Birds Of Tokyo - Ormond Hall Review

Band: Birds of Tokyo
Venue: Ormond Hall, Melbourne
Date: 6th December 2012
Reviewed By: Espylyn

 

Birds of Tokyo have been around for quite a few years now, since their debut in Perth in 2004 and after releasing two EP’s, they released their first full length album in 2006 titled Day One After extensive touring they released a second titled album, Universes which was recorded in LA and has won many accolades. The band then embarked on a Broken Strings tour in 2009, which had a selection of their music accompanied by a string quartet and grand piano and this production blew the minds of their fans and no doubt developed a new string of devotees. Move ahead to 2011 and a third album, Birds of Tokyo make their mark again with the public and the band play smaller venues around Australia to keep rocking but at a more intimate level. At present the boys have released an EP, This Fire (contains four tracks), which is a selection of songs off their fourth studio album, released soon, very soon.

 

‘Welcome to this amazing room, fucking amazing’ Ian Kenny (singer) states as he opens the show with “Broken Bones” that leads the path into the total mind destruction of the Ormond Hall punters tonight. Its almost a surreal experience as watching the band on stage, I can’t help but feel they look a little out of place and that a high school theatre play would look more the part. It’s certainly a beautiful venue with a small amount of seating upstairs (not comfortable seats) and great space downstairs with an atmospheric side bar and a beer garden. Inside, the place certainly wasn’t packed which was a nice change; punters could dance and watch the band without being crushed.

 

The light show tonight is amazing, one of the best I’ve seen in a while due to the loads of different coloured lights rotating in sync to the songs, a few rotten pink ones that burned my retina, and some magical blue lights that streamed through smoke in one direction up to the roof; just amazing. Next up, “Wild Eyed Boy” is a crowd pleaser –punters raise their arms and sing along to every word – yep Birds of Tokyo have got some really dedicated fans that soak in the bands sound.

 

“Silhouettic” brings forth Kenny action, swizzling those hips and swinging those arms whilst looking great up on stage. Adam Spark (guitar) grooves into “The Saddest Thing I Know” which is a catchy and graceful song even though the title doesn’t make it out to be. “The Gap” starts and the crowd roars, Adam Weston (drums) bring the beat up and Glenn Sarangapany (keys) bouncers those babies as though he sleeps with them! It’s a song of gold, an amalgamation of sound and a blend of vocal purity.  “Circle” brings the crowd down to a slower pace as Kenny’s vocals pour out into the hall as the sound resonates through each of us, what a voice he has. Other songs played tonight are “Murmurs”, “Plans”, “Wild At Heart” and a few new songs from the up and coming album such as “The Lake” (soft, mellow tune with great big drum sound) and the final song tonight (the EP title) “That Fire” which brought the crowd into a frenzy. Ian Berney (bass) pulling some great bass moves whilst Sarangapany hops up on the keys and plays them with feet and fingers! The night finished up with a cracker of a light show - then its hall lights up and time to go home.

 

as seen on www.aureview.com.au

 

 

 

Triple Threat - The Church, Devo and Simple Minds live at The Palais Theatre

Band: Simple Minds with The Church and Devo
Venue: The Palais Theatre
Date: Friday November 30th, 2012
Reviewed By: Espylyn

 

The Church opened the night with a half hour performance of classic hits and a solid crowd came out for our Aussie favourite’s. I did hear people around me say they were here to hear Under The Milky Way for the first time ever, so it just proves how a song has melted into the hearts over such a lengthy time.

The next band on are Devo, and I must add the stage was transformed in record time, and by now the theatre was warming up. Devo hats and punters dressed in Devo themed outfits stole the night and remained a talking point for many. Roughly fifteen songs fit the bill tonight in one hour and the crowd was not disappointed. We Are Not Men got the crowd up in their seats as the lights behind stage added the words ‘We Are Devo’. A tremendous light show tonight for Devo throughout the set, together with outfit changes, hat throwing and the classic hit Whip It that tore through the crowd. Devo Corporate Anthem finished the night and had the crowd pumped for the headline act. I feel the Devotees went home happy tonight.

Simple Minds came out through a tone of smoke and Jim Kerr’s voice was drowned by the instruments. Put this together with one extremely warm room (due to the night outside) and it just didn’t sit right. I heard punters complaining and eventually Kerr’s vocals were lifted towards the end and you could hear him over the music. Maybe the technicians need their ears cleaned as listening to a show where you strain to hear the vocals isn’t pleasant, especially with a band like Simple Minds. I do add that many punters seemed not to notice and remained pumped throughout the set.

I Travel started the night and had most people up dancing and Love Song fuelled more sparks on the fire and pushed the sound barrier. Around, Don’t You Forget About Me, the music was feeling the strain of being way too loud. I noticed many people leave their seats and although I could see management speak to the technicians, nothing was done for a few more songs by the technicians, and then, finally, Kerr’s vocals could be heard. Sanctify Yourself had just under three thousand people dancing and then the night ended on Alive and Kicking. As Australia was the first country to embrace the band, Jim Kerr said he felt blessed to be playing here again. Other songs tonight are This Fear of Gods, The American, Celebrate, Promised You A Miracle and Waterfront.

Both Devo and Simple Mind’s sets are recorded tonight for collection straight after the show, a great idea!

The Village People live at The Palais Theatre

Band: The Village People
Venue: The Palais Theatre
Date: Saturday 24th November, 2012
Reviewed By: Espylyn

Six microphones on stage was all there was initially was until The Village People entered to the loud whoops of the audience and into song after song of hits they belted out. Macho Man, Milk Shake, You Can’t Stop The Music and In The Navy. A few covers such as You Make Me Feel (Sylvester) and Don’t Leave Me This Way (Harold Melvin and The Blue Notes) filled in the otherwise would-be gaps. Finishing with YMCA, we were taught how to properly partake in the arm movements so now when we go to weddings etc., we will have it right and "from the horse’s mouth". The crowd participation in one word was nuts, many punters themed dressed, looking the part, dancing in their seats with flashing hats and plenty of clapping and yelling. The venue wasn’t completely sold out but that allowed for a few punters who really wanted to let loose, head to the back of the room and dance in the row of empty seats.

There was no actual band playing music, it was all sung to backing music (which worked great as it would have looked too much on stage with a band), but the voices hit the notes and although the dancing wasn’t in sync at times, for a band who have been around for a long time, they were doing very well. Their songs are classics, they will live on throughout the years, timeless tunes that are sung by generation after generation. Present tonight were children, seniors and mainly people in between and people left with smiling faces, singing the songs and buying the merchandise.

After the gig the band signed autographs, except the Indian (who was tired) for anyone wanting to meet them.

The Dark Horses Album Launch - The Corner Hotel

Band: The Dark Horses
Venue: The Corner Hotel, Richmond
Date: 15th November 2012
Reviewed By: Espylyn

The Dark Horses have become a band, no longer Tex Perkins and his Dark Horses and no longer focused on just Tex’s song writing. It’s about the band as a whole, writing songs and lyrics and collaborating together and this album titled Everyone’s Alone is the product of the change.

Tonight at the Corner Hotel we witnessed many of the new songs creeping into the set list (naturally, being the album launch) and the set started with the gorgeous new instrumental Open Ended and then the band cruise into the new single and title album, Everyone’s Alone, and throughout the set I feast on band members exchanging instruments after nearly every song – talented bastards.

Table and chairs are placed front of the stage and punters who are gathered in the seats view the glory of the band up close whilst all around, the place fills up and we all witnessed a band that not only taunts us with great Aussie music, but gives us humour in their interactions. They certainly aren’t a boring band to watch, Tex as ever the front man gives us reason to giggle out loud as he exchanges banter with Charlie Owen about his belly button, to watching the facial expressions on Steve Hadley’s face which is utter priceless. The rest of the band consists of Joel Silbersher (always creating a laugh), Gus Agars on drums and James Cruickshank displaying all his mighty talent.

The set list was mainly songs from the last three albums including Halo, Looking At You But Seeing Her, So Much Older, Changelings, Ice In The Sun, She Speaks A Different Language and Cold Feet.

 

Mondo Cane - Pattoned Italian Goodness

Band: Mondo Cane
Venue: The Regent Theatre, Melbourne
Date: 12th November 2012
Reviewed By: Espylyn

The beautiful Regent Theatre in Melbourne looks stunning tonight as the punters that entered the venue may not look like the typical theatre goers. Lots of black outfits, tattoo’s, shaped and coloured hair styles, studs and chains along with loads of smiles and laughter followed as we all entered the theatre and took our seats. Not to be left out are the older generation and perhaps a few casual theatre goers. Around me, the glorious chandeliers, the patterned walls, the adorning curtains and carpet all make the Regent appealing and atmospheric.

The stage was already adorned with instruments and was looking very full by the time I arrived. I sat down to find a young child in front of me (for an 18+ show!?) but that allowed me to have a good view of the entire stage as tonight is not only about Mike Patton but the orchestra he has built to support his Mondo Cane sensation.

After two albums that have drawn comparisons to his earlier work by Mr Bungle and Fantomas, the Mondo Cane album hit number 2 on the USA charts as well as charting in Europe. Patton married Italian artist, Titi Zuccatosta and has adopted Bologna as his home and from there he explored his surrounding which of course meant a great deal of musical influences. Fluent in Italian he listened to a variety of music and was inspired by singers of the 1950’s that used orchestra for backing songs and after duelling with the idea of a small band he had the chance to compose the music for an orchestra and this became Mondo Cane. No doubt this style of music has brought forth the usual army of Patton fans as well as the new fans that have discovered this music with glee. No doubt a few parents will be happy with their kid’s choice this time around!

Patton sung with style and grace, occasionally whipping out the megaphone or the siren and other times casually sitting or standing whilst the band takes helm around him. The Sydney Orchestra on strings, Tim Burton’s (sic) brother on keys, a percussionist that made some unusual noises by placing objects in his mouth, a drummer that was mellow when needed and who rocked out other times, a flautist who teased us a few times with the start of the tune Down Under (Men At Work) as well as a keyboardist, bassist and a conductor keeping everyone in check. I’m sure I’ve left someone out so apologies for that. Three backing female singers sung in beautiful harmonies and really added that zing to the band and as I watched all the band members, I couldn’t help but notice the smiling faces all around, obviously enjoying the music and being on stage with Patton.

It was most definitely a crowd that seemed happy to sit in the seats, and I felt, that this band isn't a variety of tunes to mosh or dance too but to enjoy, and I feel Patton didn’t perhaps get this at times. His energy at times seemed dark and although this may be typical Patton style, it wasn’t all typical Patton listeners tonight. True fans (or drunk fans) heckled to the audience swearing out for everyone to stand up and even told Patton off for only playing one hour, after encore. Luckily he smiled and continued on, adorned in a white suit and shirt and that slick backed hair, he graced the stage for about an hour and a half and took us on a journey through a mainly Italian torrent of cuisine.

　

Primitive Colours - Icehouse is My Obsession

Band: Icehouse with support from Even
Venue: Hamer Hall
Date: 5th November 2012
Reviewed By: Espylyn

 

Even are a band that everyone likes. I didn’t read who was supporting Icehouse tonight but when I saw Even come on stage I was pleased and sat back knowing I was in for a great support act. A lot of punters had arrived early to see Even and with rapturous applause they paved the way for Icehouse and proved they are the right support act. As I watched and listened to the band I gazed around as the upgraded Hamer Hall and found myself thinking it doesn’t look much different but nonetheless I had a great seat and wasn’t up in the boonies of the back row which I find too far up in the heavens to properly enjoy. Even played loads of oldies (‘this one was number 86 on JJJ hottest 100' we are told) and a few newbies and although reminiscent of Oasis at times, I can’t help but feel I’m watching a Scooby Doo style of band, and this statement is said in a positive way, because that being said, its like a pop cartoon ride at times seeing Even. Primititave

Icehouse graced the stage to a plethora of shrieks and applause and when the silver fox, aka Iva Davies, comes out the shrieks are raised and Iva cannot help but smile.

Iva Davies, clearly the front man with a load of hot potato up his sleeve brought the crowd throughout the night to its feet and his voice is as smooth and clear as on the albums. Paul Gildea whips up guitar action and smooths his way through each song whilst Paul Wheeler graces those drums that you know want to be hit. Michael Paynter sings My Obsession (yes he has great voice, buy why) and displays amazing range in his vocals and he contributes to the band playing keyboards and guitar and lastly is Glenn Reither who turns the room into a melting mess with the saxophone as well as hitting those keyboards.

Punters don't cope with sitting and many arise to the aisles much to the dismay of the ushers who have no hope in holding some back. However, watching one lady bring out the camcord and start videoing the gig was rather amusing as she didn’t get caught for quite a while into the show. Into Glam the band head before Uniform and We Can Get Together then the big hit Crazy, Man of Colours and when Electric Blue is played, the seats are slowly emptying and punters are having the time of their lives. My Obsession (sung by Michael Paynter), Great Southern Land and the cruising tune of Hey, Little Girl takes us back to the 1980’s when mullets and fluro were the must have look. Cross The Border is another underrated rock song and encore arrives making me note that there isn’t long to go, and I really don’t want the night to end. Heartbreak Kid is sung acoustically (dang it, as its my favourite tune and I needed to hear it rock out) and Nothing Too Serious brings the house down. The only failure of the night was ending on a T Rex cover of Get It On, when Walls hadn’t been sung, let along other top material from their back catalogue - their point being they started off as a cover band before Flowers.

Alas, the night ended and I admit I could have stayed another hour or so to hear the band as they are rocking. I did manage to see the band at start of this year and thought they had more spirit back then, but as they aren’t spring chickens anymore, months of touring would be slowly winding their bodies down but it didn’t make the night any less of a success, hell no, it was freaking awesome.

　

 

 

Joe Bonasmassa - mild mannered guitar hero

Band: Joe Bonamassa
Venue: The Palais Theatre
Date: 11th October 2012
Reviewed By: Espylyn


Joe Bonamassa is one underrated guitar dude. His parents ran a guitar shop as he was growing up and he has played guitar since he could move his fingers and at the age of ten he caught the ear of

BB King who was blown away by this kid. When he was twelve he was opening for King and went on to tour with Buddy Guy, Joe Cocker and Gregg Allman. Head forward twenty-one years and Bonamassa is selling our London’s Royal Albert Hall (where Eric Clapton joined him on stage), he has recorded with BB King and has taken home Best Blues Guitarist awards. His name has graced the Billboard charts and tonight’s show proved he is a man who will be playing until arthritis has kicked in and beyond.

I’m sure his show at the Palais Theatre tonight left punters filling their head with thoughts of taking up guitar and hoping they can play quarter as well as Bonamassa. He is fresh, good looking, passionate and down to earth. What a mesmerising show, starting with the song Palm Trees he glides into a few songs off the new album titled Driving Towards The Daylight. Dislocated Boy didn’t sound as good as the album as it’s a rock song made to be played with band behind it, but tonight it was Bonamassa and bongo’s, and I really wanted to it the song rock out. Driving Towards the Daylight was sung in the same style which suited it more. Such a passionate and gorgeous tune, its one of those songs that you close your eyes to and sway along. Loads of blokes here tonight who had no doubt sunk a few brews, but they behaved and gave the crowd an edge by leading thunderous applause and mild heckling.

The night ended with Slow Gin (Tim Curry cover) and Just Got Paid (ZZ Top cover with Led Zep ‘Dazed and Confused" teaser)

Children witnessed the sound of Bonamassa and band and there were all genres of people in to watch the man in action. A light show that cruised with the music and some amazing musicians behind the man. Seventeen songs later people came back to the present and stormed through the merchandise counter with vengeance.

Lady Antebellum gives a Pre War Experience

Band: Lady Antebellum supported by Tim Hart
Venue: The Palais Theatre, St Kilda
Date: 26th September 2012
Reviewed By: Espylyn

Sydney born Tim Hart was chuffed to have almost a packed house for his set tonight and he thanked the punters for supporting him. Tim's heart appears to be in his songs as he sang and played guitar which is different for the man who is the drummer in the five times ARIA winning band Boy and Bear. He recieved positive support from the crowd and after his set was found signing albums in the lobby.

Lady Antebellum, dictionary meaning 'belonging to a period before a war, especially the American Civil War' (read into that what you will) explain that the truth is in their music. Formed in 2006  when Hillary and Charles wrote music together after meeting in Nashville to then be joined by Dave Haywood and together they persued their talents before the year 2007 when they were signed. After a ear catching debut album the trio's second album Need You Now (2010) surged forth the bands popularity and over one million copies have been sold in the USA. Take their latest offering Own The Night and they set themselves the challenge of transforming the songs into a live set and tonight I feel they did the album justice. The audience was complete with punters of all ages enjoying the music in front of them. A crazy light show and six talented musicians touched the hearts of all with their fifteen song set that included the magic opening song We Owned The Night and followed with Our Kind of Love, Love This Pain, Wanted You More, American Honey and before the encore Looking For a Good Time.

The band interacted with their fans and got most people standing, although with a few elderly people it was perhaps a tad harder for them to continue to stand and I noticed most people were up and down depending on the songs sung. There were a few fans in the back row who remained standing and dancing almost the entire set, they weren't going to relax, they were clearly here for a good time. Need You Now ended the night as punters walked out into the warm Melbourne night.Singers Hillary and Charles entertained as though they'd been born on stage and filled the set with music that soared through the history of the Palais Theatre and into the shoes of all patrons.

 

 

Karnivool at The Hifi Bar and Ballroom

Band: Karnivool
Venue: The Hifi Bar and Ballroom
Date: 5th July 2012
Reviewed By: Lyn Geisel

Karnivool know how to bring fans out of their warm cosy beds and down into the depths of the Hi Fi Bar & Ballroom on a cold winters night. I finally accepted that the main band weren’t going to start until about 11pm on a school night (all times were completely out from their answering machine message) so down into the main room I went, watched by the tired eyes of punters along the way.

Redcoats were just starting as I found my way into the already packed room and into a snug void I watched, as the four piece Melbourne band took to stage and although my senses weren’t captivated initially, I soon discovered with perhaps a new listening ear after the second song, that the singer’s voice was a little on the same page as Chris Cornell in sound and together there was almost a Led Zep style. I say almost because even though the band is talented and the singer has a unique style of vocals, for me I wasn’t convinced that together they fit. Don’t get me wrong, talented bunch of blokes!

So, a half hour wait, then the lights dim, the crowd roars and after a bit more of a wait then the smoke teases us, the lights tease us some more by flickering, the crowd start cheering ‘Karnivool” and finally they arrive. Ian looking less rock than other members who don the traditional black except drummer, Steve Judds, who only had pants on and let’s just say bless him for that! Into The Refusal they cruise giving way for the next tune, Goliath, which fused with a top lighting show. Ian welcomes us to the tour and into Deadman he sings, before Simple Boy starts with lush guitar from Andrew ‘Drew’ Goddard and the keyboard added a nice level to the song. C.O.T.E (Centre of the Earth) is a fave of mine and the head banging in the audience demonstrates how loved this song is. The blue lights on stage is reminiscent of being underwater for the new song as Ian takes the stage like a praying mantis and then into All I Know and hecklers take on Ian after this song and bring  laughter into the room. Jon Stockman knows how to work the bass and did I mention Steve Judd on drums giving us girls some new lease on life and perhaps the blokes feeling like they’d better hit the gym in the morning! ( I may have mentioned him….) Mark Hosking brings the band together on guitar and vocals and together all five members make the sweet music that is Karnivool. Roquefort and the unbelievable Themata bring the crowds on its toes and lucky last is New Day before we all pile out the door and head into the cold cold early morning of Friday in Melbourne and realise that work isn’t so far away, but to hell with that, we all saw one amazing Perth based band sink their vocal chords, fingers and feet into a solid performance tonight. Talented musicians who can grace the stage night and night and give it their all are few and far between and these boys show us how its done. How many of you are going again tonight I wonder?!

as read on www.theaureview.com

Roxette - They've got the hits!

Band: Roxette with 1927
Venue: Rod Laver Arena
Date: February 18th 2012
Reviewed By: Espylyn

1927 are amazing tonight, the band and the crowd were in fine form and singer Erik employs strong vocals that cruises through Rod Laver Arena and the fans are disappointed. A band that formed in 1987 and still tours to this very day - a fact I didn't realise until the band mentioned they played for the Aussie troops last year as well as supporting Simple Minds. Hits such as “ that’s When I Think of You” and ‘If I could” got the crowd moving whilst the rockier songs such as “You’ll Never Know” and “Compulsory Hero” (dedicated to the Aussie troops) gave punters reason to dance and let loose..

Roxette entered and 'Dressed for Success' was received with full applause and smiles. Each time I looked around, the audience were beaming and the band reciprocated this. 'Sleeping in My Car', 'Only When I Dream' and 'Crash!Boom!Bang' were crowd pleasers. Swedish singers Marie Fredrikksson (vocals) and Per Gessle (vocals and guitar) belted out hit after hit and the voices were impeccable. Marie (who has survived a brain tumor) was gold tonight, a tiny lass with a big voice. Per Gessle took playing guitar to another level. I wish I could remember the other guitarist because he was a Muppet, but in a hilarious, great showman type of a way. I say Muppet as he bounced all over stage with his shaggy hair! 'Joyride' ended the first set and it wasn't long till we got 'The Look' and 'Spending My Time'. Another break and into 'Listen To Your Heart' they cruised and ending with 'Church Of The Heart' was a flat ending I thought as its a slower song but I guess all artists have their reasons for why they end on the song they do.

Pop Queen Kylie on the Anti Tour

Band: Kylie Minogue - Anti Tour

Venue: The Palace

Date: 18th March 2012

Reviewed By: Espylyn

Want to know how to gain street cred as well as fan cred? Put on a show with songs that are rarities and b-sides like Kylie Minogue recently did, and boom, mix that together and you’ll have more love and recognition for someone who really has climbed up the musical staircase and laughed at those who didn’t believe in her. I witnessed the first of the Melbourne show’s and all up heard twenty-two songs, everything from iTunes bonus tracks, b-sides to singles and songs not sung from her biggest selling albums. Starting with Magnetic Fields (ITunes bonus track) she bounced around on stage as though she’d never been seen in grandeur costumes or stage sets that would feed a third world country, instead Kylie wore short denim shorts, a picture of Marilyn Monroe on a sleeveless tee shirt and, naturally, high heels. The crowd went berserk, and who could blame them, those who managed to get a ticket to a show which sold out in three minutes and then had to line up during the day to get a wrist band, it almost felt like the moment would never arrive.

This current tour is called the Anti Tour and its getting back at the scalpers who rip us off (and really, we allow them to do this), so tickets could not be re-sold, you could only buy two tickets and when you had to arrive early at the venue you brought the other person with you so you both got wristbands slapped on the wrist. The wristbands didn’t have barcodes, which is what I was expecting and the writing on the bands did rub off, but hey, we do as we’re told don’t we! Moving on….

Made In Heaven (b-side to Je Ne Sais Pas Pourquoi), followed by Cherry bomb (from the single Wow) and BPM (b-side to I Believe In You) and a smiling Kylie took us back and forth on a journey that I truly believe most fans wouldn’t ever have imagined - witnessing a super star at The Palace. Might rivers (Aphrodite bonus track), I’m Over Dreaming Over You (from the Enjoy Yourself album) Always Find the Time (from Let’s Get To It album) and Kylie introduced her band and it was around this time, whilst I moved a tad further up the back, a few punters came in believing the show shouldn’t have even started as the ticket agency had different times on the emails and running sheets so Kylie actually started an hour earlier than advertised , although due to the fact the venue was chockers it amazing there wasn’t more late punters.

You’re The One (from what I can find of this there are only 2 demos available only – studio versions), Tightrope (from Fever album – bonus disc), Paper dolls (b-side to Spinning Around single) and Stars (from X her 10^th studio album) brought down the house with screams of absolute adulation and no doubt a lot of people tonight were taken back down memory lane. Drunk and Say Hey (from Impossible Princess album), Too Much (from Aphrodite album) and bringing up the rear is Bittersweet Goodbye (from Light Years album). I honestly thought we were going to be given a show of about an hour in length but in total it was almost two hours. The sound tonight is humble compared to the ample sound system of an arena but Kylie was no doubt very comfortable with the way tonight’s proceedings were headed and if you had just walked into the venue one would never guess Kylie was a mega star selling out gazillions of arenas around the globe.

Disco down (from Light Year album), I Don’ t Need Anyone (from Impossible Princess album) and the hit Got To Be certain (from debut album Kylie) got all the queens in the audience on their heels lapping up the Kylie sweat until Things Can Only Get Better (Rhythm of Love album) ended but naturally like any band, it wasn’t long before Kyles was back wearing a new outfit but just as skimpy and casual and into That’s Why They Write Love Songs (from X album) and then a heartfelt Tears on My Pillow (from Enjoy Yourself album )which she dedicated for her dad – who was in the audience and we are told this is one of his favourites and finally Kylie pulls out an old merchandise scarf that she managed to scrounge, wraps it around her neck and lastly we hear Enjoy Yourself (her second album release). Nice work Kylie, let’s hope some of the other bands head into more intimate shows although I should be so lucky to get tickets next time

Tex Perkins shows us his Band of Gold

Band: Tex Perkins and the Band of Gold

Venue: Regal Ballroom

Date: 17th February 2012

Reviewed By: Espylyn

Tonight, the lovely Regal Ballroom in Northcote is full of punters enjoying a lazy wine and a meal before being entertained by the legendary Tex Perkins and his Band of Gold. The latest Tex craze is a band of colourful (and perhaps, not so colourful) country cover songs. It’s a far cry from Beasts of Bourbon and The Cruel Sea and as those who are aware of the Tex phenomenon; there is plenty of his music for all sorts of listening ears. The Band of Gold’s music concocts a contemporary sound of country, blended with Tex’s fine humour giving it that warm tasty palate in the mouth feeling. If you’re not into country music, then this band and music probably isn’t for you, the songs are mainly about wanting to be with a girl and breaking up with a girl and a touch of wanting too many girls (isn't all country lyrics about this I hear you ask!).

Band of Gold is Tex Perkins and Rachael Tidd on vocals with Steve Hadly on bass, Matt Walker on guitar, Shane Reilly on slide guitar and ukulele (or as Perkins says, "the sewing machine"!) with Shannon Bourne on guitar and Dave Folley on drums. I daresay this clan derived from the Man In Black (Johnny Cash theater shows) which were, and still are, a huge success around the country. I say this as most band members in Band of Gold are from Man In Black.

Tex Perkins deep, growly voice and Rachael Tidd’s stunning vocals blend together perfectly and together they complement each other to bring us some fine country crooning songs. I feel seeing them live is the preferred experience for me, the album at home is one to chillax too, to have on in the background to enjoy, but live, the humour of Tex Perkins and the magical notes of the band give stealth to the music.

Now, I did head to The Spiegel Tent the night prior to see the band and I thought they were funnier and more relaxed than tonight’s performance, but I’m not here to review The Spiegel Tent's show so onward and upward I go!

Every seat in the Ballroom was filled and the punters were saturated with anticipation as Tex, Rachael and co graced our stage and Tex uttered “I like that quiet respect, it’s a kind of fear isn’t it, you’re right to be afraid” (due to the fact no-one clapped until he said this), and into 'Help Me Make It Through The Night' (Kris Kristofferson) and the vocals of Perkins and Tidd moved through the crowd and their stage presence made a few of us wonder if Tidd, who is pregnant, was carrying Perkins baby (just kidding! love their stage togetherness). Thunderous applause came and receded and Tex says “we’ll be singing a lot of sexy songs tonight” and the lush guitar filters the room while 'Silver Wings' (Merle Haggard) is sung with stunning slide guitar that creeps throughout the song and gives the song a presence of being in Hawaii.

This is the fourth time I’ve seen Band of Gold and they appear to sing the songs in the same order as their released debut album. Next Shane Reilly brings out a much loved instrument, the ukulele, and 'Anyhow I love You' (Guy Clark) takes hold of the room, a catchy, rhyming style of a song that gets the feet tapping. Throughout the rest of the evening songs like 'I’d Rather Be Sorry' (by Kristofferson and “the best song about philosophy” says Perkins), 'Gypsy Rider' (Gene Clark) which is my favourite of the set due to the passion in the lyrics, starting off with Matt Walker on guitar and beautifully set to slide guitar, it really is a magical tune and the lovely 'Kathleen' fill the air tonight.

The first set is over and it feels like time has gone rather too quickly and into encore we head with a great rendition of the Leon Payne’s 'Psych'o (which was covered by Perkins band Beasts of Bourbon around 1993 – “29 years ago” says Perkins) which is brilliant, just brilliant.

The night ends on a Rolling Stones cover called 'The Worst' and I decide the night is one the best in this beautiful venue that is the Regal Ballroom.

as seen at the au review

http://www.theaureview.com/melbourne/tex-perkins-and-the-band-of-gold-regal-ballroom-170212

Icehouse take on Hall & Oates

Band: Hall & Oates with support from Icehouse

Venue: The Plenary

Date: 2nd February 2012

Reviewed By: Espylyn

The Plenary is rather cool venue for tonight’s double header gig of Icehouse and Hall and Oates and the place was very full for the support band, Icehouse, and so it ought to be. The band played to an enthusiastic crowd starting with their hit Icehouse (a song about two large old mansions in Sydney) then straight into We Can Get Together followed by the big hit Crazy. It’s been such a long gap for touring and they did not let us down tonight. The band cruised into Hey Little Girl and it was around here I managed to sneak from my seats near the sound desk to front row (where front man Iva Davies, aka Silver Fox, greeted me with the biggest smile *insert ahh here*) and the show took on a new level. The band were in all in sync and the boys displayed amazing talent and received the applause they deserve. Other songs such as We Can Get Together, Man of Colours (sung mainly by Michael Paynter) followed by Electric Blue (which was written by John Oates) and it was fitting that Oates came out and played guitar and sang Electric Blue with Davies.

Walls got the room pumping whilst Can't Help Myself had punters bouncing out of their chairs and lastly Great Southern Land blew the crowd away. I cannot begin to describe the elation and passion for this band and so far it’s been one of my favourite gigs for a long time which I feel is mainly due to such an absence that the build up of seeing Icehouse live did not disappoint one little bit.

So, after my high of seeing Icehouse, it was time to get ready for the main act. As soon as Daryl Hall and John Oates entered the stage, a couple of hundred punters couldn't help themselves and they grasped the opportunity of getting closer to the boys and ran down to side of stage to dance (the fact you cannot dance here makes the venue not particularly suited to tonight's gig, and I think A Day On The Green may be the better way to witness the band), but everyone seemed to be having a great night and the security certainly had their work cut out for them! It’s been 20 years since Hall and Oates graced our stage and they mentioned this a few times proclaiming that it wouldn't be as long next time. The crowd went bananas tonight as the boys launched into Man Eater, Out of Touch and Adult Education. Six band members proved they all have the right moves to bring to us the music of Hall and Oates; Charlie on sax, Paul on guitar, Elliot on keys, Clide on bass, Brian on drums and Brad (looking amazing) on percussion. Hall calls some of their music Rock and Soul which is rather fitting I thought and he tells us that there are songs they have played at every single gig they have ever performed such as the hit She's Gone. I can't Go For That brought on the encore but it wasn't long and boys were back singing Rich Girl where tambourines glowed in the dark and after another encore the night ended on Kiss On My List which resulted in one fan getting on stage to give Oates a huge hug, it really showed the love for this band as after that, people poured into the aisles and danced the night away. The one thing I was surprised about is that for a band that have spanned across many generations, they didn't play for all that long....

Soundgarden take on the Bowl

Band: Soundgarden

Venue: Sidney Myer Music Bowl

Date: 1st February 2012

Reviewed By: Espylyn

Soundgarden opened the night with Searching With My Good Eye Closed and the roof of the Sidney Myer Music Bowl was brought down with utter adulation and passion for a band that is well respected and much loved. It had been way too long between gigs and when they announced a comeback, thousands of fans grabbed the opportunity to witness the hysteria again. The weather proved to be on our side tonight with clear skies revealing the stars, moon and bats. Into Spoonman and Jesus Christ Pose they band went where Chris displayed a voice that is extraordinarily talented and strong whilst the other band members - Ben, Matt and Kim gave us amazing bass strutts, drums that pounded into the night and guitar bursts to inspire one and all.

A screen was on stage behind curtains at the back and it opened and closed throughout the night and most of it displayed stuff of the 'why bother' kind (except the eye, I heart eyeballs), but with Black Hole Sun the eyeball changed into the sun and from then on the images that burst out were desirable.

Other songs include 4th of July, Loud Love, Hunted Down and The Day I Tried To Live. Twenty songs completed the over two hour set list and punters went home exclaiming over one amazing night performed by a legendary Seattle band.

BTW I think most of the punters around me when home with passive smoking of the stoner kind! oh and the singers name is now Lance!

High Flying Noel Gallagher

Band: Noel Gallagher's High Flying Birds
Venue: The Palais Theatre
Date: 31st January 2012
Reviewed By: Espylyn

Noel Gallagher's High Flying Birds (formed in 2010) brought with them tonight every English and Irish person from St Kilda and through strobe light after strobe light, we witnessed a 'Gallagher' in action.

A totally sold out crowd pumped the place with passion and uber enthusiasm. Drinks were poured into plastic cups at Noel's request, which tells me he is a paranoid man and I guess with his past, one cannot blame him.

Moving on from his past though.....tonight Noel displayed to punters he is a talented musician. Gracing us with hits off his solo album as well as a few Oasis tracks, the songs all got the crowd leaping out of their seats and into a dancing frenzy.

"Don't Look Back In Anger" ended the night on a total high. Merchandise was sold out before the show was over and those who weren't blinded by the strobe lights were surely blinded by the Gallagher's performance.