Wanda Jackson Has A Party

Band: Wanda Jackson
Venue: The Corner Hotel
Date: 18th June 210
Reviewed By: Espylyn

Wanda Jackson – the first lady of rockabilly came, sung and kicked some 71 year young booty to all punters at The Corner Hotel tonight. At first the big band behind her pumped up the crowd by giving Wanda an introduction that lifted the roof off and then out she came appearing comfortable, flashing those pearly whites and before too long she threw up the microphone and began with Mean Mean Man which finished with rapturous applause.

She ripped into old and new tunes and satisfied all the crowd who constantly heckled and declared their love throughout the entire set. Anyone would think she has never toured here before with the amount of love and applause in the room tonight!

Wanda spoke about her time with Elvis Presley and how she ‘dated’ Elvis for a couple of years and even wore his ring and she went on to say she did kiss him but laughs and ads “although the person I married is a better kisser”. Meeting Jack White she tells us was an amazing experience and she spoke about her up and coming album due out later this year.

Songs like Fujiyama Mama, Heartbreak Hotel and Chicken on The Ground as well as seducing us with her high vocals and yodelling to boot, it’s fair to say Wanda can rock up there with the best of them.

Punters alike were dressed to impress with their fringes, spots and bows in their hair, lots of rockabilly punters young and older.

After band introductions she went straight into the big hit Lets Have A Party before heading off for a quick break and then back singing more of the Lets Have A Party in the encore.

Wanda really is the atomic bomb in lipstick, hair and the first lady of rock.

Grinners are Winners

Band: Grinspoon supported by Gun Street Girls
Venue: The Corner Hotel
Date: 17th June 2010
Reviewed By: Espylyn

Gun Street Girls played to an almost full crowd showing us that Dave Larkin and co and here to stay, with songs off their debut album entering our ears, they play like they own the stage and of course have been on it many times before. Millenium Girl and One Slip Away are highlight songs.

Due to loyal demand, Grinspoon put on an extra one off show for Melbourne at The Corner Hotel which was well received and brings to light their sixth studio album Six To Midnight. Grinspoon gave punters tonight a collection of all that is good about Grinspoon; lots of hits from all albums and a stage show which gave way to moshing, crowd surfing and tonnes of screaming.

At first Phil starting sliding against the wall and knocking stage items over which made me wonder what we’d be in store for tonight but that spectacle didn’t last long and he was up and pumped throughout for the rest of the show. The lighting is spectacular and it proved a good light show can help bring a performance to its peak.

Songs tonight included Hard Act To Follow, Chemical Heart, More Than You, Sweet As Sugar and Comeback and many more.

The sound is loud and rocking whilst punters unleash any fury to the mosh pit and when Phil flashes his smile the punters pause for a moment to witness it. Pat Davern on guitar rocks out, Joe Hansen on bass gives us some mighty thumping bass sounds and Kristian Hopes on drums keeping the beat that is Grinspoon.

Phil Jamieson and co put on a hell of a show and left us wanting more.

The Man formerly known as Cat Stevens

Band: Yusuf Islam with support from Noxshi
Venue: Rod Laver Arena
Date: 16th June 2010
Reviewed By: Espylyn

Tonight there was never a doubt it would be a sell out show for us to witness Yusuf Islam perform after an absence of 36 years in Australia, and what a show we witnessed. From beginning to end the crowd ate up each note and each word Yusuf spoke.

Yusuf sang tunes sitting from his chair with support from a fantastic band. Songs included Avoid City After Dark (newbie), Where Do The Children Play, Matthew and Son and a collective mix of hits told around a story that Yusuf wrote (and is soon to become a stage production of a boy living in a world lit by moon shadows) and the background displayed throughout the night that was amazing, Tim Burton-esque drawings.

A quick break for Yusuf and punters alike and its more tunes which take us on a ride of calmness and relaxation entwined with body swaying. A voice that has not altered over the years -smooth, clear and happy, a man who obviously loves life and a man whom I am certainly glad took time to tour after so many years absent from the advertised music life. As a child Yusuf survived tuberculous and as an adule he found God after nearly drowning in the ocean.

Some jokes, new tunes and some of his top shelf songs such as Wild World (also sung partly in African), Father and Son which was dedicated to his son who is in the band that supported tonight, Moon Shadow and lastly Peace Train.

Yusuf left us with a good feeling surounding us and he took us on a ride that hopefully will not be another 36 years of wait.

British India and Big Scary at The Corner Hotel

Band: British India with support from Big Scary
Venue: The Corner Hotel
Date: 11th June 2010
Reviewed By: Espylyn

Big Scary came out (a two piece Melbourne band), with minor appeal that soon tore that aspect away, blasting away the punters in the corner who were at first talking amongst themselves but not long into the set the punters shut up and took note of this band. Old time rock, riffs and melodies fused with vocal harmonies gave way for a potential up and coming rock garage band.

British India vocalist Declan Melia announced he had the flu yet paved his way through the set nonetheless. British India formed in Melbourne 2004 and with a sell out crowd tonight they showed us they won't be stopping for a while to come. The release of their latest album Avalanches was prominent tonight with a lot of tunes from this newbie but Declan told us at one point that "the old stuff will be coming".

I don't feel the punters were bothered about having new songs played as the crowd seemed to be a very attentive one at that, going nuts to almost all songs, even the more moodier, slower tunes! There was definatley something lacking in the vocals tonight but with the flu taking hold it must be hard to live up to expectations. The rest of the band gelled and showed us the music that is British India because when they are swinging, they are winning.

Jeff Martin @ The Corner Hotel

Band: Jeff Martin

Venue: The Corner Hotel

Date: 14th May 2010

Reviewed By: Espylyn



A full house and an excited audience is at the Corner Hotel tonight. The crowd are on the edge of their heels as Canadian Jeff Martin takes stage with bassist Jay Cortez and tonight their world of live performances takes another bow into the Armada world that is Jeff Martins music. Thankfully we are also given songs from the Tea Party collection which blew Aussies minds in their hey day and again tonight. Jeff's voice is amazing, his spoken voice blows my mind away.

We were given a few Tea Party tunes but as someone who sees most of his shows, I find the songs seem to be sung in the same style between his tours and this gets tedious after a while, with so many back catologue songs to choose from why doesn't he choose some different songs for his Melbourne shows.

Anyway, enough of that, Jeff gave us a tremendous show (apart from the terrible bass faux pas) and sublimed us with his luscious looks and vocals to send us briefly to another planet and realise just how lucky we all are to witness such an event.

Band: Gogol Bordello
Venue: Billboard
Date: 30th March 2010
Reviewed By: Espylyn

Forgive me for I have possibly sinned, I shook my booty and I allowed my senses to overload in the sweet Armenian punk band called Gogol Bordello (I could actually be at an insane Greek wedding instead for all I know). I watched as a full house almost blew the roof off with happiness and with no trepidation at singing at their highest and clapping to their loudest ability to a band that has taken the boring out of music and unleashed their own variety show. Pirates on stage, wiggles for wogs or perhaps the cuckoo restaurant performers are on drugs but really, this is one show not to miss.

The band did actually all meet at a Russian wedding so no surprises there, there was no first show as such, and they just played around at parties and jammed until they created international success.

The band consist of eight members, Elizabeth on backing vocals, percussion and stage prowling, Sergy on backing vocals and violin, Oren on guitar and backing vocals, Eliot on drums and backing vocals, Eugene on vocals, acoustic guitar and fire bucket, Pedro on percussion whilst contributing on MC, Yuri on accordion and backing vocals and last but not least tonight is Tommy on bass and backing vocals. The band consists of many nationalities including Russia, Israel, USA, Ukraine, Ecuador and Ethiopia.

Gogol Bordello certainly lived up to the hype tonight and although listening to their cd’s is great, seeing them live is really another kettle of fish. The anticipation leapt about the room before they came on and as the band unleashed themselves onto stage it was the bass and drums that initially captured our attention before the singer burst out onto stage and captivated more of our attention for the next 1.5 hours. Grab your boots and let’s go, people to dance city, to rock city, let’s tuck our troubles away and get into the swing and groove of the band that is Gogol Bordello.

Break The Spell is a fast paced tune which allows punters to unleash their inner dance creativity; Tribal Connection (off their Super Taranta album) incorporated some guitar solos whilst The Sun Is On My Side is a melancholy tune. Slap guitar and neon lights start off the big hit called Start Wearing Purple which is delivered with beauty and more dance, people are literally bouncing around the joint! Encore tunes are Alcohol and Baro Foro. Phew, what a show, one to tell the folks back home.
Note to self – my feet will forgive me next time for drinking more and getting involved in the mosh pit.

as seen on www.thedwarf.com.au

Wham,Bam Thank You George Michael

Band: George Michael
Venue: Etihad Arena
Date: 3rd March 2010
Reviewed By: Espylyn

We saw, he sung, we clapped, he wiggled and I can safely say George Michael has still got it what it takes to put on a huge arena sold out show. Fast Love opened the night followed by I'm Your Man where pictures of early Wham were placed on the screens on stage, Father Figure was beautiful and Everything She Wants was dam good (couldn't seem to make high notes though). George kept calling us Sydney throughout the first half and a lot of the crowd would chant "Melbourne, Melbourne" but that fell to his ears, it wasn't till after he break he apologised and blamed it on saying his mate called Sydney was in the crowd and that he was talking to him!

Melbourne was the final show for the George spectacular and in 114 shows he said Melbourne is the last stop. More songs included Star People and Too Funky which bit the bullet and provided more reasons for screaming and chaos around me.

Encore followed by Spin That Wheel, Feeling Good (Nina Simone cover) which had George puffing a tad (probably should have sung his own song then), then onto another cover (why why why?) of Roxanne and whilst he sung this the screens lit up with burlesque images.
For the song Outside a cop uniform was his clothing and finally we got Careless Whisper and Freedom.

Fantastic show, only bit I didn't like was the constant screen images of randomness when we could have been actually seeing him perform live on stage, sure we got that 50% of the time, but next time how about up that to at least 90%.

Thanks George, how about coming back before the next ten years are up!

A Very Big Day Out 2010

Band: The BIG Day Out
Venue: Flemington
Date: Aussie Day
Reviewed By: Espylyn


Australia Day at the Big Day Out is an institution. A day full of rambunctious Aussies and plenty of visitors pour into Flemington to see or perhaps only hear bands perform live from around the world.

As I arrived to the venue I was greeted with a ridiculously busy queue that barely dispersed but once through it was great to hear the end of Bluejuice as they powered it out in yellow tracksuits. Once into the front mosh of the major stages, Karnivool unleashed their beast and didn’t let old or new fans down. They played old songs including Themata and new songs including the haunting Simple Boy. Once the Vool had finished we all shifted out attention right to the American thunder dogs Mastodon. Close up their sound didn’t do their songs justice but they hit the mark right off with the first song off their latest album Oblivion and the crowd pumped their way through the set and when I was a little further back the sound hit the spot but it was time to check out Calling All Cars which have been receiving great reviews and they are supporting AC/DC in February.
Next it was the dash to see The Temper Trap but thousands had beat me to it, an hysterically packed lawn littered the front of the Green stage (defiantly needed to be on the main stage) and the boys didn’t let us down, the crowd moved and grooved to every song and once Sweet Disposition had finished it was like an evacuation, hundreds started pouring out (well about a quarter left) which had me wondering what I was missing out on elsewhere. The answer though was nothing, I continued to watch the set and then grooved on to checking out some markets and time for food. I missed the Eskimo Joe show; well I did manage to hear Black Fingernails, Red Wine which was pumping the main stage, so back to catch a glimpse of The Decemberists (folk, rock US band) and I found them to be rather pleasing and it was great to be able to sit down and kick back listening to their groovy tunes. A fifteen minute glimpse at Midnight Juggernauts – going off in the Boiler Room with lights and glitter aplenty as then it was time to fill up the water bottles and head back to the main stage. Alas I had to queue for about half hour which was rather scary at times due to people at the back pushing and shoving and people all around me so pressed up against me I knew I wasn’t going to fall over as I was held up by everyone . Small girls around me yelling to be let out and at one point all the security actually walked away and left us all wondering what on earth we’d gotten into! Lily Allen took stage and finally two songs in and we were running like sheep into the main ground, hands shaking from the ordeal and in amazement we all got through it. Lily Allen proved she has got what it takes to engage the audience with her fantastic crisp live vocals, Aussie flag outfit and flashing a plentiful boob! She sung all her hits plus more and I can say she was a surprising highlight for me. After her set we were given the boys from Mars Volta who provided an amazing set of colourful music and haunting vocals. Powderfinger got the Aussie’s pumped and it was clear these boys are a main attraction with the crowd singing word for word and a light show with zest. Final show of the main stage were those UK boys we know and love- Muse, and their set was powered with lights, extra screens and fuelled with rock and keyboards. Muse did not disappoint the crowd and the majority of us could not stand still. Nic Cester from Jet came out (Muse’s favourite singer) to sing Back In Black (by Muses favourite band, AC/DC) and this was fantastic, I was very surprised at how much this song rocked.

Leaving the showgrounds was an utter wipeout, ridiculous queues to the train so it was a long walk back to the car. This issue really needs to be looked at and fixed as it can bring a great day out to a disappointing end and more shade areas needs to be erected around the grounds.

On a brighter note, other special considerations to be seen are the photo exhibition called Documents of Rhythm by Simon Terrill (Australian) and sculptural amazement called The Uncanny by Clint Hurrell (Australian) which reflects a giant pelvis with two spines.

Well we came, we queued, we finally got out. Thanks Big Day Out for your 101th show!

Air Supply Review - rocking Hamer Hall with MSO

Band: Air Supply
Venue: Hamer Hall
Date: 14th December 2009
Reviewed By: Espylyn


Air Supply are one of Australia’s biggest exports yet they often are forgotten to be included in our top earners and achievers. The duo has been around for about 35 years and they have proved their longevity to audiences around the world with their stellar music and amazing stage presence.

I am the first to admit that tonight I thought I’d be in for a chillaxing night of love songs and passion sung by two extremely talented men and that there would be females in awe of this duo. The latter proved me right but not the chillaxing part. Air Supply put on a two hour show filled with rock and love and with just the right amount of orchestra. Yes, the Melbourne Symphony Orchestra is there, behind the band in full bloom taking us all on an even bigger journey of Air Supply songs. Soft rock is at its finest with Graham Russell and Russell Hitchcock known collectively as the singer and the song. They belted out the hits such as Here I Am, Every Woman In The World, All Out Of Love and new songs titled Me Like You and Dance With Me which are off their new album. Russell’s voice (the one born in Melbourne) is magic, so incredible live and a voice that hasn’t lost one iota of gorgeous sound. Graham’s voice (the English one) is softer and although he rocks out on guitar more, he proves that harmonised together their sound is unique and outstanding.

If you haven’t seen the band I suggest you do so before you regret it. Whilst Hamer Hall (balcony seats) aren’t the best view – one feels like they have crept in to see the band from up above – the night however will take you to a new level on your thoughts of the group Air Supply.
Air Supply, the ones that we love!

Jackson Jackson and the Melodics electrify the Corner

Band: Jackson Jackson, supported by The Melodics
Venue: The Corner Hotel
Date: 15th October 2009
Reviewed By: Heather

As we moseyed on down to The Corner on a blisteringly cold Melbourne night we were met by the sounds of The Melodics pounding out of the bandroom. The sound warmed us slightly as we queued for our tickets (note to self: have them posted next time! Spring weather in our Melbourne Town is far too precarious for queuing) then we made our way in to find the night's lineup had an earlier start than we expected. Fortunately for us, we didn't miss The Melodics whole set because they were - for want of a better word - un-freakin'-believable! As a Melodics virgin I found myself drawn in to the stage, and one song was all it took before I was dancing along with the rest of the crowd. Everybody knows how hard it is for a support band to get people moving, but not many could stand up against their funky electro-hiphop sounds with that irresistable groove. Immediately after their set I lined up for a CD which I know will remain a staple in my car's stacker. If you haven't seen The Melodics, do yourself a favour and hunt out one of their gigs. I'd love to see them as a headliner rather than support myself.

Fashionably late to arrive on stage (even though most of them were walking around plugging things in and doing sound checks in the interim), Jackson Jackson came out to the customary crowd roar. Despite his recent fear of razors and clippers, Harry was as comfortable on stage as he always is, belting out ISBD and All Alone, and showing his range of vocal abilities in Eliza and The River. Grab a Gun was the standout, with the audience punching the air in unison to the anti-violent sentiment "Throw out your guns!"

The Jackson Jackson Five had shrunk slightly to become the Jackson Jackson Three - only Elana Stone, Karishma Sadhai and Chantal Mitvalsky were there, but they danced and strutted as if there were ten on stage. I always wait in anticipation to see what kooky and cool outfits the girls appear in and they didn't disappoint, stepping out in a range of little black dresses with brightly coloured tights. These girls make backup singing into an art form, and lend a bright, exciting air to the show.

The Genie were on stage as always, Will drumming and looking no worse for wear after his recent foray into fatherhood (congratulations!) and Ryan playing bass looking completely relaxed. Ollie played the most epic keytar solo I have ever seen - at least three minutes worth - as the band exited stage left. Some chanting of "Encore!" brought them all back out a few minutes later to play a rather strange choice for a final song - Lonely Ooh - with the parting lyrical gesture "I don't know how to save the world".

Neither do we, but Jackson Jackson sure do a great job of slamming popular culture and searching for a better way. Maybe there IS something deeper underground.

Marilyn Manson creates a New Dawn

Band: Marilyn Manson with support from Hatchet Dawn
Venue: Festival Hall
Date: 10th October 2009
Reviewed By: Espylyn

Arrival to festival hall tonight and upon impact of the ear drums we are met with the local Melbourne band – Hatchet Dawn. Described as groove crushing metal blended with spooky heavy, guttural rock with riffs and catchy vocal hooks, they are a new dawn of darkness. With their debut EP titled Faith In Chaos they’ll no doubt have many grim followers who feel at home with the group. Instead of playing in a morgue or under the silvery light of the moon, tonight they made festering hall shudder under their weeping arms of uber loud music connecting with the mosh pit of emo’s, old rockers and die hard Manson fans. Great light show ensued with a very tall lead singer, Loki, with his vocals sounding like he just had his voice box removed and instead spoke through a machine! There were a few groovy riffs amongst the clutter of grave music. Hearing the bassist talk was kind of odd after hearing the singing as he spoke with a good ole Aussie accent and it didn’t fit the sound! Loki asks us how we feed and the crowd screams their unforbidden answers.

This tour marks the seventh album for the Marilyn Manson band and a circuit of 20 years in the business. Critics have hailed this as a major return to form with the album titled The High End Of Low which debuted at number 12 on the Aussie charts and number 4 on the US charts – their highest in the US for years.

Marilyn Manson made headlines many years ago with his shock look and different ways of expressing himself which led to him perhaps being crowned the King of Goth come glamour come rock. Manson is often seen with gorgeous girls and wives around him whilst speaking whatever the hell he wants to talk about, whether it be offensive or not. These days’ people aren’t shocked about his traits and churches don’t try banning him from entering our country. However the man puts on a mean show and is still a sensational performer – hat changes, coat changes, glitter to the max spewing out into the crowd and two slaves who bring him tablets of some sorts, mask with oxygen perhaps and provide him with towels and beer – although I must add out of a slab of beer he was given throughout the show, he would have only drunk half of one bottle as the rest was spat out at whoever was in his path and the rest thrown into the crowd! Then we’re given speeches mentioning how he ought to teach us about religion, drugs or sex but won’t to which the punters booed him and agreed with him.

The gig starts with the curtain covering the stage and it isn’t dropped when Manson and crew explode on stage, a few bars are played before the curtain is gone before us. Manson looking uber cool with his jacket pronouncing HELL ETC on it with any reports of swine flu appearing to be behind him and into the song We’re From America he launches. The stage remains hazy throughout the entire gig (I think I saw splashes of a band) with Manson being the sole view point whether he be in a stage held spotlight, a small light attached to the microphone or general stage lights, he is always the attention. ‘We love to hate, we hate to love’ the punters chant and into peril for Irresponsible Hate Anthem the band claim. Then straight onto Dried Up, Tied and Dead To The World and it’s almost cat and mouse games with his slaves, he’ll throw anything and everything on stage and out the slaves dash ready to collect his hat, or prop back his microphone in case Manson delivers a nasty execution to them perhaps?! Knife on the microphone is reminiscent of Psycho bath scene and he delivers Dope Show to the respondent crown. If you didn’t know all his songs then a few songs do sound the same but he’s still entertaining and you can’t help but watch this lead singer continuously. I’m not sure about putting a towel down your pants then throwing to the crowd is really umm becoming but hey, the fan that caught it is probably never going to wash it.....ever!

Rock is Dead is performed with Mason at the end telling off a punter for almost raping a girl and Manson’s statement is ‘nobody hurts a girl but me’. Tourniquet springs more crowd participation and then the Eurhythmics cover Sweet Dreams which consist of spooky light on the microphone which allows Manson to have a silent and deadly look about him (more than normal) and before we know it the encore takes place. Tonight’s gig ends on The Beautiful People with white confetti bursting out and covering the black crowd and it looked fantastic.

A sold out gig, a mosh pit with hungry emo’s and characters chanted and showed their enthusiasm for the man who is Marilyn Manson – prepare to be offended, mesmerised and taken aboard as a prisoner.

As seen on http://www.thedwarf.com.au/

Tex Perkins Black Cattle Dog Tour

Band: Tex Perkins
Venue: Prince Of Wales
Date: 9th October 2009
Reviewed By: Espylyn

Tex Perkins, is there anything this man cannot do? What a year its been with his white clad Ladyboyz, black clad Johnny Cash shows, writing an evocative soundtrack whilst getting together his collection of past music out on show.

A sold out night at the Prince and the punters can feel the celebration in the air. Behind the stage on a large screen a small movie consisting of items knocking over items which is rather amusing (kind of like that car commercial) till the noise levels reach above natural ear listening capacity to which all the crowd put fingers on ears and this screen continues on till the boys enter on stage. I must add that the screen is kept going throughout the night bearing pictures of objects, snow and couples having sex!

Once the small movie in finished, smoke machine fills the stage and out come the band - Gus Agars on drums, Charlie Owen on almost everything, James Cruickshank on keys and guitar and Joel Silbershier on bass and not forgetting Tex the saturated crooner on vocals.

Tonight we're given many songs over the many genres of Tex Perkins. Half Of Nothing (TNT), Real Love (Dark Horses), It Won't Last (The Cruel Sea) and Speaks Different Language (solo). All unleashed with pure Tex charisma with lashings of spunk from Joel, edgy beats from Gus, twangy sounds from Charlie and glistening backing vocals from James. A show to never be missed because above all Tex is an entertainer and needs to be seen, as often as possible.

Johnette Napolitano wows The Corner Hotel

Band: Johnette Napolitano
Venue: The Corner Hotel
Date: 8th October 2009
Reviewed By: Espylyn

Its been a long time between drinks and Johnette Napolitano with Aussies. She is better known for her profound vocals in the band Concrete Blonde and tonight we're given a stellar performance of a mixture of her own stuff as well as Concrete Blondes.

An acoustic start ruptures with the song Amazing and many punters keep talking around me, so it was a few moves till positioned without having to hear someone's annoying banter. About three songs in we are joined with drummer which gets the place pumping. Johnette has strong stage presence and one feels that if she didn't get her way there would be hell to pay- at one point she pointed out someone recording and commented how she would shove it up their arse if they continued but did follow that statement up with 'I'm just kidding'.

Dancing around stage one minute, dedicating a song to her late father another minute and being a diva the next, I can safely say its a great gig to witness. A cover of Midnight Oil's Beds Are Burning was aptly done and I cannot stress enough of how wonderful her live vocals are.

Songs of Concrete Blonde that she sung are Mexican Moon, Bloodletting (The Vampire Song), Joey and ending the night on Tomorrow Wendy - an acoutic moment. Other songs include The Scientist from her latest cd and Souvenir from her Pretty and Twisted cd (thanks anon).

The Wild Child Suzi Quatro

Band: Suzi Quatro supported by Six Hours
Venue: Palais Theatre
Date: 12th september 2009
Reviewed By: Espylyn

Six Hours was a fairly good choice for tonights main act given that Suzi is a rock chick and Six Hours give us plenty of rock. They performed on stage like it was a natural phenonenom to do and the crowd seemed to enjoy their show. Long hair, guitars with grunt and a drummer with plenty of beat were displayed tonight in the beautiful Palais Theatre.

Suzi Q started on time and in clothes that wasn't her usual leather look (she went and changed into leather a few songs into the show) and with big smile on her face, a big stage presence and a great sound and light show, it is safe to say that she'll keep coming back to Australia. Suzi told us she'd been touring for about 25 years and that she'd been here roughly 23 times and a few fans put their hands up when she asked how many punters had been to all her shows, suffice to say, a Suzi live show is one to be seen, kick yourself if you missed out.

With hits like Stumbling In, Wild Child, Your Mamma Won't Like Me, She's In Love With You and Can The Can. Suzi made the stage her playground and got the crowd leaping up to dance and have a blooming good ole time. Devil Gate Drive was a notable hightlight and her last song of the night was her tribute to Elvis Presley - Singing With Angels-Suzi told us the story about how she said no to meeting Elvis at one point early in her career because she thought she would have another chance (Elvis was her inspiration). An odd choice of song to end the night on considering her 'label' as a rock chick - it would have been nice to get everyone pumping again before departure but still Suzi did the song beautifully and its a well written song. A great performance, a great live show, sung with a fantastic live voice and it will be a show that will be in the hearts and memories of all the wild childs out there.

Buy Tix to Shihad, Lisa Mitchell and Tex Perkins through Melbourne Live!


Ben Folds has many Dedicated Aussie Fans

Band: Ben Folds
Venue: Palais Theatre
Date: 3rd Spetember 2009
Reviewed By: Espylyn

Ben Folds has really dedicated fans (and a sold out show), I mean really dedicated. I haven't seen that kind of heroship for a while and it was actually kinda cool to see. The show was just Ben and his piano and two hours of tunes for everyone to lap up. Did I mention the fans were dedicated? All sat in their seats (with some on the edge) addicted to hearing Ben play and the clapping was immense. Ben didn't have to do much work to get the crowds involvement, they clapped, sung and heckled all on their own and a lot. At one point he started hiding under his piano because the heckling was that strong! And why not....he sold out shows in 2006 and this is his first tour back down under showcasing three albums since he was last here.

His music was rather upbeat considering the lack of instruments, and he is a very entertaining man. We got lots of stories, a bit of swearing and even a surprise visit by our very own Missy Higgens whom Ben says is his favourite Aussie musician. He unleashed his cover of a Dr Dre song which displayed mega swearing in it but was done rather aptly, and he tells us he had to do a cover song as a B side for a UK single and this was the song he chose. Ben played many known and unknown songs, many new songs and some dedicated to his wife.

There were Ben figurines for sale and they sold out within ten minutes so maybe you were lucky enough to get one, something a little different for the fans. The night ended and although after one encore Ben didn't come back, the crowd kept clapping till houselights came back on. If this night doesn't get Ben back into the country soon, then I don't know what will!

The Man In Black - Tex Perkins as Johnny Cash

Band: Tex Perkins as Johnny Cash 'The Man In Black'
Venue: Athenaeum Theatre
Date: 1st September 2009
Reviewed By: Espylyn

Lights, music, action - and out comes Tex Perkins (Johnny Cash) and Rachael Tidd (June Carter) to join the band The Tennessee Four who comprises of Peter Luscombe on drums (Rockwiz), Steve Hadley on bass (Men at Work), James Black on guitar (Rockwiz) and Ash Naylor on acoustic guitar (Even). Walk The Line is the first tune to hit the crowd who straight away leap into applause at the hit song. Tex, known for playing multiple musical roles, has taken a shining to Cash, a musician he has followed ever since he can remember so tonights opening show must be a highlight in his 27 year career. The music stops and Tex (black suit with white shirt) greets us "Hi, Welcome Ladies and Gentlemen, my name is Tex Perkins and welcome to the life, times and musical celebration of one of the greatest singers and songwriters, and entertainers ever to grace the stage, that would be Johnny Cash. Eruption of screams and whoops and some bad heckling ensue.
Tex displays Cash in fantastic form, putting narrative stories, comedy and a voice perfect for this role all into a two hour show. Both Tex and Rachael narrate the Cash story between songs starting from the time Cash was a young boy to his musical beginnings and then ending at his and June's death. The narrative side of things is a little rehearsed and sometimes a little missed (Tex, don't think of giving up music for the stage permanently!), but this aside, it was great to hear the Cash story from yay to nay and all in between. The band played brilliantly, the rhythm was present and the groove kept up throughout, even if at times when the narrative part was happening, some band members looked bored.

The second set started with the backdrop disappearing and we were given a simulation of the Folsom Prison show that Cash did in 1968 to the prisoners - this was a highlight in Cash's career and definately a highlight in tonights performance. Tex's suit changed to totally black in colour now and he displayed the Cash persona perfectly, I cannot fault Tex in this role. Tex and Rachael displayed stage presence with each other which clicked from the beginning - displaying shy glances, kisses and hugs throughout the show, it was plain to see they both enjoyed the experience. The sound in the theatre was clear and the lighting almost right. Tex played a mock guitar throughout the night, but hey, Cash with no guitar just would not suit, so this mock guitar works well. By the end the crowd couldn't get enough, Ring Of Fire ended the night but with constant clapping from the crowd all stage members were back with a medley of the big Cash hits including band introductions before final bows were taken.

Songs played, Hey Porter, Get Rhythm, Boy Named Sue, Don't Take Your Guns To Town, 25 Minutes To Go, If I Were A Carpenter, Ring Of Fire, How Highs The Water Mama, Hurt (Nine Inch Nails) dedicated to June Carter after she died by Cash and Were You There (When They Crucified My Lord) which was my highlight - Rachael's vocals here were sublime and Tex's deep vocals made me chuckle.

Tex as The Man In Black must be witnessed by all Johnny Cash fans. You will enjoy the narrative aspect, you will enjoy the voice of Tex so close to Cash's - full of that rich country sound and you will enjoy Rachael's narrative part and singing. This production is wonderfully blended with the Tennessee Four, a production that should be proud that a fantastic dream has been a reality.

Alice Cooper's Theatre of Death with Electric Mary

Band: Alice Cooper supported by Electric Mary
Venue: Palais Theatre
Date: 28th August 2009
Reviewed By: Espylyn

Electric Mary started the night with many needing ear plugs, the sound was incredibly loud. Not necessarily a bad thing for a band that strike a notch in many people's groove machines. With songs like Luv Me, One Foot In The Grave and Crash Down On Your Head -Rusty gave his usual frontman prowl and anger to release the songs in only a way that he could. The band had lengthy solo's as Irwin and Pete strutting their guitar action hero stances, Venom pounded the drums and Alex grooving the angry bass. A truly awesome band....

Now begins Alice Coopers theatre of death. A large sheet was on stage from the roof with his face and on the floor was a huge red oval reminiscent of a blood leak, the music started, the sheet dropped and there stood Alice on a round small platform and off into Schools Out he began. The crowd went nuts, the Alice Cooper look-a-likes went nuts and not long after he was guillotined - but naturally managed to come back! I don't know all Alice songs but he covered a range that spanned over his musical career including Poison, Welcome to My Nightmare and Only Woman Bleed. Many completists were in the audience having bought all tee-shirts, stickers and poster magazine and they certainly got their money's worth.

Alice and co tempted us into their lair with a fantastic theatrical show where highlights included Alice dying four times, the sexy nurse (his actual daughter) grinding her pelvis with an actual grinder and therefore sparks flying, a band looking like death themselves - but a very movable, active, rock your socks off death and the formidable costume changes and the fact for a older guy he could move better than some young bands I've seen. Hats off to the Theatre of Death and Alice Cooper for a great nights entertainment.

Bertie Blackman showcases her Secrets and Lies

Band: Bertie Blackman, Hungry Kids from Hungry and Kimbra
Venue: Hi Fi Bar and Ballroom
Date: 21st August 2009
Reviewed By: Espylyn

Tonight's cold evening didn't stop a sell out crowd at the Hi Fi Bar to witness Bertie Blackman in her first show here since moving to Melbourne and 'finding home'.

Kimbra opens the show with her guitar to a modest crowd. A strong voice and funky use of textured and layered vocals made me stand up and take note. Although her techie wasn't found at one time when she needed him it didn't stop her performance for standing out and her fifties sounding vocals made me feel Kimbra could go a long way in this field. With lyrics like 'Do you wanna raise a child with me' certainly made a few men with committment issues run far and wide, but it was her pop, indie, alternative rock sound that stood out. Lapse we are told is about marriage and how couples fall out of love whilst being in marriage and her cover of Goyte's Hearts A Mess was smoothly driven. Kimbra ended the night with I Didn't Start The Fire (no, not the Billy Joel similar sounding song!). I was very impressed with her sound and I hope many people persue her gigs around town.

Hungry Kids of Hungry were next, a four piece male band and a more MMM (radio) sound. Casio pop band with two singers. Keyboardist going off on keys and tamborine and displaying a great vocal lead at times, a drummer in touch with his cruisiness and a bass player grunting as much as his guitar. Many gaps in the show with general chit chat and lots of crowd participation throughout the set. The singer lapped up the stage and seemed to love being there. A good solid crowd saw this set and they left with many punters clapping.

Enter Bertie Blackman after a snippet of the theme from Twin Peaks (love that tune), and after a 'hello' she delves straight into Thump. The stage behind her is adorned with snazzy lights which are a fantastic show throughout, and cardboard creatures hang around the stage. A swig from her pint of beer and into White Owl, a pure strong voice was showcased tonight and I am amazed at just how good her voice in live. Wearing a black long see-through dress with black bra and undies underneath she doesn't leave much for the appeasing fans. Clocks is next which for me is a dreary song and followed by some duelling keys on Lost and Found. Black Cat possesses dirty synthesizer and Byrds of Prey displays a growl in her vocals. After only 40 minutes she takes a break saying she wont be back but for those who believe her and who have their jaw on the ground, she laughs and says of course she'll be back! Bertie comes out again with a new song that she has written especially for us, an acoustic number that gets the punters hearts going. Band enter and they cover the Sting song, Something In The Air Tonight, which was covered well but way too drawn out. Bertie tells us she is living in Melbourne now and moved here about four months ago, she has been looking forward to tonight for ages, she also mentions that this is her home town now, and to any Melbournite I can safely say many people smiled knowingly to this comment. Her last song to cap off the evening is Sky Is Falling, which we're told is her favourite off the new album titled Secrets and Lies. I hear many people leaving saying what a great gig and I agree. There will be many people wishing they'd come along tonight as well and maybe next time Bertie will be playing in a larger venue.

Bertie is a great muso, she talks with the crowd, tells stories, swears and seems to have a real good time on stage, this is one girl with a great career ahead of her. Thanks Bertie and may Melbourne carry you in their hearts as well.

Ross Wilson Rocks with Five Decades of Cool

Band: Ross Wilson
Venue: The Palais Theatre
Date: 14th August 2009
Reviewed By: Espylyn

Ross Wilson stormed the stage at the Palais tonight to a nearly sold out gig. The original member of Daddy Cool and Mondo Rock put together a stellar display of oldies mixed in with the newer songs. After five decades performing many hits Ross took to stage tonight with many fellow musicians including Ross Hannaford, Stu Fraser and Mike Rudd.
Many punters flooded the bars and drank in excess and therefore were seen to be going back and forth to the bathroom, whilst the rest of us looked upon this Aussie sensation with awe. Dressed in a suit and giving us many dance moves and grooves, Ross showed us he is a force to be reckoned with. His voice displayed perfectly in this theatre, reaching the back of the dress circle and those punters not going to the toilet were dancing in their seats.
Songs like Come Said the Boy was a major crowd pleaser and when Jimmy Barnes hit the stage for three songs, the punters eyes lit up with love and affection for another Aussie favourite. I did see Jimmy after his songs, checking out the merchandise and lovingly scooping his wife for a hug (awww).

Part two started with some Skyhooks songs, as Ross did produce a couple of their records so we got Horror Movie and Ego which were nicely done I thought, and at the end of the night the song which would have been a great last song was the famous Eagle Rock which went off with a bang, a would-have-been perfect ending (due to many people leaving thinking the show was actually finished!) to the show- loud and vibrant - but no, they came back for the quieter Daddy Who?Daddy Cool! number then Love Journey finished off the set and although many punters had started walking out after Eagle Rock finished, they now all littered the aisles waiting for the song to end, then they were on their way, not forgetting to grab their free cd on the way out!
Thanks Ross for nearly five decades of music, hopefully a celebration of a successful night:)

Calling All Butterfly Effect fans of the Dead Letter Circus

Band: Calling All Cars, Dead Letter Circus, The Butterfly Effect
Venue: Forum Theatre
Date: 18th July 2009
Reviewed By: Espylyn

Calling All Cars are first on tonight and the crowd is already cramming into the beautiful room at the Forum Theatre. A lovely stringed start then the three piece open with Disconnect, a loud song with tempting beats and open mouthed poses from the band. Shake Girl follows with awesome drum licks whilst the two guitarists prance around on stage. The singer runs to the speakers for some on top of speaker action before he jumps back on stage to get into the next tune, Runaway- another fast song. Soldier On has a cruisy beat and the new song (off the soon to be released album) Cold Cold Fire displays energy from the band but this energy is in every song tonight. This is their first home town performance for a while and judging by the crowd’s reaction, it won’t be their last.
Dead Letter Circus have the potential to be a massive band and Clint from The Butterfly Effect said later during their show that he feels this band will be the next big thing and he hopes to be riding their coat tails for some time yet. The theatre is practically full now to see this band support the main act tonight and I’d say this gig is sold out due to the amazing line up of all three bands. Kim Benzie (vocals) has high vocals (reminiscent of Ian from Karnivool) and there is plenty of flashing lights to help the four piece spill forth their fast paced groovy songs. The two guitarists give the show a thicker sound whilst the drummer plays in sync with his quick and racy beats. The band really gel together live and Kim has fantastic live vocals. Song in the Wall is played and this is from their new album due out soon, the song is completed with a haunting guitar sound. The crowd belt out the tunes with the band with enthusiasm, spirit and warmth.
A lengthy wait and finally, lights down and the tune from Dire Straits - Money for Nothing, is blasted around us, we only the start of the song before the band come out and into Window and the Watcher which was like unleashing a beast on stage, Clint Boge on vocals sporting a military style jacket and gracing the stage with his ever felt presence. The song is off their latest offering Final Conversation of Kings. A red screen behind the band has flashing lights and we all know it’s going to be a top gig tonight. The Butterfly Effect hail from Brisbane and have been around since 1999 and something tells me they’ll be around for a few more years yet. The crowd are going insane, rock hands in the air and just about everyone is singing the songs around me. Rain is next displaying energy from all band members - Ben Hall on drums, Glenn Esmond on bass and Kurt Goedhart on guitar and tonight they are fully pumped. Around us moulded into the theatre, the naked young male statues which are all around this theatre, watch on, and I can’t help but wonder what they’ve seen over the years!
The pure energy of The Butterfly Effect cruises into Slow Descent (from their last album Imago) whilst the images on the screen make me feel like I’m on the train ride and I have to say that Clint’s vocals are the best I’ve ever heard live. The long notes are held and this makes for one strong performance and his signature moves and actions are displayed with wonderment from the audience. The next treats are Room Without a View followed by In A Memory with its bouncy bass and reckless drum beats. An acoustic version of Beautiful Mine (thank you for singing this x 1000) is such a lovely song and the crowd go mad, a song that is rarely played live (from their first full length album, Begins Here), it is brilliant to hear the song live. Reach has a cruisy edge and long vocal strands, and allows the audience to sing out loud -word for word whilst Perception Twin rocks the stage and Gone is another crowd tickler which Clint dedicates to the ladies in the audience. The next song is a cover from the 1980’s, Reckless, by Aussie Crawl. Some of the crowd find this the time to head for a beer or a toilet stop but Clint and co performs a reasonable job of the song and I still can’t understand the lyrical content!
Throughout the entire show the screen displays many images, some from album pictures from over the years and some are random images. For the next song Worlds on Fire we’re asked to watch the screen and then Clint tells us to remember we can do anything. Picture of wars enter our minds and allows us all to think of the catastrophes of war gone by. A beautiful guitar instrumental and then encore ensues.
Aisles of White takes us all on a journey whether it be to dance like crazy or sing no matter how good or bad we sound, and the light show goes mad around the stage. Sum of 1 ends the night and Clint tells us it’s the best show of the tour and it’s not something he says often. Melbourne is one top crowd and all the Melbournite’s give knowingly looks of agreement to Clint. As we leave the gig a cold blast tells me the front doors are open and it’s into the cold Melbourne winter night to follow, but a fantastic gig and happy chatting voices of the punters, tells me The Butterfly Effect put on one hell of a show.

features on www.thedwarf.com.au

Old Friends - Simon and Garfunkel

Band: Simon and Garfunkel
Venue: Rod Laver Arena
Date: 26th June 2009
Reviewed By: Espylyn

Tonight Old Friends gather for a memorable evening of hit songs from the 70's and 80's. Paul Simon and Art Garfunkel bring all their hits to a sold out show at Rod Laver and they do not disappoint. The two have been friends since school days and recorded their first record in 1957 and over the years have broken up a few times. In February 2009 Simon had Garfunkel appear as a special guest for an encore at Simon's show and a joint tour soon followed.
Tonight started with a quick video presentation of their life from school, to recording, to their hit songs then the video ended at Rod Laver Arena, a great capture of their life in the spotlight.
Hazy Shade of Winter was the first song of the night and I could feel the love in the arena for this duo. I am a Rock soon followed and their 10 piece band were on a roll tonight joining the duo performing song after song. Scaffolding which were placed in a tree formation hit the roof and the arms of the tree reached out over the stage - the scaffolding had lights and speakers attached to them and this look really suited the style of the performance tonight.
Scarborough Fair showed off more of their talented voices and Homeward Bound delivered an acoustic set from Simon. Old movies displayed throughout the show, showing good times and old times. Mrs Robinson was the crowd pleaser and Bright Eyes was delivered by Garfunkel with such beauty in his voice. Diamonds on the Soles of her Shoes was a great song live and got many people up and dancing, followed by Bridge Over Troubled Water (Garfunkle wrote for Simon) which recieved a standing ovation. Encore followed by The Boxer and the night was ended on the song Cecilia. Introductions of all 10 band members and big thanks for coming tonight. I leave the venue knowing I've seen a bit of history.

Get Out of Billy's Dreams and into the Palais Theatre

Name of Band: Billy Ocean
Venue: Palais Theatre
Date: 12th June 2009
Reviewed By: Espylyn

There was a cancelled support for tonights show so it was a bit of a wait for those who came early, but it didn't matter as Billy Ocean and band were going to entertain us tonight and we were all ready to dance in our seats. A fantastic show from Billy Ocean (aka Leslie Sebastian Charles) and his 10 piece orchestra. Displaying gleaming white teeth, which almost stole the show, Billy showed the crowd that he really is a legend (at a mere 59 years of age) and it was the songs of the 1980's that hit hard with the crowd. His 1976 hit Love Really Hurts Without You was the show opener and songs Suddenly and There'll be Sad Songs got the mood high as we all knew the bigger hits were to follow. Get Out of My Dreams allowed youngies to leap from their seats with hands pumping like time had gone back into the 1980's, and the crowd fully expoded into these hits by singing each song word for word. Loverboy was a beauty and When The Going Gets Tough was sung the security had a hard time trying to get people back into their seats whilst the crowd leapt around.
Billy displayed plenty of moves and grooves, dressed in a suit for the evening. Long hair and a happy persona were displayed throughout. How this wasn't close to a sell out is odd. The Palais was over half packed tonight and I bet many people are screwing up their faces with dispair as they missed a top show from a man who was a big 80's hit in the pop charts and his best of albums are double platinum sellers that continue to sell today.
The night was ended with Caribbean Queen which again got the crowd leaping about. Billy put on a fantastic show and with his orchestra to boot, and we were treated to a great night out.

Geoffrey Gurramul Yunupingu

Band: Gurramul with support from Ego Lemos
Venue: Palais Theatre
Date: 23rd May 2009
Reviewed By: Espylyn

Tonight I prepared myself to see a muscian who has been nicknamed The Voice of an Angel and I'm not sure if timing was deliberate but the show was played on the day the AFL call Dreamtime. Gurramul is supported tonight by a East Timor talented man called Ego Lemos with two fellow band members. Together the trio of highly talented musicians spoke and sung about the environment, politics and other issues with force and passion in their native tongue. In East Timor Ego Lemos is recognised as their top musician and tonight they brought their life and music into the Palais Theatre and they didn't dissapoint the crowd. A wide variety of punters joined the beautiful Palais Theatre in experiencing some very cultural musicians, be it five year olds to seventy five year young.

Soon the man the crowd came to see appeared. Gurramul was seated with guitar and into the music he leap. A shy guy who barely spoke throughout the show, yet his voice displayed no hint of shyness at all. Gurramul has around him his double bass player, acoustic guitarist and four violinists who captured his music whilst he played his native music in his native tongue. The backdrop consisted of three screens that translated to us in english the words that Gurramul sang about. This was a wonderful addition to the show as it brough awareness about his life and history that we may never have known. The screens also displayed pictures that were just beautiful. Although Gurramul barely spoke, his bassist told us stories and explained songs to us. When Gurramul did speak (to say thank you) the house lept into full applaude.
Gurramul's last song about his blindness was very touching and although he never does a encore, tonight he came back out with Ego Lemus and band for one last song.
Gurramul got the standing ovation he so duly deserved. Thank you for a perfect show.

Sierra Fin headline a dazzling array of performers at The Evelyn

Band: Sierra Fin, Plastic Palace Alice, The Good China & The Mischief
Venue: The Evelyn Hotel
Date: 18th April 2009
Reviewed By: Espylyn
To kick off the night The Mischief takes the stage with zing. A band that bloom from Sydney, they are a little bit country and little bit western mixed with a little bit of punkfuzz. Filled with frivolity and creation they fill the room with 60’s beat, punk and groove tunes that allow the punters to rise out of their chairs for a dance. Songs include Gentleman, Hollow Gold and On the Day. They won the 2008 NSW MTV kickstart Competition and have played the circuit with many well known bands.Next off the chopping block is The Good China (Melbourne) and they have an indie and pop sound, mixed with Chinese Pop ! They won the AIR New Music Prize at the 2009 St Kilda Festival (which will see them play the stage at St Kilda Festival in 2010) and they have also been part of JJJ unearthed. The eight piece band amaze many punters tonight with a plethora of instruments including, violin, banjo and melodica (gotta love this instrument), the band fill every orifice with floaty, groovy, happy, folk rock tunes. We are kept on our toes by band members moving around to play each other’s instruments. The show is very enjoyable and includes songs 39 Black, Window Seat and Turn the Page. The set ends on a collective noise and we’re left wondering how much better can the next band be!
Plastic Palace Alice (Melbourne) is the third act up tonight. A smartly dressed band which includes a male with a green bow in his hair!! A xylophone starts for No Shame and the six members bring a lush amount of rock and groove to the mixture. Explode is a new song and they follow this by Angle Matter and I’m Glad you Came. I’m sure I heard a bit of country clown rock at times with a cocktail of lush theatrical vibes thrown into the mix. Great band to groove too whilst the music is complimented with haunting female vocal s (*Emily Taylor*),- there is something special about the female voice I’m told by a punter who sat back with eyes closed taking her voice in. The bands changes instruments between them as they tried to upstage The Good China band.
Where does one start with a band who so aptly names their tour the Meet and Greet Tour? Sierra Fin are four young men hot off the press of their released EP entitled, Shake Stare Sleep, they headline some truly great acts at the Evelyn Hotel tonight . I can safely say the band pull off headlining the stage and they stand out with their voluptuous sound of orchestral experimental indie pop rock. The sound between music and noise can be flimsy and the results can end a bands lifeline. Sierra Fin craft their music to listening pleasure and the result is fine, dam fine, music.
First song to be launched into our ears tonight is Over my Head which is impacted initially by a boom and lead by the passions of singer Russ Tainton. Russ puts his all into the music, and the next few songs Polystyrene Dream, ScrapBook and Out of Favours show a very passionate front man and a band who seem right at home with the music that is Sierra Fin. At the back Frosty lets his ambitions loose on drum, whilst Oli slowly grooves away on bass leaving Joel pumping the keyboards. All members looking smart in shirts and vests and together they harmonise well. At one point we are greeted by a punter displaying some form of a monkey dance, perhaps the happy music allowed her to beam her energy into another type of mammal!Acoustic guitar is brought out for Been Sleeping (which is the first song off EP), a rocking song with an upbeat tempo and ends with the sound that is like twittering birds. Some ukulele trouble which is short lived then off they head into Claustrophobia, a rocking song where the keys gel with immense pleasure. Collaboration of the senses overloads and the drum solo takes hold. Russ heads to keyboard and mentions that they too can swap instruments. A mellow yet vibrant song, Wrapped in Plastic, that brings home a stellar performance. Russ pulling all the moves on the key solo which is touched by drums then Russ decides a bit of feet keyboard action is required much to the delight of the punters watching. Oli is the demure member of the group on stage fulfilling his ambience with rhythmic rustic moves. Russ sings the start of the next song Like a Stone and a touch of drum is added, then this thunderous tune is filled with gusty bass, a song complimenting the talent of the musicians. Russ gets members of all bands who have played tonight out from the audience and up on stage for the song The Square which has an Irish twist to it. The crowd can’t help but be pulled in to the music that is offered by Sierra Fin and yes, a meet and greet after the show is welcomed by all.

www.fasterlouder.com.au

Keane at the Palace Theatre

Band: Keane
Venue: The Palace
Date: 16th April 2009
Reviewed By: Espylyn

Keane are back, better than ever and taking the stage as its mission in life to reward their punters with some top notch piano rock music. Having sold over 8 million records, the UK (East Sussex) band, bring their latest album to our shores and what better way than to spend a Thursday night in Melbourne's fabulous venue, the Palace, watching a band who wants to take the stage over.

It’s been 5 years since Keane hit our shores and the crowd’s reactions tonight will tell me the band is forgiven! Keane are known for their piano song introductions using delayed and distortion effects on the keys. It was in the year 2000 when the band initially tried this different approach in the studio and it’s certainly paid off. Their first two albums have been listed as best albums of all time in certain UK magazines and they have a string of awards to add to their collection. The new album Perfect Symmetry has challenged the band and they love it!

I enter the venue and take pride in getting rather close to stage as there was a large area unfilled by punters. It didn't take me long to realize that it may have been empty due to a certain person in front of me dropping a few el-stinko's. So whilst I'm trying my best to catch the essence of the gig and not of that around me, I found I had to move about 3 songs into the set to get away from the smell! I pity those I left behind.

Keane fans are a variety of people of all ages (many with UK accents) and there is a solid crowd in the venue tonight. The punters are more than ready for the band and a grumbling through the speakers tells us its time- lights dim and out they come, Tom Chaplin on vocals and guitar (such engaging front man skills), Richard Hughes on drums, Tim Rice-Oxley on piano and tour member Jesse Quin on bass. They start the show with The Lovers are Losing which is the first single off their new album Perfect Symmetry, and Keane tell us this is their best album yet.

Everybody’s Changing is a boppy song, Tim going off like Paul Mac on keys, bopping and grooving away and spending about quarter of the time actually sitting on the stool, his performance tonight is dramatically pleasing to watch! Bend and Break takes us through some amazing light display, whilst singer Tom glides up and down the stage greeting fans and taking in the vibrant crowd. Nothing to Say is such a fantastic song, and the song is done justice live. Tom has a strong live voice which carries throughout the entire show without any form of tiredness. The song Again and Again has lyrics that glide around the room and next few songs This is the Last Time and Spiralling is music that takes me back in time to the 80's. Spiralling is a pretty song with lots of Woo’s blended into crowd participation. Keane certainly enjoy and are grateful to the crowd for clapping and cheering which is constant between songs - and loud!

The next section takes us on an acoustic edge with Tom singing Your Eyes Open then Try Again to which this song is joined with melodic keys and a big tom/bass drum that is incorporated into the tune and gives extra sound to the already defined song. Tom certainly enjoys this part of the set and the punters lap it up, they just love him!

Back to full band and lights and more grooving moves, You Haven't Told Me Anything ends with humble grins from the boys as the applause fills the room one more time. Can these boys get enough of this audience? I don’t think so! You Don’t See Me has a nice acoustic vocal start with shakers then the drum kicks in and is carried on with lush vocals delightfully wrapped in keys, the song ends with a boom and smiles galore. The album title is next, Perfect Symmetry, with sexy vocals from Tom blended with backing vocals by the rest of band, this fills the song up and it sizzles for crowd. Tom tells us we all need to raise the roof for Somewhere Only We Know which is soon followed by a high climax from Crystal Ball, definitely a stand out song. Tom is like a monkey on stage, and this song is such a funky moving song and before we know it, the thumping drums tell us the show has ended.

Thank you from all band members who leap up and clap us back and off they prowl. The crowd won’t give up, they beg for more and naturally Keane come back. Keyboard start and high vocals launch into Better Than This with jazzy snare sounds and a polished bass. Next song is delivered with bright white lights and a powerful rock start which then heads down a notch for Is it any Wonder and punters around me scream for joy. The band launch slowly into the song Bedshaped (not sure this is a fitting last song) and Tom’s vocals are still sounding glorious – his voice has barely missed a beat tonight. The crowd sing a long to this song, knowing it’s the last. Will we have to wait another 5 years? Judging from the Keane members, I don’t think so.

www.thedwarf.com.au

Snow Patrol and Jenny Lewis hit the Palais theatre

Band: Snow Patrol with support from Jenny Lewis
Venue: Palais Theatre - St Kilda
Date: 2nd April 2009
Reviewed By: Espylyn

Jenny Lewis is one hot buxom American babe. Leggy with a voice to match her startling presence. Jenny's style tonight is country rock but many people may know her from the indie rock band Rilo Kiley as well as her many walk in's on various sitcom's from the 1980's and many movie roles to boot. I'd never heard her music before and I was blown away by her voice and stage presence. Tonight there is a full band joining in harmonies for some songs as well as a male singer who belts out a few groovy tunes himself. Jenny is one person you all need to see live. I think I turned to the other side whilst seeing her performance! She may just be the next Dolly Parton!

A half hour break and enter an extremely loud Snow Patrol to a crowd full of beer and water (hot in the venue tonight). Yes I actually had to put earplugs in (voluntarily!!). A practically sold out show that almost did blow the roof with their music. Lots of hits were played tonight and the crowd were really nuts. A northern Irish/Scottish band with many punters of the same lingo, supporting flags and rather interesting dance moves (in dress circle anyway!). I enjoyed the set and I thought the light show was dazzling - many colours coating the stage and giving it presence. Belle and Sebastian drummer (see supergroup) joined them tonight and all Snow Patrol members pumped the stage at the Palais Theatre.

Couting Crows at the Palais Theatre

Band: Counting Crows with support from Clinton Cryton
Venue: Palais Theatre
Date: 30th March 2009
Reviewed By: Espylyn

The night started with many of us wondering who Clinton is, and I guess you can say his style is like Jack Johnson, similar looks and even similar in wardrobe. The crowd enjoyed his music which fulfilled a laid back, cruisy sound and got punters out to the merchandise stand to purchase his cd. He obligated his wonderment with the punters by signing cd's after the show.

Counting Crows started with a big bang and the crowd lept up in their seats with high anticipation of seeing a band who hasn't toured our land for 14 years. The sound was perfect tonight and the set list a completely different list than their first show on 27th March at the Palais. I was a bit disappointed as I didn't get to hear the songs I knew the most but I got to hear many other gracious songs which include Sullivan Street (magic song), A Murder of One and You Can't Count on Me. Adam Duritz is the frontman (wearing a Kiss tee shirt) who owns the stage by plonking himself on any surface for a sit down sing, shaking hands of the crowd and jiggling his booty! David Bryson (guitar), Charles Gillingham (keyboards), David Immergluck (guitar), Dan Vickrey (guitar), Jim Bogios (drums), and Millard Powers (bass) all took the show to great heights that were appreciated by a very full Palais Theatre tonight.
Other songs of the night included Miami and Los Angeles and we were blessed with a show of high standard and one to take to work tomorrow and chat about over the water cooler.

Duffy takes on the local Sydney icon

Band: Duffy with support from Andy Bull
Venue: Sydney Opera House - Concert Hall
Date: 26th March 2009
Reviewed By: Espylyn

I was highly excited to head into the Concert Hall at the Sydney Opera House, an Aussie icon, and somewhere I've never seen live music before. Lots of people dress up for the occasion and I'm sure it's like this most of the time. We enter and take our seats (70's decor inside which is actually 'in' again) and take in the music of Andy Bull. I think my friends and I spent most of the set wondering if we were watching a guy or girl (sorry Andy) but seriously from where we sat, back in row O) this person looked like a bloke but sung like a girl, and even spoke like a girl. A local talent who is just as excited about being at the opera house as I am gave a lovely performance of vocals and keys. Last cover was Electric Feel, the MGMT tune. So during the break we google'd and discovered we were watching a bloke! woah, one out of three were correct. We decided to head outside and check out the lovely bay views and here I discovered the opera house has bathroom tiles all over it, rather hilarious I thought!

Packed house which is all geared up to watch the Welsh singer who has taken some of the world by storm, she has been noted as the new Dusty Springfield and likened to Amy Winehouse (not in the drug sense!). Out Duffy comes singing my favourite song, Rockferry, and with gracious stage presence she swings the microphone like she owns the room and she is wearing a little black dress tonight which is her fashion norm. A pint sized rock star who displays a huge talent on stage. Initially the sound appears too strong for the venue but that thought didn't last too long. This chick can seriously belt out a decent note. After two songs the dress is off and underneath is short shorts and top. Duffy sings Serious then Warwick Avenue and is joined by two backing vocals who look like twins themselves!
Syrup and Honey is just Duffy and guitar which fills the room with mystic motion, then Stepping Stone (with some cheesy moves by the backing singers) . A few cover songs throughout the set but its her own music that fills the room with happiness tonight. Delayed Devotion brings out some crooners and Mercy has many up in their seats pumped by this energy driven song. Encore already and back for a few more songs of the less pumped variety. Distant Dreamer is the song for Duffy to end on tonight and we take away with us a night to remember, a special night at a special (white tiled) palace.

Green grass, no mud, simply Golden

Band: Golden Plains Music Festival
Venue: Meredith Ampitheatre
Date: 9th and 10th March 2009
Reviewed By: Espylyn

Ah Golden Plains, come one, come all. No bottles, no dogs and no dickheads. It doesn't get much easier than that. Two car loads of us entered the site within minutes and found a cool possie on Highway to Hell path (turned out to be not so cool due to chairs being stolen - usually unheard of at Meredith), tents up and sorted it was time to get the beers ready in the mini esky's and head down to the ampitheatre. A sold out crowd as per usual, and it was good to see the Nolan's checking out the vibe too. A wander around and then it was time to plonk ourselves on the grass, yes green grass which was strange at first - ahh how I've missed it. The time felt like about 5pm cos we got there early but it was only 2pm! So.... lots of hilarity amongst the crowd (and us), funky costumes, silly costumes and many people in animal costumes (found out later that a facebook site called golden plains open range zoo is the reason behind all the animal costumes!). Mogwai were fantastic giving us a stellar instrumental performance, and Black Machines were great too (anyone got a flipper?). As someone in our group said, they are like Judith Durnam with Wolfmother! I was disapointed with Of Montreal, not as good as what I'd read about. You Am I topped the bill tonight, less crazy than usual but Tim Rogers in a green suit with a large bow tie (yuk!) gave the crowd what they came for - a jolly good time. A late night and a cosy warm tent before a sleep in and then time for upsie's to check out more bands around lunchtime. Two egg sandwiches later we saw Bridezilla who I find are always a great watch then Pivot who were a cruisy instrumental group, Old Crow Medicine Man had that hill billy kicking feel about them, definately got the crowd warming up! Time for more walkies and good ole hare krisna food - go the snack plate! Then it was time for more bands including The Church who have still got it and the crowd seemed very pumped for this set, The Drones and highlight of the night was Gary Numan, fantastic set, fantastic voice. As a volunteer it was my shift of midnight till 4am to work where, as crowd carer, with a monkey, we wandered around campsites making sure all was okay, and with looking at ping pong tables, pool tables and bars, all was okay in golden plains land.