, love the fact the bar which used to be in the middle of the room is now on the right hand side. Jakob were already playing on arrival. A truly remarkable instrumental band. Watching them makes me wish I could usher everybody out of the room then place a bed on the dance floor and have my way with my partner! The music was hypnotic, flowing and amazing.
After a long break NZ band Kora arrived and brought with them a mix of electronica, rock and even some island sounding tunes. Most of it I enjoyed, the more electronica isn’t my thing, but the crowd certainly thought it was. One almost thought the Haka was going to break out.
After another long break (way too long –45 mins) we are entertained with John Farnham’s ‘You’re the voice’ blaring out of the speakers, and who would have thought it, but most of the crowd in their black tees and tattoos were singing to good ole Johnny! Cog came on stage and started with ‘No other way’ then crept into ‘Bird of feather’ which sounded fantastic live, such a brilliant song. Other songs include “Resonate’, ‘Are you interested?’, and ‘Four Walls’. ‘Spine' got the crowd going and pumped us up even further. An amazing live song and one of my faves (I just can’t go past the guitar solo, one of the best). “Sharing Space’ which is the latest album title , ‘Real Life’ which included drum solo, and speaking of the drum kit, what an amazing piece of equipment, looking like a space craft, part illuminating and part ‘who can not look at it in awe’. The drum kit was placed high up in the middle of stage like he was king on a throne.

Other songs were ‘The Movies’ an old classic ‘Moshiach’ ‘Swamp’, ‘Town of Lincoln’, and ‘My Enemy’. They ended on a different song ‘Bitter Pills’, adding acoustic guitar it was rather a nice ending to the gig, a creeper of a song that is slow then fast. I’ve been following Cog for about 3 years now and they are a fantastic live band. Though I have to ad ‘sharing Space” for me doesn’t get me going like ‘The New Normal’ or ‘Just visiting EP’s’ and I wish they’d sing more off the latter mentioned EP. Apparently Sharing Space was supposed to be recorded in 5 months and ended up taking 10 months, recorded in the US. The lighting guy did an amazing job, really added to a lot of songs. I did notice the gower boys didn’t have lights directly on them so they looked like were in fog at times, not that that was a bad thing. I was asked to mention by a guy called Lachy that Cog sound like atmospheric frog stomp music! Cog is about the music and putting on a great show and that I must say, they do.

James Blunt takes on Rod Laver Arena

Band: James Blunt
Venue: Rod Laver Arena
Date: 6th May 2008
Reviewed By: Danelle Lee

Photos By Lyn Harder:

I think as far as a venue goes, Rod Laver really is too big for solo artists although for James Blunt the arena does try to create a more intimate space by curtaining off the top tier. This still makes an artist work hard to keep a 10,000 strong audience feel included in the performance. However James made it seem effortless with a few songs in recognising all audience members from General Admin through to those in the stix, complimenting Australia as one of his strongest fan bases and this Melbourne gig being one of his biggest turnouts. I don't know what this says about Australians but from my observation of the fans I'd say that it's pretty mixed, with a reasonably large percentage going to the 40+. Yes Mr Blunt is someone you wouldn't take home to meet your mother because she'd most likely try and get a piece of his well spoken, four day furry fuzzed, spoken face all for herself. Regarding the male turnout begs the question of how many were dragged by their girlfriends. However due to the amount of shout outs during the show, it seems that Blunt has a reasonable independent male following as well. The Show opened with 'Give me some Love' from the new Album All The Lost Souls, this track set the president for a show that was never going to be fast paced with huge feats of physical stage dominance but about creating an atmosphere that encouraged the audience to think about the content of his songs hitting an intelligent chord and not just an emotional one. This was backed up by the opening video which was a preview to Al Gores " An Inconvenient Truth" and later enhanced by footage of war torn Kosovo during "No Bravery". There is something of the social activist in Blunt (even though to some he might seem like a commercial sellout) commenting during his dialogue with the audience, on societies celebrity obsession "with whether Britney Spears is wearing knickers or not", adding that 'his first album did things that he never thought would and possibly didn't want to'.I would have been very suprised if any fan in the audience didn't have both of Blunts albums and he kept everyone happy by playing a huge selection of songs from the first album as well as his new one. 'Goodbye My Lover' was the crowd singalong and was always going to be a personal favourite of mine, along with 'I Really Want You' and 'Shine On'. It was amusing to find out that 'Goodbye My Lover' is the No# 1 song played at funerals and 'Your Beautiful' No#1 at weddings, which is quite ironic if you think of it. I'm not too sure why but alot of his songs seemed to take on a slower tempo, particularly during 'I Really Want you' which is one song that I would have liked to have kepted up beat. His band were great however i'm not too sure how long they've been together, with Blunt as the star of the show his interaction with his band fell short of any personal connection and felt strictly professional. As for the stage design it felt like someone had ravaged a prop box and desided to use whatever they wanted whether it was apropriate or not, for example the Gong making one brief appearence at the end of 'So Long Jimmy' and disappearing. Then there was the Disco ball for '1973' and the net of lights that at some point during the show were rigged up and several songs later pulled down, never really adding or devaluing anything from the performance. However as I stated at the beginning, the show wasn't about theatrics but the music. I just wish whoever raided the magic box would just put all those gadgets back in it, they just weren't necessary. All in all I had a very satisfying evening, even though when I stood up half way through the very last song '1973' some old lady tapped me on the shoulder to sit down, to which I replied she should stand up, the cheek. James pushed all my buttons and I would gladly let him push some more, there really is just something about the way he sings, speaks and his furry face that just makes me ripple with that loving feeling.

Band: Juliet and the Licks with support by The Gingers
Venue: Prince of Wales, melbourne
Date: 27th April 2008
Reviewed By:Lyn Harder

Photographer: Mark Geisel

Many braved a cold night to see Juliet and the licks and from what I’ve heard about their music, we all knew it would be worth venturing out to see.

The Gingers opened the night with their great set of punk, fast paced, school garage rock music. I still find it strange that bands don't put a name on drum kit or somewhere. They are a 4 piece band from Melbourne and the crowd embraced them tonight. A song that stood out for me was ‘I wanna love you but i can't' a catchy doo wop song with groovy chorus.
We all waited in a room filled almost to the max to see Juliet and the Licks, a band who have been around for five years and are making their dint in the rock world. Many punters wore colourful feather head bands mimicking their singer, their hero.
Right on time the band enter, Todd Morse on guitar, Jason Womack on bass, drummer Ed Davis. I was wondering where Juliet was as the crowd was going nuts, and it wasn’t until she slinked up the microphone stand that I saw her and realised why the front of the room was cheering! She started singing 'Inside the cage' and the crowd go even more nuts. She plays to the crowd embracing their hugs. Juliet definitely knows how to work the stage; I’d say her former life as an actor has taught her this. Her jacket is removed after the third song and after lots of head shaking her feather head piece is shaken off and any composure (if there even was any) is gone now.
When 'bull shit king' is played the drummer shows us his impressive drumming skills. Juliet loves to swing her hair around; I don’t think I’ve ever seen so much hair flicking and leg kicking. Then we are given a song for the ladies and Juliet leaps into crowd and sings 'coming around'. Juliet runs off and we're left with bass music thumping through our bodies. Back she comes with costume change, blind folds herself and dancers erotically whilst singing ‘death of a whore' which is a groovy rock song, very theatrical with out all the costumes. Juliet really goes off like a fire cracker. She loves to talk to the crowd. When watching her sing 'Purgatory blues' I find I just can't stop watching her. One person tells me it’s almost like watching an aerobics class! Hmmm…not sure about that! The band puts in a show that is 110% rock. 'This i know' is a romantic song and one which stands out for me as she kisses the crowds hands and cheeks. Awesome guitar lead by Todd for 'hot deal' then the licks do a song for us ‘Aussies’, an ACDC cover of ‘dirty deeds’, Juliet grabs a hat from a punter as it looks like Brian Johnson’s. Backing vocals are fantastic in dirty deeds, they got that grunt going on, a few vocal mishaps but overall a great version.

Always been a dream of Juliet’s to get a band started and she feels amazing. 'Get up' is a song about leaving what she knows to pursue a musical career; this has cheery start to the music. 'So amazing' she sings with the audience, making them sing in sections of the room but this didn’t go for long, most people preferred her to do the singing! A short encore then ‘Pray for Latoya’ which is a song for the band because she can apparently be difficult to work with.
They go with bows and kisses and Juliet tells us it'll be a while till they're back as going to record new album.

Licks fever has come and gone and mesmerised us all and the punters face the brave cold night outside.

Messing with the Foo Fighters

Band: Foo Fighters with support Kaki King and The Mess Hall
Venue: Rod Laver Arena
Date: 26th April 2008
Reviewed By: Lyn Harder

Photographs By: Mark Geisel

We arrived early to find Kaki King from NYC playing amazing slide guitar with groovy back beats. I was quite blown away with her sound, reminded me of John Butler Trio, but without the singing! The Mess Hall (Sydney), an awesome two piece band started with grunt. A nice big white sheet with their name painted on it was the back drop, effective without the cost! Set list includes ‘pils’ and the rock beat song ‘pulse’ then ‘metal and hair’ and finally their big hit ‘keep walking’. They didn’t play long to my disappointment. Great support act enjoyed by many who had already turned up for the show.
Tonight’s show is sold out. The crowd go nuts when Dave and co bound out. Long haired Dave runs down the walk way which is about ¾ length on the ground, his number one aim tonight seems to be obtaining applause. Tonight there are 8 members on stage including newest member on double bass, Jessie Green. Songs include ‘pretender’, ‘times like these’, ‘break out, and ‘learn to fly’. Dave plays and plays on the crowd’s vibe and love for him. He runs from one side to the other sinking his vibe into the guitar whilst creating pandemonium! The entire band give 110% to the show and certainly indulge in the attention. A long instrumental break (too long for my liking) then to the punters amazement a second stage descends from the rood about ¾ way on the floor and sits on the end of the run way. The FF head to it, again creating noise galore, and the less rock part of the night begins. ‘Skin and bones’, ‘marigold’ and ‘hero’ are the songs played. Ronnie on keyboards, Chris on guitar, Jessie on double bass, Drew on cow bell/chimes/triangle who gives us a bit of a solo of his instruments! Lucky last is Taylor on drums. Dave would go to any of the three microphones so all viewing aspects are covered of him to the audience. The introductions of all these band members went for way too long. Taylor sings rather nicely on ‘cold man’ then we hear ‘but honestly’ and ‘ballad of the Beaconsfield minors’ with Kaki King. Finally they run back to the rock stage and give us ‘monkey wrench’ and ‘one by one’. Encore and Dave amuses us with his videoing of himself talking to the crowd then they’re back with Jessie Green and Dave taking on a song together which worked well. Last songs include ‘long road to ruin’, ‘generator’ and lastly ‘best of you’.

Dragon Still Breathes Fire

Julie and Mark

Victor and Todd

Band: Dragon
Venue: The Palms at Crown Casino
Date: 18th April 2008
Reviewed By: Victor Wong
Photos by Julie Mitcheson

With the new reformed Dragon line-up, they still delivered the passion that was created in the 1970’s and 80’s. Marc Hunter who is best remembered as the lead singer of Dragon is irreplaceable but another Marc came close. Mark Williams who had a solo hit with “Show No Mercy” back in 1990, rocked The Palms Casino in Melbourne. Notably the only original Dragon member is Todd Hunter. Is this still Dragon or just a bunch of musicians getting together and Todd Hunter as an insertion?
The first half of the concert was “The Songs of Our Brothers”, a tribute to the Aussies deceased. The opener was Billy Thorpe’s “Most People I Know” set the mood for a great night. Other tributes included Bon Scott’s (AC/DC) “Long Way To The Top”, Michael Hutchence (INXS) “Don’t Change” and Steve Gilpin (Mi-Sex) “Blue Day”.
A huge absent from the deceased playlist was Graeme “Shirley” Strahan (Skyhooks) and even perhaps Ted Mulry (Ted Mulry Gang) could have included in Dragon’s memory lane repertoire. Most of the sedated Dragon fans were seated most of the night except one enthusiastic girl who bopped a lone figure in front of the stage nearly all night. Then, until “April Sun In Cuba” rocked the house. Then the flood gates opened when the way post-teenies hobbled towards the stage to sing and dance and mingle with the “lone girl”. The entire mood somewhat changed from tapping foot to get up and groove! It was time to “Get That Jive”! Now with the crowd singing and old joints moving, Dragon proceeded with favourites “Are You Old Enough”, “Dreams Of Ordinary Men”, “Still In Love With You”,“Ozambezi” and acoustically “Young Years”. The restored Dragon kept the fans happy with its high energy. I believe if they played on, other songs would have made it such as “Cry” and “Magic” but not “This Time”.

Bitch, Korn mustn’t have a problem tour!

Band: Korn with support from Biohazard, Chimera and Blood Simple
Venue: Vodaphone Arena
Date: 18th April 2008
Reviewed By: Lyn Harder

Photographs by Mark Geisel

Entering vodaphone I had missed the first two supports of the night. i did manage to see Biohazard (New Yorkers and a band who have released 8 studio albums in 15 years). This was the original line up we’re told! Playing oldies for the (and I quote) ‘hardcore mutherfu**ers’, the vodaphone arena is pumping tonight with punters thriving on the band. This is my first time seeing biohazard and their music is definitely hard core and fast paced. The singer/guitarist Billy Graziadei is a muscular, tattooed raw voiced bloke whose aim is to get the crowd pumping tonight and this includes a death pool i.e. lots of boys run around in a circle and bash into each other, all in the name of fun, and fun they seem to be having. Bassist/singer Evan Seinfeld, Drummer Danny Schuler and guitarist Bobby Hambel make up the rest of the band that is biohazard.

Anticipation starts for the arrival of Korn and when Jonathon’s covered microphone is placed on stage the crowd screams and when the cover comes off they even more nuts! Instrumental, first song from the new album starts the night, the newer members enter stage and start playing the music, then enter Fieldy (bassist), Munky (guitarist) and Jon (vocals). These are the three members of Korn. Crowd goes nuts. The Korn sound is amazing at vodaphone arena. ‘Right Now’ is the second song and the music is so crisp, loud and pumping. There is a strong crowd of 5,000 here tonight and the noise they make feels like there are double the amount of people. Jon’s voice just gets better and better each time I’ve seen them live. Terry Bozzio? plays two drum sets, throwing and twirling his sticks around . The rest of the band are amazing also (I didn’t catch names so if anyone can email them to me, that would be great). More songs include ‘love song’ ‘ADIDAS’ and ‘hold on’. Munky in a gorgeous long coat and outfit gives a strong presence on stage and in the correct light (and once coat is removed) his face and hands illuminate a green colour. Munky is an amazing guitarist; he plays the songs with passion. Right of stage sit a few people who wear gas masks or bandana’s over most of their face. On the right of stage are girls dancing and one in theatrical mask as well. The crowd truly love this band; everywhere I look I see black tee’s and majority are Korn’s. Fieldy throwing slap riffs which are a Korn sound. More songs include ‘did my time’ and for the old school fans ‘freak on a leash’ and ‘faggot’. Backing singer/percussion with long blonde rocker hair added plenty to the band with a great backing voice and hair girls would die for! The wonderful bagpipes were brought out for ‘Helmut in the bush’ then we hear ‘kill you’ and the band exit. After stomping and chanting from the crowd, Korn are back. ‘Blind’ starts the encore set (a fave of mine) then ‘somebody someone’ and lastly ‘got the life’. We are thanked many times for supporting/buying Korn's music and bringing them to where they are today.
Call them rock, call them nu-metal but Korn are a fantastic live band (one of my fave OS bands to see). I always leave a Korn gig looking forward to the next one.

BTW, the reason for the title is because they didn’t play the song of the tour title!

In Conversation with Nick Cave

Lyn and Nick

Mick and Nick

Band: Nick Cave and Mick Harvey
Venue: The ANZ pavillion at the Arts Centre
Date: 6th April 2008
Reviewed By: Lyn Harder
Photos by Lyn Harder and Mark Geisel

I wasn’t sure what to expect when I’d booked tickets to see ‘In Conversation with Nick Cave’. I have to say I wasn’t disappointed. How often do artists perform this type of show! Especially favourite artists! Wandering upstairs to the ANZ pavilion in the Arts Centre we almost bumped into Nick and Family who wandered in the foyer like general public before the show. When Nick was on stage the family was standing at the back which I thought was pretty cool.
A sold out show (this was the third session of the night, and the last), the crowd seemed to be wearing mainly black and present in an array of classic outfits, all waiting in anticipation of the show about to start. Nick Cave and his musical companion of many years, Mick Harvey, took to stage and sang ‘cos it’s a cool song” – Dig Lazarus Dig. Nick on piano and Mick on guitar. Then it was time for Q&A, as tonight was about the audience and what we wanted to ask Nick. Nick did say we could ask him anything we like, anything personal too. I was surprised no-one really dug all that deep into Nick’s life. There was a compare that moved the show along and asked questions to Nick also.
Being the last show of the night, Nick said they were feeling delirious by now. Questions ranged from his songs to Kylie, family, how to write love letters, school days (failing painting class that is) to working with Johnny Cash (Nick said he chose ‘The Mercy Seat’ for Johnny to sing). Nick spoke about his underwear, saying he was wearing white Calvin Klein’s, although he prefers the older style and not this new style which leaves him looking flat!
Questions were asked about his musical score and Nick said its almost easier writing a score for someone else than for his own music/band. If a question wasn’t understood Nick would say so and ad a bit of swearing and jokes at times. It was suggested a party in Nick’s hometown of Warracknabeal may happen and if Nick could come along for it. Nick said he would if a statue of him is erected in the town! Nick tells us he is often mistaken by writing melancholy songs and he’d be mortified if people sat around being depressed listening to his music. Nick was approached to write ‘And the Ass saw the Angel’, he got a dictionary and a thesaurus as he requested and the cost of these two items were deducted from his royalties! Hints of more scores in the future and then we’re told by his younger children that Dad isn’t cool and doesn’t sing bedtime stories. Blixa and Nick remain friends. Blixa changed the Bad Seeds by leaving the band and Nick felt this was a good thing as its changed complacency.
Nick enjoyed the exhibition at the Arts centre and although he has no interest in Nick Cave, he feels the people at the Arts Centre have done a great job; he says he gave all items to the Arts Centre. I won’t go over any more questions but overall we all saw a small insight into Nick’s life. I say small because 1.5 hours actually doesn’t cover much at all. In retrospective Nick seemed to give truthful but sometimes blunt answers. I’m glad we went to the last show of the night as I feel we received extra time for Q&A and after the show we were able to meet Nick where photos and signings took place. Thank you to Nick and Mick and thank you to the Arts Centre.

Songs of the night included: Dig Lazarus Dig, Love Letter, The Mercy Seat, Lucy and More news from nowhere.

Sea legends of the Cruel Kind

The Cruel Sea

Vasco Era

Band: The Cruel Sea with support from Vasco Era
Venue: Prince Of Wales
Date: 21st March 2008
Reviewed By: Lyn Harder
Pictures by Mark Geisel

Last week reviewing a gig it was icky hot and now this week I get a cold night, welcome to Melbourne and welcome to changing weather. A sold out crew packed out the POW to see a band that have been around for donkey’s years, The Cruel Sea. Last time I saw TCS would have been about 6 years ago at The Corner Hotel where Tex wore white thongs with his outfit and played his trademark mouth accordion (actual name escapes me).
Unfortunately I missed the first support band called The Fumes who I am told, are excellent. However I did see ‘Vasco Era’. First song starts with singer and guitar, Sid O’Neil. A good strong voice carried through the crowd, then enters the drummer, Michael Fitzgerald, and bassist, Ted O’Neil, and they were just insane! I couldn’t take my eyes of the later two, drummer pounding the drums like he’d been told to destroy them and the bassist grinding away like he was on heat with the bass. The band hail from Apollo Bay in Victoria, two brothers and the third considered a brother. Explosive rock and bluesy rock moves from a very mesmerising band.

Following this show was about a 45 minute wait then the band we had all come to see came to stage. I couldn’t help but notice drummer Jim Elliot's hair is now white and guitarist Danny Rumour looks very withdrawn since I’d seen them last, but appearances aside, these guys put on a tip top show. There was no white thongs or mouth acordian this time!
TCS played for nearly 2 hours and in that time we had 19 songs. Songs included, ‘Anybody but you’ ‘better get a lawyer’ (can’t get enough of those lazy bass riffs from Ken Gormly) ‘hard times’ and ‘delivery man’. ‘sell your soul’ we’re told was a hit in Spain for 2 weeks...hmmm....we got a reggae version of 'cocaine' with luscious keyboards from James Cruikshank and bouncing crowds. The ever popular ‘black stick’ with zesty, raw sounds, and a favourite for me ‘I don’t worry anymore’. Tex asks the crowd, "do we want to receive what we want?" and shoves the mic into a girls face who says ‘honeymoon is over’ and then we receive this song that Tex knows a lot of punters want and a lot of punters would be disappointed if they didn’t hear. The song goes off like a raw prawn and I get the feeling that Tex would skip this song if it wasn’t such a hit.
Encore comes around way too quick and the crowd burst into noise and whoop loudly and naturally TCS come back to play a few more, ‘naked flame’ groovy situation’ ‘and I don’t think they could not include ‘this is not the way home’ which was our last song of the night and definite a crowd pleaser.
What a fantastic night and welcome back to the fantastic Aussie band that is The Cruel Sea

Amphetame

Band: Amphetame
Venue: Ding Dong Lounge
Date: 14th March 2008
Reviewed By: Lyn Harder, photograph by Mark Geisel.

Ding Dong on a hot night with broken air con is not very enticing, but nonetheless I came to see a band called Amphetame (from L.A). Quite a decent crowd turned out tonight.

The band started with awesome guitar riffs from Ash Jones (Carousel) and Ben Brennen (Seven) then drums James Innes (Jaed) joined in - a great instrumental start.
Then Dani Raushithe, singer and founder of the music that is Amphetame, entered stage with confidence and showed us her music. Unfortunately the vocals were rather low for the second song 'Take My Hand' but after this the technician provided louder vocals and the sound was much clearer. This sound showed off the songs as they deserve, smooth and catchy song with more great riffs.

After lots of sweating (from band and punters alike) we heard ‘Give’, ‘Beat Me Up’ then ‘Glory Box’. Dani did chat a bit in between songs but being a quick talker (or maybe it was nerves) I couldn’t catch much of what she said, but I think the gist was to get the crowd going a bit more. The punters appeared to be enjoying the music that was on display.

Dani then launched into the last song ‘I Don’t Need You’, and I felt the crowd and I were finally enjoying the music and getting into it more when the plug was pulled and the show ended. Ding Dong are quite frugal about bands approaching timelines apparently. Oh well, we all got a quick fix of the band that is Amphetame.

Goodbye Motel EP - End Play

Band: Goodbye Motel
CD Title: End Play EP
Reviewed By: Lyn and Heather

We both found it daunting to write a review of a CD that a band member has sent to us to review. They’ve gone out of their way to do this - what if we don’t like it?!

However, we can both say that once we received this EP and checked out the cover art, we had a sneaking suspicion we were going to enjoy it. Any daunting thoughts completely disappeared on the first listen.

This music would suit a wide range of listeners, from anyone interested in UK-styele indie rock and enjoy bands from The Verve to Suede, Eskimo Joe to U2, End of fashion, Gomez, David Bowie, Crowded House, iOTA and even Death Cab for a Cutie, who they have been compared to before.

This EP was recorded late 2006 by producer Kalju Tonuma (Crowded House, Evermore, The D4, the Mavis’s). Recorded and mixed in Collingwood, Melbournem it was then mastered in NY by Howie Weinberg (Jeff Buckley, Smashing Pumpkins, Nirvana).

‘Not Anymore’ starts off with smooth tones and builds to a catchy, beat-driven indie rock song. The guitars work so well with the strong vocals. It’s a nice strong start to an EP.

‘All That Bad’ is our standout favourite from the EP. The singer – Damian Capicchiano - has a voice that reminds us of Brett Anderson at times. There are great effects and vocals. With swaying beats and lyrics that catch hold of you and become familiar after just one listen, it's a fantastic radio song that has had some great airplay. Drums are prominent too, and there is great rhythm throughout.

‘Hell Out Of Here’ - if you like your music to escalate then this EP is for you. Straight grooves belt up into an explosion of sound. We love the intensity and slight angsty feel to this song.

‘Operation Lights’ boasts some more smooth vocals. A grunty, dirty bass riff starts the song, and crisp guitar work holds it all together. It’s definitely the dramatic song on the EP. The end gains pace with great backing vocals and voice distortion. Again, this song escalates your senses.

‘If This Is The Way Out (Then I'm Staying Here)’ is a great melodic tune layered with effects, piano, guitar, vocals and strings in a 51 piece orchestra. The song is an epic at around 7 minutes long, but it doesn't feel drawn out. It creates a beautiful ending to what is a well produced EP. It’s important to note that the orchestral strings for this song were arranged and conducted by Ben Northey (Hilltop Hoods, The Whitlams).

The thing that struck us most about the EP is that it almost sounded like we’d heard it before, like an old favourite we hadn’t listened to in a while. That’s probably because every song is extremely radio-friendly, a feature that should help Goodbye Motel along immensely as they gain popularity.

We’re certain that if these boys keep heading in the direction they are, they will develop an escalating fan base. Songs like this don’t grace us often. We can’t wait for a full album.

Arresting Police

Band: The Police with support from Fergie and Fiction Plane
Venue: The Melbourne Cricket Ground (MCG)
Date: Saturday January 26
Reviewed By: Lyn

Corporate box tix to see The Police – yes please!

Up we went to sit down and be waited on with food and drinks. One cannot complain about this at all.

One also cannot complain about the first band of the night ‘Fiction plane’ which features Sting’s son, Joe Sumner, on vocals. Seton Daunt and Pete Wilhoit make the rest of the band. I was blown away by these guys. They are a three piece band from England who brought out an EP in 2001 under the name ‘Santa’s Boyfriend’ and changed their name before signing to a label. Although sound was quite bad from where we were sitting probably due to the MCG not being the best venue for rock and roll music – the music echoes and I feel the music gets lost in the large amount of open air - I still got the feeling that these guys rock. I hear they sell out shows in their home town and around the world and I can see why. This is a band I would see again. They could be described as pop rock, guitar rock and even melodic rock.

Next up was Fergie from the Black Eyed Peas. I thought it odd having her support The Police. Itdidn’t seem the correct mix, and judging from the crowd's response I was right. She bounced about the stage, long hair being whipped around till I began to think her head might fall off. There were 6 dancers with moves and grooves. Fergie, looking sultry, started singing ‘Girl Can’t Help It’ then we heard songs such as ‘My Hump’ (should be called my agony – yes I dislike this song), lots of bum views, shaking that ass. I couldn’t understand her talking as there was still an echo in the sound. There was a medley of BEP songs, which still didn’t seem to shift the crowds on the ground. I think the people around me clapped the most! There were a few costume changes then some covers -‘Live and Let Die’, ‘Start Me Up’ and ‘Black Dog’. No, she didn’t do them justice. There were heaps of empty spots around the arena and although I did hear the MCG wasn’t sold out I think many fans decided to come after Fergie. Baracuda was sung whilst performing cartwheels, then a new outfit, a gold dress, and after a few more songs we heard ‘Fruitilicious’ and we were thanked by Miss F then off she fluttered.

It was getting dark, and the show was held off a bit for the Australia Day fireworks held over the city. Finally the crowd screamed and cheered at the first sign of The Police. SOS is the starter song which had the stadium cheering even louder. Songs we heard are ‘Walking On the Moon’, ‘Don’t Stand So Close To Me’. Sting truly has an amazing voice and thankfully the sound was enjoyable throughout the set. At one point we were shown a grasshopper which seemed to have taken a liking to the stage and sat neat Sting for the entire show - at one point it was sitting on his water bottle! The band may be older and grey but they can still belt out tunes and play those instruments as if they are teenagers again. More songs include ‘Every Little Thing She Does Is Magic’, ‘De Do Do Do De Da Da Da’, ‘Walking In Your Footsteps’, ‘ I Can’t Stand Losing You’, ‘Roxanne’ (with appropriate red lights), ‘So Lonely’ and ‘Every Breath You Take’.

The MCG went crazy even though it was only half full. Most people danced and sang away and thoroughly enjoyed themselves. This was my first time to see The Police and I was most impressed. Sting tells us the last time they played here was in 1980 at Festival Hall.

It was a beautiful night with clear skies, a few wines and a truly memorable performance. Rod Laver would have been a more fitting venue, but hey, I’m not complaining about my seats!

Thanks Mushroom Music :-)

Goodby Motel and Armen Firman

Band: Goodbye Motel and Armen Firman
Venue: The Public Bar
Date: November 18 2007
Reviewed By: Adam Sharp

The pendulum of musical dominance has traditionally swung between the UK and America. Individual cities have taken their turn fronting their countries’ periods of ascendancy within the alternative music realm; Liverpool, Detroit, Manchester, Seattle, London and New York all being considered the place where all other bands look to for inspiration at one time or another. Recently Canada, and specifically Montreal, has emerged as an additional player in this tug of war, spearheaded by Arcade Fire, Wolf Parade and The Stills. Scandinavia is also proving to be a hotbed of groundbreaking bands of late, from Denmark’s Mew and Kissaway Trail to Norway’s Poor Rich Ones and Sweden’s Shout Out Louds. Melbourne may well be the next major contender to the throne and tonight’s two acts may well be at the forefront of such an uprising.

First on in the tiny Public Bar is the ever-growing in stature Armen Firman. The five piece clearly just love being on stage and their presence on it is becoming more assured with each of their high octane sets. The Kashmir influenced Long Lost Cause with its rampageous snare drumming, anthemic choruses and soaring riffs has never sounded better. Crowd favourite Porch Dweller bounces by with a delightful insouciance on the back of a meandering bass line and gently cascading guitars.

Though headliners Goodbye Motel have been together for less than two years, half of its members have played together for over a decade. This shows in their cohesion and highly developed understanding of dynamics, showcased impeccably by the insistent surge of All That Bad or the expansive sweep of Hell Out Of Here.

Goodbye Motel’s sound successfully melds the sprawling Northern Soul era The Verve with the accessible musicality of Death Cab For Cutie and the wistful atmospherics of Swedish band Kent. Their influences are tightly woven together with their own innovative thread to create a mesmeric blanket of sound. They demonstrate how far they have taken this sound with Sooner Or Later which begins when a mournful piano coalesces with a distant sounding, tribal drum march and hushed, treated vocals; the track then builds majestically before ultimately taking off.

It would not be too bold a statement to say Goodbye Motel and Armen Firman are two of the finest indie rock bands currently plying their trade in Australia. So if you want Melbourne to triumph in the almighty global tussle for supremacy check them both out at once. Your country needs you!

Mojo Juju, Snake Oil Merchants, Chickens and Robots

Band: Mojo Juju and The Snake Oil Merchants, supported by Made For Chickens By Robots
Venue: The Old Bar
Date: Saturday 19th January, 2008
Reviewed By: Heather

Well, these are definitely two of the most interestingly-named bands I have ever seen. It took me a little while to settle into the groove on that wet afternoon in Fitzroy, but once I was there I never wanted to leave. I have Emma Wild to thank for the experience, after she repeatedly and heartily recommended I check out Mojo Juju's Myspace. I'm so glad I did.

I stepped into The Old Bar, thankful for the reprieve from the weather. As the name suggests, it's old. The walls are plastered in Elvis, Marilyn Monroe, Bob Dylan and vintage movie posters, along with The Old Bar's own gig flyers. Various relics and bric-a-brac probably scrounged from Grandpa's shed rounded off the decor. A decent-sized beer garden out the back contrasted with the tiny bar, small adjoining band room and pint-sized stage.

Made For Chickens by Robots is a one-man-band. Times seven, but still only one man. A megaphone, a suitcase, a guitar and some other interesting instruments (read: I have no idea what else he was playing) rounded out a very bizarre but intriguing act. In the absence of words to describe the scene on stage, I'll lift the blurb from the website:

He can count to 3 in seven different languages. He uses only the finest selection of low quality factory-rejected farm animals, such as a moo moo cow, a bah bah sheep, and a billy goat that sounds more like a broken moped than a goat, to authenticate his sound. One-man-cowturd-band from Stinker, Australia, MADE FOR CHICKENS BY ROBOTS plays resonator guitar, bangs a suitcase and an icecream can with his feet, conducts a choir of Australiana farm animals, and mumbles incomprehensible rubbish through a bullhorn megaphone with just the one mouth and four limbs he was born with.

So. That's him. The megaphone made for some fantastic DIY sound effects, and they fit well with the slightly thrashy old school rock/blues/garage/sideshow sound that came from the stage. Despite my furrowed brow and my difficulty in comprehending exactly what I was seeing, the oddly catchy tunes caught me by surprise and I found myself enjoying the show. It's a must see for anybody who likes... well, either doesn't like anything or loves everything really, because there is absolutely nothing I can compare the music to. All I can say is get along to a show and attempt to figure it out for yourself.

After a short break and some sound checks, Mojo Juju took to the tiny stage with The Snake Oil Merchants crammed in around her. I was a little worried they ran the risk of being hit with the trombone slide, but the set was uneventful in that respect. There were six instruments in total - an abbreviated version of the album musicians - drums, trombone, bass, guitar, accordion and singing saw.

I felt as if I'd been transported to the high seas in the 1600's. Gypsy and pirate references were scattered about the lyrics and Very Difficult To Pronounce's affirmation "We're for dancing!" set the mood and left no doubt as to what the band was there to achieve. The accordion and singing saw were not just there for show - both were applied liberally and the odd coupling actually worked incredibly well.

Mojo's voice was a huge surprise. Her sultry blues tones were gorgeous, and the depth in her voice could give Aretha a run for her money. Her massive notes were effortless and her scatting masterful. I couldn't have been more impressed.

Very Difficult To Pronounce, The Clown Prince of Misrule (the voice of The Snake Oil Merchants) is the embodiment of Borat's rebellious brother. He acted out the song lyrics and danced amongst the crowd serenading members of the audience and ordering beer from the bar. His melodromatic antics provided the off the wall comic relief that really made the performance.

Unfortunately, the timing of the gig (mid-afternoon Saturday) meant that the oft-requested dancing was almost non-existent. I would love to go to a later performance one day to see the night time side of the band. The impromptu singalong of "La la la la la la la la" during The Warning was a great ending to an unforgettable afternoon.

I hear tell they may be back in March 08. Let's hope.

The Jackson Jackson Genie

Band: Jackson Jackson, supported by The Genie
Venue: SoCo Cargo, St Kilda Beach
Date: Thursday 10th January, 2008
Reviewed By: Heather. Photographs by Alex.

It was a hot and balmy night with gorgeous views of the sun setting over Port Phillip Bay when we entered St Kilda's flavour of the month venue, SoCo Cargo.

A red carpet led us into the club, which is a temporary structure created from shipping containers. In February it will be packed up and moved to a new location. For the time being, though, I couldn't think of a more fitting place for it.

Once inside we were treated to ultra-trendy interior decorating. Funky retro lamps and comfy couches combined with traffic signals, gorgeous picture frames and swirling lights and made it seem very little like converted containers. The bar was well stocked with a lot of premixed Southern Comfort - other drinks were available, but a little more hidden away. I was pleasantly surprised to see jugs of iced lemon water sitting on the bar. It was a very welcome change from paying premium prices for tiny bottles of water, and in my view much more responsible. I'd love to see more of it from other venues.

A small door led out into a little courtyard. It would have been a lovely area, except that one whole wall was actually the line of port-a-loos. However, out in this tiny outdoor area I found Harry and Will lounging around before the set started. At the risk of looking like a teenaged groupie, I headed over to introduce myself. It was great to meet the people I've seen so many times on stage.

Eventually, The Genie took to the stage. This little group is made up of three of the members of Jackson Jackson and The Cat Empire, Ollie McGill on keys, Will Hull-Brown on drums and Ryan Monro on bass guitar.

I'm not really a fan of electronica music, so I wasn't sure if I would like the performance. However, by the second song I found my feet were tapping of their own accord. So - how to describe their music? It was everything from electronica to reggae and back. Sort of how I imagine Ministry of Sound stuff would be if the musos were all on acid. Ollie has revived the keytar and brought it into a new era. Like the Rain Man of keys with a touch of schitzophrenia, he dived into the keys and somehow among the frenzied thrashing, the music that came from his his keyboard-surrounded corner was completely different, and unbelievable, and extremely off-centre. With only the three musos onstage, Ryan's bass came to the fore. Usually pushed back behind the rest of the band, doing his thing and remaining relatively unnoticed, he rushed forward with incredible bass riffs and showed his mastery. Will, what can I say, he played. He really, really played. For over an hour. Then he got onstage with Jackson Jackson and got another workout. On a 40-odd degree night, it was astounding. The tempo and rhythm changes were relentless, but he kept on top of it the whole night.

I didn't recognise any of the tunes played by The Genie, other than Dr Who, which was a roaring success. My husband was absolutely positive he heard the Car City jingle in the first song, but I'm rather dubious about that. Suffice to say, The Genie do what they do. And they do it well. No, I'm not an instant fan, but I'm a great admirer of musicians who master their craft. Of which these are definitely three.

So. Onto the main course, The Genie returned to the stage as backing for Jackson Jackson, the brainchild of Harry Angus and Jan Skubiszewski. Harry was his usual self - commanding on stage and creative in his direction of the band. Jan was his usual self too - frantically pressing buttons and masterfully co-ordinating his, um, button-pressy-thingy. I have no idea what it's called, so for the purposes of clarity I'll call it a desk. Anyway, whatever it is, it worked. He pressed the buttons and made magic come out. He even had some pretty impressive button-pressy-thingy (desk) solos.

Unfortunately my favourite Jackson Jackson Five member, Elana Stone, was sick, but the other three girls carried the performance of amazingly well, joined by bass singer Rory Osman.

The night went along, well, almost hitchless. Harry brought out his falsetto, and once he remembered his cue, Ollie was fantastic on his keytar at end of Cats Rats and Pigeons. My standouts for the night were definitely Eliza and Grab a Gun. I was disappointed A Hole in the Garden was skipped in favour of the not-quite-Jackson-Jackson-ish "Lonely Ooh", but I don't get to write the setlist.

There was something slightly lacking in this particular perfomance, though. I wouldn't have noticed had I not attended their gig at the Corner Hotel in 2007, but the night in general was missing a little atmosphere. The electricity in the air was running a few kilowatts below what I had heard before. I don't know what to put my finger on as the cause - the band, the crowd or the venue - but there was a definite difference. It's a negligible niggle in light of the fantastic night that was completely owned by Harry and Jan.

As we bid goodbye to St Kilda beach for the evening and walked down Acland Street the sounds of Jackson Jackson followed. Their hypnotic rhythms and seductive lyrics will still be with us for a while.