Band: Jackson Jackson, supported by The Melodics
Venue: The Corner Hotel
Date: 15th October 2009
Reviewed By: Heather
As we moseyed on down to The Corner on a blisteringly cold Melbourne night we were met by the sounds of The Melodics pounding out of the bandroom. The sound warmed us slightly as we queued for our tickets (note to self: have them posted next time! Spring weather in our Melbourne Town is far too precarious for queuing) then we made our way in to find the night's lineup had an earlier start than we expected. Fortunately for us, we didn't miss The Melodics whole set because they were - for want of a better word - un-freakin'-believable! As a Melodics virgin I found myself drawn in to the stage, and one song was all it took before I was dancing along with the rest of the crowd. Everybody knows how hard it is for a support band to get people moving, but not many could stand up against their funky electro-hiphop sounds with that irresistable groove. Immediately after their set I lined up for a CD which I know will remain a staple in my car's stacker. If you haven't seen The Melodics, do yourself a favour and hunt out one of their gigs. I'd love to see them as a headliner rather than support myself.
Fashionably late to arrive on stage (even though most of them were walking around plugging things in and doing sound checks in the interim), Jackson Jackson came out to the customary crowd roar. Despite his recent fear of razors and clippers, Harry was as comfortable on stage as he always is, belting out ISBD and All Alone, and showing his range of vocal abilities in Eliza and The River. Grab a Gun was the standout, with the audience punching the air in unison to the anti-violent sentiment "Throw out your guns!"
The Jackson Jackson Five had shrunk slightly to become the Jackson Jackson Three - only Elana Stone, Karishma Sadhai and Chantal Mitvalsky were there, but they danced and strutted as if there were ten on stage. I always wait in anticipation to see what kooky and cool outfits the girls appear in and they didn't disappoint, stepping out in a range of little black dresses with brightly coloured tights. These girls make backup singing into an art form, and lend a bright, exciting air to the show.
The Genie were on stage as always, Will drumming and looking no worse for wear after his recent foray into fatherhood (congratulations!) and Ryan playing bass looking completely relaxed. Ollie played the most epic keytar solo I have ever seen - at least three minutes worth - as the band exited stage left. Some chanting of "Encore!" brought them all back out a few minutes later to play a rather strange choice for a final song - Lonely Ooh - with the parting lyrical gesture "I don't know how to save the world".
Neither do we, but Jackson Jackson sure do a great job of slamming popular culture and searching for a better way. Maybe there IS something deeper underground.
Friday, October 16, 2009
Monday, October 12, 2009
Marilyn Manson creates a New Dawn
Band: Marilyn Manson with support from Hatchet Dawn
Venue: Festival Hall
Date: 10th October 2009
Reviewed By: Espylyn
Arrival to festival hall tonight and upon impact of the ear drums we are met with the local Melbourne band – Hatchet Dawn. Described as groove crushing metal blended with spooky heavy, guttural rock with riffs and catchy vocal hooks, they are a new dawn of darkness. With their debut EP titled Faith In Chaos they’ll no doubt have many grim followers who feel at home with the group. Instead of playing in a morgue or under the silvery light of the moon, tonight they made festering hall shudder under their weeping arms of uber loud music connecting with the mosh pit of emo’s, old rockers and die hard Manson fans. Great light show ensued with a very tall lead singer, Loki, with his vocals sounding like he just had his voice box removed and instead spoke through a machine! There were a few groovy riffs amongst the clutter of grave music. Hearing the bassist talk was kind of odd after hearing the singing as he spoke with a good ole Aussie accent and it didn’t fit the sound! Loki asks us how we feed and the crowd screams their unforbidden answers.
This tour marks the seventh album for the Marilyn Manson band and a circuit of 20 years in the business. Critics have hailed this as a major return to form with the album titled The High End Of Low which debuted at number 12 on the Aussie charts and number 4 on the US charts – their highest in the US for years.
Marilyn Manson made headlines many years ago with his shock look and different ways of expressing himself which led to him perhaps being crowned the King of Goth come glamour come rock. Manson is often seen with gorgeous girls and wives around him whilst speaking whatever the hell he wants to talk about, whether it be offensive or not. These days’ people aren’t shocked about his traits and churches don’t try banning him from entering our country. However the man puts on a mean show and is still a sensational performer – hat changes, coat changes, glitter to the max spewing out into the crowd and two slaves who bring him tablets of some sorts, mask with oxygen perhaps and provide him with towels and beer – although I must add out of a slab of beer he was given throughout the show, he would have only drunk half of one bottle as the rest was spat out at whoever was in his path and the rest thrown into the crowd! Then we’re given speeches mentioning how he ought to teach us about religion, drugs or sex but won’t to which the punters booed him and agreed with him.
The gig starts with the curtain covering the stage and it isn’t dropped when Manson and crew explode on stage, a few bars are played before the curtain is gone before us. Manson looking uber cool with his jacket pronouncing HELL ETC on it with any reports of swine flu appearing to be behind him and into the song We’re From America he launches. The stage remains hazy throughout the entire gig (I think I saw splashes of a band) with Manson being the sole view point whether he be in a stage held spotlight, a small light attached to the microphone or general stage lights, he is always the attention. ‘We love to hate, we hate to love’ the punters chant and into peril for Irresponsible Hate Anthem the band claim. Then straight onto Dried Up, Tied and Dead To The World and it’s almost cat and mouse games with his slaves, he’ll throw anything and everything on stage and out the slaves dash ready to collect his hat, or prop back his microphone in case Manson delivers a nasty execution to them perhaps?! Knife on the microphone is reminiscent of Psycho bath scene and he delivers Dope Show to the respondent crown. If you didn’t know all his songs then a few songs do sound the same but he’s still entertaining and you can’t help but watch this lead singer continuously. I’m not sure about putting a towel down your pants then throwing to the crowd is really umm becoming but hey, the fan that caught it is probably never going to wash it.....ever!
Rock is Dead is performed with Mason at the end telling off a punter for almost raping a girl and Manson’s statement is ‘nobody hurts a girl but me’. Tourniquet springs more crowd participation and then the Eurhythmics cover Sweet Dreams which consist of spooky light on the microphone which allows Manson to have a silent and deadly look about him (more than normal) and before we know it the encore takes place. Tonight’s gig ends on The Beautiful People with white confetti bursting out and covering the black crowd and it looked fantastic.
A sold out gig, a mosh pit with hungry emo’s and characters chanted and showed their enthusiasm for the man who is Marilyn Manson – prepare to be offended, mesmerised and taken aboard as a prisoner.
As seen on http://www.thedwarf.com.au/
Venue: Festival Hall
Date: 10th October 2009
Reviewed By: Espylyn
Arrival to festival hall tonight and upon impact of the ear drums we are met with the local Melbourne band – Hatchet Dawn. Described as groove crushing metal blended with spooky heavy, guttural rock with riffs and catchy vocal hooks, they are a new dawn of darkness. With their debut EP titled Faith In Chaos they’ll no doubt have many grim followers who feel at home with the group. Instead of playing in a morgue or under the silvery light of the moon, tonight they made festering hall shudder under their weeping arms of uber loud music connecting with the mosh pit of emo’s, old rockers and die hard Manson fans. Great light show ensued with a very tall lead singer, Loki, with his vocals sounding like he just had his voice box removed and instead spoke through a machine! There were a few groovy riffs amongst the clutter of grave music. Hearing the bassist talk was kind of odd after hearing the singing as he spoke with a good ole Aussie accent and it didn’t fit the sound! Loki asks us how we feed and the crowd screams their unforbidden answers.
This tour marks the seventh album for the Marilyn Manson band and a circuit of 20 years in the business. Critics have hailed this as a major return to form with the album titled The High End Of Low which debuted at number 12 on the Aussie charts and number 4 on the US charts – their highest in the US for years.
Marilyn Manson made headlines many years ago with his shock look and different ways of expressing himself which led to him perhaps being crowned the King of Goth come glamour come rock. Manson is often seen with gorgeous girls and wives around him whilst speaking whatever the hell he wants to talk about, whether it be offensive or not. These days’ people aren’t shocked about his traits and churches don’t try banning him from entering our country. However the man puts on a mean show and is still a sensational performer – hat changes, coat changes, glitter to the max spewing out into the crowd and two slaves who bring him tablets of some sorts, mask with oxygen perhaps and provide him with towels and beer – although I must add out of a slab of beer he was given throughout the show, he would have only drunk half of one bottle as the rest was spat out at whoever was in his path and the rest thrown into the crowd! Then we’re given speeches mentioning how he ought to teach us about religion, drugs or sex but won’t to which the punters booed him and agreed with him.
The gig starts with the curtain covering the stage and it isn’t dropped when Manson and crew explode on stage, a few bars are played before the curtain is gone before us. Manson looking uber cool with his jacket pronouncing HELL ETC on it with any reports of swine flu appearing to be behind him and into the song We’re From America he launches. The stage remains hazy throughout the entire gig (I think I saw splashes of a band) with Manson being the sole view point whether he be in a stage held spotlight, a small light attached to the microphone or general stage lights, he is always the attention. ‘We love to hate, we hate to love’ the punters chant and into peril for Irresponsible Hate Anthem the band claim. Then straight onto Dried Up, Tied and Dead To The World and it’s almost cat and mouse games with his slaves, he’ll throw anything and everything on stage and out the slaves dash ready to collect his hat, or prop back his microphone in case Manson delivers a nasty execution to them perhaps?! Knife on the microphone is reminiscent of Psycho bath scene and he delivers Dope Show to the respondent crown. If you didn’t know all his songs then a few songs do sound the same but he’s still entertaining and you can’t help but watch this lead singer continuously. I’m not sure about putting a towel down your pants then throwing to the crowd is really umm becoming but hey, the fan that caught it is probably never going to wash it.....ever!
Rock is Dead is performed with Mason at the end telling off a punter for almost raping a girl and Manson’s statement is ‘nobody hurts a girl but me’. Tourniquet springs more crowd participation and then the Eurhythmics cover Sweet Dreams which consist of spooky light on the microphone which allows Manson to have a silent and deadly look about him (more than normal) and before we know it the encore takes place. Tonight’s gig ends on The Beautiful People with white confetti bursting out and covering the black crowd and it looked fantastic.
A sold out gig, a mosh pit with hungry emo’s and characters chanted and showed their enthusiasm for the man who is Marilyn Manson – prepare to be offended, mesmerised and taken aboard as a prisoner.
As seen on http://www.thedwarf.com.au/
Sunday, October 11, 2009
Tex Perkins Black Cattle Dog Tour
Band: Tex Perkins
Venue: Prince Of Wales
Date: 9th October 2009
Reviewed By: Espylyn
Tex Perkins, is there anything this man cannot do? What a year its been with his white clad Ladyboyz, black clad Johnny Cash shows, writing an evocative soundtrack whilst getting together his collection of past music out on show.
A sold out night at the Prince and the punters can feel the celebration in the air. Behind the stage on a large screen a small movie consisting of items knocking over items which is rather amusing (kind of like that car commercial) till the noise levels reach above natural ear listening capacity to which all the crowd put fingers on ears and this screen continues on till the boys enter on stage. I must add that the screen is kept going throughout the night bearing pictures of objects, snow and couples having sex!
Once the small movie in finished, smoke machine fills the stage and out come the band - Gus Agars on drums, Charlie Owen on almost everything, James Cruickshank on keys and guitar and Joel Silbershier on bass and not forgetting Tex the saturated crooner on vocals.
Tonight we're given many songs over the many genres of Tex Perkins. Half Of Nothing (TNT), Real Love (Dark Horses), It Won't Last (The Cruel Sea) and Speaks Different Language (solo). All unleashed with pure Tex charisma with lashings of spunk from Joel, edgy beats from Gus, twangy sounds from Charlie and glistening backing vocals from James. A show to never be missed because above all Tex is an entertainer and needs to be seen, as often as possible.
Venue: Prince Of Wales
Date: 9th October 2009
Reviewed By: Espylyn
Tex Perkins, is there anything this man cannot do? What a year its been with his white clad Ladyboyz, black clad Johnny Cash shows, writing an evocative soundtrack whilst getting together his collection of past music out on show.
A sold out night at the Prince and the punters can feel the celebration in the air. Behind the stage on a large screen a small movie consisting of items knocking over items which is rather amusing (kind of like that car commercial) till the noise levels reach above natural ear listening capacity to which all the crowd put fingers on ears and this screen continues on till the boys enter on stage. I must add that the screen is kept going throughout the night bearing pictures of objects, snow and couples having sex!
Once the small movie in finished, smoke machine fills the stage and out come the band - Gus Agars on drums, Charlie Owen on almost everything, James Cruickshank on keys and guitar and Joel Silbershier on bass and not forgetting Tex the saturated crooner on vocals.
Tonight we're given many songs over the many genres of Tex Perkins. Half Of Nothing (TNT), Real Love (Dark Horses), It Won't Last (The Cruel Sea) and Speaks Different Language (solo). All unleashed with pure Tex charisma with lashings of spunk from Joel, edgy beats from Gus, twangy sounds from Charlie and glistening backing vocals from James. A show to never be missed because above all Tex is an entertainer and needs to be seen, as often as possible.
Johnette Napolitano wows The Corner Hotel
Band: Johnette Napolitano
Venue: The Corner Hotel
Date: 8th October 2009
Reviewed By: Espylyn
Its been a long time between drinks and Johnette Napolitano with Aussies. She is better known for her profound vocals in the band Concrete Blonde and tonight we're given a stellar performance of a mixture of her own stuff as well as Concrete Blondes.
An acoustic start ruptures with the song Amazing and many punters keep talking around me, so it was a few moves till positioned without having to hear someone's annoying banter. About three songs in we are joined with drummer which gets the place pumping. Johnette has strong stage presence and one feels that if she didn't get her way there would be hell to pay- at one point she pointed out someone recording and commented how she would shove it up their arse if they continued but did follow that statement up with 'I'm just kidding'.
Dancing around stage one minute, dedicating a song to her late father another minute and being a diva the next, I can safely say its a great gig to witness. A cover of Midnight Oil's Beds Are Burning was aptly done and I cannot stress enough of how wonderful her live vocals are.
Songs of Concrete Blonde that she sung are Mexican Moon, Bloodletting (The Vampire Song), Joey and ending the night on Tomorrow Wendy - an acoutic moment. Other songs include The Scientist from her latest cd and Souvenir from her Pretty and Twisted cd (thanks anon).
Venue: The Corner Hotel
Date: 8th October 2009
Reviewed By: Espylyn
Its been a long time between drinks and Johnette Napolitano with Aussies. She is better known for her profound vocals in the band Concrete Blonde and tonight we're given a stellar performance of a mixture of her own stuff as well as Concrete Blondes.
An acoustic start ruptures with the song Amazing and many punters keep talking around me, so it was a few moves till positioned without having to hear someone's annoying banter. About three songs in we are joined with drummer which gets the place pumping. Johnette has strong stage presence and one feels that if she didn't get her way there would be hell to pay- at one point she pointed out someone recording and commented how she would shove it up their arse if they continued but did follow that statement up with 'I'm just kidding'.
Dancing around stage one minute, dedicating a song to her late father another minute and being a diva the next, I can safely say its a great gig to witness. A cover of Midnight Oil's Beds Are Burning was aptly done and I cannot stress enough of how wonderful her live vocals are.
Songs of Concrete Blonde that she sung are Mexican Moon, Bloodletting (The Vampire Song), Joey and ending the night on Tomorrow Wendy - an acoutic moment. Other songs include The Scientist from her latest cd and Souvenir from her Pretty and Twisted cd (thanks anon).
Monday, September 14, 2009
The Wild Child Suzi Quatro
Band: Suzi Quatro supported by Six Hours
Venue: Palais Theatre
Date: 12th september 2009
Reviewed By: Espylyn
Six Hours was a fairly good choice for tonights main act given that Suzi is a rock chick and Six Hours give us plenty of rock. They performed on stage like it was a natural phenonenom to do and the crowd seemed to enjoy their show. Long hair, guitars with grunt and a drummer with plenty of beat were displayed tonight in the beautiful Palais Theatre.
Suzi Q started on time and in clothes that wasn't her usual leather look (she went and changed into leather a few songs into the show) and with big smile on her face, a big stage presence and a great sound and light show, it is safe to say that she'll keep coming back to Australia. Suzi told us she'd been touring for about 25 years and that she'd been here roughly 23 times and a few fans put their hands up when she asked how many punters had been to all her shows, suffice to say, a Suzi live show is one to be seen, kick yourself if you missed out.
With hits like Stumbling In, Wild Child, Your Mamma Won't Like Me, She's In Love With You and Can The Can. Suzi made the stage her playground and got the crowd leaping up to dance and have a blooming good ole time. Devil Gate Drive was a notable hightlight and her last song of the night was her tribute to Elvis Presley - Singing With Angels-Suzi told us the story about how she said no to meeting Elvis at one point early in her career because she thought she would have another chance (Elvis was her inspiration). An odd choice of song to end the night on considering her 'label' as a rock chick - it would have been nice to get everyone pumping again before departure but still Suzi did the song beautifully and its a well written song. A great performance, a great live show, sung with a fantastic live voice and it will be a show that will be in the hearts and memories of all the wild childs out there.
Venue: Palais Theatre
Date: 12th september 2009
Reviewed By: Espylyn
Six Hours was a fairly good choice for tonights main act given that Suzi is a rock chick and Six Hours give us plenty of rock. They performed on stage like it was a natural phenonenom to do and the crowd seemed to enjoy their show. Long hair, guitars with grunt and a drummer with plenty of beat were displayed tonight in the beautiful Palais Theatre.
Suzi Q started on time and in clothes that wasn't her usual leather look (she went and changed into leather a few songs into the show) and with big smile on her face, a big stage presence and a great sound and light show, it is safe to say that she'll keep coming back to Australia. Suzi told us she'd been touring for about 25 years and that she'd been here roughly 23 times and a few fans put their hands up when she asked how many punters had been to all her shows, suffice to say, a Suzi live show is one to be seen, kick yourself if you missed out.
With hits like Stumbling In, Wild Child, Your Mamma Won't Like Me, She's In Love With You and Can The Can. Suzi made the stage her playground and got the crowd leaping up to dance and have a blooming good ole time. Devil Gate Drive was a notable hightlight and her last song of the night was her tribute to Elvis Presley - Singing With Angels-Suzi told us the story about how she said no to meeting Elvis at one point early in her career because she thought she would have another chance (Elvis was her inspiration). An odd choice of song to end the night on considering her 'label' as a rock chick - it would have been nice to get everyone pumping again before departure but still Suzi did the song beautifully and its a well written song. A great performance, a great live show, sung with a fantastic live voice and it will be a show that will be in the hearts and memories of all the wild childs out there.
Friday, September 4, 2009
Buy Tix to Shihad, Lisa Mitchell and Tex Perkins through Melbourne Live!
Ben Folds has many Dedicated Aussie Fans
Band: Ben Folds
Venue: Palais Theatre
Date: 3rd Spetember 2009
Reviewed By: Espylyn
Ben Folds has really dedicated fans (and a sold out show), I mean really dedicated. I haven't seen that kind of heroship for a while and it was actually kinda cool to see. The show was just Ben and his piano and two hours of tunes for everyone to lap up. Did I mention the fans were dedicated? All sat in their seats (with some on the edge) addicted to hearing Ben play and the clapping was immense. Ben didn't have to do much work to get the crowds involvement, they clapped, sung and heckled all on their own and a lot. At one point he started hiding under his piano because the heckling was that strong! And why not....he sold out shows in 2006 and this is his first tour back down under showcasing three albums since he was last here.
His music was rather upbeat considering the lack of instruments, and he is a very entertaining man. We got lots of stories, a bit of swearing and even a surprise visit by our very own Missy Higgens whom Ben says is his favourite Aussie musician. He unleashed his cover of a Dr Dre song which displayed mega swearing in it but was done rather aptly, and he tells us he had to do a cover song as a B side for a UK single and this was the song he chose. Ben played many known and unknown songs, many new songs and some dedicated to his wife.
There were Ben figurines for sale and they sold out within ten minutes so maybe you were lucky enough to get one, something a little different for the fans. The night ended and although after one encore Ben didn't come back, the crowd kept clapping till houselights came back on. If this night doesn't get Ben back into the country soon, then I don't know what will!
Tuesday, September 1, 2009
The Man In Black - Tex Perkins as Johnny Cash
Band: Tex Perkins as Johnny Cash 'The Man In Black'
Venue: Athenaeum Theatre
Date: 1st September 2009
Reviewed By: Espylyn
Lights, music, action - and out comes Tex Perkins (Johnny Cash) and Rachael Tidd (June Carter) to join the band The Tennessee Four who comprises of Peter Luscombe on drums (Rockwiz), Steve Hadley on bass (Men at Work), James Black on guitar (Rockwiz) and Ash Naylor on acoustic guitar (Even). Walk The Line is the first tune to hit the crowd who straight away leap into applause at the hit song. Tex, known for playing multiple musical roles, has taken a shining to Cash, a musician he has followed ever since he can remember so tonights opening show must be a highlight in his 27 year career. The music stops and Tex (black suit with white shirt) greets us "Hi, Welcome Ladies and Gentlemen, my name is Tex Perkins and welcome to the life, times and musical celebration of one of the greatest singers and songwriters, and entertainers ever to grace the stage, that would be Johnny Cash. Eruption of screams and whoops and some bad heckling ensue.
Tex displays Cash in fantastic form, putting narrative stories, comedy and a voice perfect for this role all into a two hour show. Both Tex and Rachael narrate the Cash story between songs starting from the time Cash was a young boy to his musical beginnings and then ending at his and June's death. The narrative side of things is a little rehearsed and sometimes a little missed (Tex, don't think of giving up music for the stage permanently!), but this aside, it was great to hear the Cash story from yay to nay and all in between. The band played brilliantly, the rhythm was present and the groove kept up throughout, even if at times when the narrative part was happening, some band members looked bored.
The second set started with the backdrop disappearing and we were given a simulation of the Folsom Prison show that Cash did in 1968 to the prisoners - this was a highlight in Cash's career and definately a highlight in tonights performance. Tex's suit changed to totally black in colour now and he displayed the Cash persona perfectly, I cannot fault Tex in this role. Tex and Rachael displayed stage presence with each other which clicked from the beginning - displaying shy glances, kisses and hugs throughout the show, it was plain to see they both enjoyed the experience. The sound in the theatre was clear and the lighting almost right. Tex played a mock guitar throughout the night, but hey, Cash with no guitar just would not suit, so this mock guitar works well. By the end the crowd couldn't get enough, Ring Of Fire ended the night but with constant clapping from the crowd all stage members were back with a medley of the big Cash hits including band introductions before final bows were taken.
Songs played, Hey Porter, Get Rhythm, Boy Named Sue, Don't Take Your Guns To Town, 25 Minutes To Go, If I Were A Carpenter, Ring Of Fire, How Highs The Water Mama, Hurt (Nine Inch Nails) dedicated to June Carter after she died by Cash and Were You There (When They Crucified My Lord) which was my highlight - Rachael's vocals here were sublime and Tex's deep vocals made me chuckle.
Tex as The Man In Black must be witnessed by all Johnny Cash fans. You will enjoy the narrative aspect, you will enjoy the voice of Tex so close to Cash's - full of that rich country sound and you will enjoy Rachael's narrative part and singing. This production is wonderfully blended with the Tennessee Four, a production that should be proud that a fantastic dream has been a reality.
Venue: Athenaeum Theatre
Date: 1st September 2009
Reviewed By: Espylyn
Lights, music, action - and out comes Tex Perkins (Johnny Cash) and Rachael Tidd (June Carter) to join the band The Tennessee Four who comprises of Peter Luscombe on drums (Rockwiz), Steve Hadley on bass (Men at Work), James Black on guitar (Rockwiz) and Ash Naylor on acoustic guitar (Even). Walk The Line is the first tune to hit the crowd who straight away leap into applause at the hit song. Tex, known for playing multiple musical roles, has taken a shining to Cash, a musician he has followed ever since he can remember so tonights opening show must be a highlight in his 27 year career. The music stops and Tex (black suit with white shirt) greets us "Hi, Welcome Ladies and Gentlemen, my name is Tex Perkins and welcome to the life, times and musical celebration of one of the greatest singers and songwriters, and entertainers ever to grace the stage, that would be Johnny Cash. Eruption of screams and whoops and some bad heckling ensue.
Tex displays Cash in fantastic form, putting narrative stories, comedy and a voice perfect for this role all into a two hour show. Both Tex and Rachael narrate the Cash story between songs starting from the time Cash was a young boy to his musical beginnings and then ending at his and June's death. The narrative side of things is a little rehearsed and sometimes a little missed (Tex, don't think of giving up music for the stage permanently!), but this aside, it was great to hear the Cash story from yay to nay and all in between. The band played brilliantly, the rhythm was present and the groove kept up throughout, even if at times when the narrative part was happening, some band members looked bored.
The second set started with the backdrop disappearing and we were given a simulation of the Folsom Prison show that Cash did in 1968 to the prisoners - this was a highlight in Cash's career and definately a highlight in tonights performance. Tex's suit changed to totally black in colour now and he displayed the Cash persona perfectly, I cannot fault Tex in this role. Tex and Rachael displayed stage presence with each other which clicked from the beginning - displaying shy glances, kisses and hugs throughout the show, it was plain to see they both enjoyed the experience. The sound in the theatre was clear and the lighting almost right. Tex played a mock guitar throughout the night, but hey, Cash with no guitar just would not suit, so this mock guitar works well. By the end the crowd couldn't get enough, Ring Of Fire ended the night but with constant clapping from the crowd all stage members were back with a medley of the big Cash hits including band introductions before final bows were taken.
Songs played, Hey Porter, Get Rhythm, Boy Named Sue, Don't Take Your Guns To Town, 25 Minutes To Go, If I Were A Carpenter, Ring Of Fire, How Highs The Water Mama, Hurt (Nine Inch Nails) dedicated to June Carter after she died by Cash and Were You There (When They Crucified My Lord) which was my highlight - Rachael's vocals here were sublime and Tex's deep vocals made me chuckle.
Tex as The Man In Black must be witnessed by all Johnny Cash fans. You will enjoy the narrative aspect, you will enjoy the voice of Tex so close to Cash's - full of that rich country sound and you will enjoy Rachael's narrative part and singing. This production is wonderfully blended with the Tennessee Four, a production that should be proud that a fantastic dream has been a reality.
Saturday, August 29, 2009
Alice Cooper's Theatre of Death with Electric Mary
Band: Alice Cooper supported by Electric Mary
Venue: Palais Theatre
Date: 28th August 2009
Reviewed By: Espylyn
Electric Mary started the night with many needing ear plugs, the sound was incredibly loud. Not necessarily a bad thing for a band that strike a notch in many people's groove machines. With songs like Luv Me, One Foot In The Grave and Crash Down On Your Head -Rusty gave his usual frontman prowl and anger to release the songs in only a way that he could. The band had lengthy solo's as Irwin and Pete strutting their guitar action hero stances, Venom pounded the drums and Alex grooving the angry bass. A truly awesome band....
Now begins Alice Coopers theatre of death. A large sheet was on stage from the roof with his face and on the floor was a huge red oval reminiscent of a blood leak, the music started, the sheet dropped and there stood Alice on a round small platform and off into Schools Out he began. The crowd went nuts, the Alice Cooper look-a-likes went nuts and not long after he was guillotined - but naturally managed to come back! I don't know all Alice songs but he covered a range that spanned over his musical career including Poison, Welcome to My Nightmare and Only Woman Bleed. Many completists were in the audience having bought all tee-shirts, stickers and poster magazine and they certainly got their money's worth.
Alice and co tempted us into their lair with a fantastic theatrical show where highlights included Alice dying four times, the sexy nurse (his actual daughter) grinding her pelvis with an actual grinder and therefore sparks flying, a band looking like death themselves - but a very movable, active, rock your socks off death and the formidable costume changes and the fact for a older guy he could move better than some young bands I've seen. Hats off to the Theatre of Death and Alice Cooper for a great nights entertainment.
Venue: Palais Theatre
Date: 28th August 2009
Reviewed By: Espylyn
Electric Mary started the night with many needing ear plugs, the sound was incredibly loud. Not necessarily a bad thing for a band that strike a notch in many people's groove machines. With songs like Luv Me, One Foot In The Grave and Crash Down On Your Head -Rusty gave his usual frontman prowl and anger to release the songs in only a way that he could. The band had lengthy solo's as Irwin and Pete strutting their guitar action hero stances, Venom pounded the drums and Alex grooving the angry bass. A truly awesome band....
Now begins Alice Coopers theatre of death. A large sheet was on stage from the roof with his face and on the floor was a huge red oval reminiscent of a blood leak, the music started, the sheet dropped and there stood Alice on a round small platform and off into Schools Out he began. The crowd went nuts, the Alice Cooper look-a-likes went nuts and not long after he was guillotined - but naturally managed to come back! I don't know all Alice songs but he covered a range that spanned over his musical career including Poison, Welcome to My Nightmare and Only Woman Bleed. Many completists were in the audience having bought all tee-shirts, stickers and poster magazine and they certainly got their money's worth.
Alice and co tempted us into their lair with a fantastic theatrical show where highlights included Alice dying four times, the sexy nurse (his actual daughter) grinding her pelvis with an actual grinder and therefore sparks flying, a band looking like death themselves - but a very movable, active, rock your socks off death and the formidable costume changes and the fact for a older guy he could move better than some young bands I've seen. Hats off to the Theatre of Death and Alice Cooper for a great nights entertainment.
Saturday, August 22, 2009
Bertie Blackman showcases her Secrets and Lies
Band: Bertie Blackman, Hungry Kids from Hungry and Kimbra
Venue: Hi Fi Bar and Ballroom
Date: 21st August 2009
Reviewed By: Espylyn
Tonight's cold evening didn't stop a sell out crowd at the Hi Fi Bar to witness Bertie Blackman in her first show here since moving to Melbourne and 'finding home'.
Kimbra opens the show with her guitar to a modest crowd. A strong voice and funky use of textured and layered vocals made me stand up and take note. Although her techie wasn't found at one time when she needed him it didn't stop her performance for standing out and her fifties sounding vocals made me feel Kimbra could go a long way in this field. With lyrics like 'Do you wanna raise a child with me' certainly made a few men with committment issues run far and wide, but it was her pop, indie, alternative rock sound that stood out. Lapse we are told is about marriage and how couples fall out of love whilst being in marriage and her cover of Goyte's Hearts A Mess was smoothly driven. Kimbra ended the night with I Didn't Start The Fire (no, not the Billy Joel similar sounding song!). I was very impressed with her sound and I hope many people persue her gigs around town.
Hungry Kids of Hungry were next, a four piece male band and a more MMM (radio) sound. Casio pop band with two singers. Keyboardist going off on keys and tamborine and displaying a great vocal lead at times, a drummer in touch with his cruisiness and a bass player grunting as much as his guitar. Many gaps in the show with general chit chat and lots of crowd participation throughout the set. The singer lapped up the stage and seemed to love being there. A good solid crowd saw this set and they left with many punters clapping.
Enter Bertie Blackman after a snippet of the theme from Twin Peaks (love that tune), and after a 'hello' she delves straight into Thump. The stage behind her is adorned with snazzy lights which are a fantastic show throughout, and cardboard creatures hang around the stage. A swig from her pint of beer and into White Owl, a pure strong voice was showcased tonight and I am amazed at just how good her voice in live. Wearing a black long see-through dress with black bra and undies underneath she doesn't leave much for the appeasing fans. Clocks is next which for me is a dreary song and followed by some duelling keys on Lost and Found. Black Cat possesses dirty synthesizer and Byrds of Prey displays a growl in her vocals. After only 40 minutes she takes a break saying she wont be back but for those who believe her and who have their jaw on the ground, she laughs and says of course she'll be back! Bertie comes out again with a new song that she has written especially for us, an acoustic number that gets the punters hearts going. Band enter and they cover the Sting song, Something In The Air Tonight, which was covered well but way too drawn out. Bertie tells us she is living in Melbourne now and moved here about four months ago, she has been looking forward to tonight for ages, she also mentions that this is her home town now, and to any Melbournite I can safely say many people smiled knowingly to this comment. Her last song to cap off the evening is Sky Is Falling, which we're told is her favourite off the new album titled Secrets and Lies. I hear many people leaving saying what a great gig and I agree. There will be many people wishing they'd come along tonight as well and maybe next time Bertie will be playing in a larger venue.
Bertie is a great muso, she talks with the crowd, tells stories, swears and seems to have a real good time on stage, this is one girl with a great career ahead of her. Thanks Bertie and may Melbourne carry you in their hearts as well.
Venue: Hi Fi Bar and Ballroom
Date: 21st August 2009
Reviewed By: Espylyn
Tonight's cold evening didn't stop a sell out crowd at the Hi Fi Bar to witness Bertie Blackman in her first show here since moving to Melbourne and 'finding home'.
Kimbra opens the show with her guitar to a modest crowd. A strong voice and funky use of textured and layered vocals made me stand up and take note. Although her techie wasn't found at one time when she needed him it didn't stop her performance for standing out and her fifties sounding vocals made me feel Kimbra could go a long way in this field. With lyrics like 'Do you wanna raise a child with me' certainly made a few men with committment issues run far and wide, but it was her pop, indie, alternative rock sound that stood out. Lapse we are told is about marriage and how couples fall out of love whilst being in marriage and her cover of Goyte's Hearts A Mess was smoothly driven. Kimbra ended the night with I Didn't Start The Fire (no, not the Billy Joel similar sounding song!). I was very impressed with her sound and I hope many people persue her gigs around town.
Hungry Kids of Hungry were next, a four piece male band and a more MMM (radio) sound. Casio pop band with two singers. Keyboardist going off on keys and tamborine and displaying a great vocal lead at times, a drummer in touch with his cruisiness and a bass player grunting as much as his guitar. Many gaps in the show with general chit chat and lots of crowd participation throughout the set. The singer lapped up the stage and seemed to love being there. A good solid crowd saw this set and they left with many punters clapping.
Enter Bertie Blackman after a snippet of the theme from Twin Peaks (love that tune), and after a 'hello' she delves straight into Thump. The stage behind her is adorned with snazzy lights which are a fantastic show throughout, and cardboard creatures hang around the stage. A swig from her pint of beer and into White Owl, a pure strong voice was showcased tonight and I am amazed at just how good her voice in live. Wearing a black long see-through dress with black bra and undies underneath she doesn't leave much for the appeasing fans. Clocks is next which for me is a dreary song and followed by some duelling keys on Lost and Found. Black Cat possesses dirty synthesizer and Byrds of Prey displays a growl in her vocals. After only 40 minutes she takes a break saying she wont be back but for those who believe her and who have their jaw on the ground, she laughs and says of course she'll be back! Bertie comes out again with a new song that she has written especially for us, an acoustic number that gets the punters hearts going. Band enter and they cover the Sting song, Something In The Air Tonight, which was covered well but way too drawn out. Bertie tells us she is living in Melbourne now and moved here about four months ago, she has been looking forward to tonight for ages, she also mentions that this is her home town now, and to any Melbournite I can safely say many people smiled knowingly to this comment. Her last song to cap off the evening is Sky Is Falling, which we're told is her favourite off the new album titled Secrets and Lies. I hear many people leaving saying what a great gig and I agree. There will be many people wishing they'd come along tonight as well and maybe next time Bertie will be playing in a larger venue.
Bertie is a great muso, she talks with the crowd, tells stories, swears and seems to have a real good time on stage, this is one girl with a great career ahead of her. Thanks Bertie and may Melbourne carry you in their hearts as well.
Tuesday, August 18, 2009
Ross Wilson Rocks with Five Decades of Cool
Band: Ross Wilson
Venue: The Palais Theatre
Date: 14th August 2009
Reviewed By: Espylyn
Ross Wilson stormed the stage at the Palais tonight to a nearly sold out gig. The original member of Daddy Cool and Mondo Rock put together a stellar display of oldies mixed in with the newer songs. After five decades performing many hits Ross took to stage tonight with many fellow musicians including Ross Hannaford, Stu Fraser and Mike Rudd.
Many punters flooded the bars and drank in excess and therefore were seen to be going back and forth to the bathroom, whilst the rest of us looked upon this Aussie sensation with awe. Dressed in a suit and giving us many dance moves and grooves, Ross showed us he is a force to be reckoned with. His voice displayed perfectly in this theatre, reaching the back of the dress circle and those punters not going to the toilet were dancing in their seats.
Songs like Come Said the Boy was a major crowd pleaser and when Jimmy Barnes hit the stage for three songs, the punters eyes lit up with love and affection for another Aussie favourite. I did see Jimmy after his songs, checking out the merchandise and lovingly scooping his wife for a hug (awww).
Part two started with some Skyhooks songs, as Ross did produce a couple of their records so we got Horror Movie and Ego which were nicely done I thought, and at the end of the night the song which would have been a great last song was the famous Eagle Rock which went off with a bang, a would-have-been perfect ending (due to many people leaving thinking the show was actually finished!) to the show- loud and vibrant - but no, they came back for the quieter Daddy Who?Daddy Cool! number then Love Journey finished off the set and although many punters had started walking out after Eagle Rock finished, they now all littered the aisles waiting for the song to end, then they were on their way, not forgetting to grab their free cd on the way out!
Thanks Ross for nearly five decades of music, hopefully a celebration of a successful night:)
Venue: The Palais Theatre
Date: 14th August 2009
Reviewed By: Espylyn
Ross Wilson stormed the stage at the Palais tonight to a nearly sold out gig. The original member of Daddy Cool and Mondo Rock put together a stellar display of oldies mixed in with the newer songs. After five decades performing many hits Ross took to stage tonight with many fellow musicians including Ross Hannaford, Stu Fraser and Mike Rudd.
Many punters flooded the bars and drank in excess and therefore were seen to be going back and forth to the bathroom, whilst the rest of us looked upon this Aussie sensation with awe. Dressed in a suit and giving us many dance moves and grooves, Ross showed us he is a force to be reckoned with. His voice displayed perfectly in this theatre, reaching the back of the dress circle and those punters not going to the toilet were dancing in their seats.
Songs like Come Said the Boy was a major crowd pleaser and when Jimmy Barnes hit the stage for three songs, the punters eyes lit up with love and affection for another Aussie favourite. I did see Jimmy after his songs, checking out the merchandise and lovingly scooping his wife for a hug (awww).
Part two started with some Skyhooks songs, as Ross did produce a couple of their records so we got Horror Movie and Ego which were nicely done I thought, and at the end of the night the song which would have been a great last song was the famous Eagle Rock which went off with a bang, a would-have-been perfect ending (due to many people leaving thinking the show was actually finished!) to the show- loud and vibrant - but no, they came back for the quieter Daddy Who?Daddy Cool! number then Love Journey finished off the set and although many punters had started walking out after Eagle Rock finished, they now all littered the aisles waiting for the song to end, then they were on their way, not forgetting to grab their free cd on the way out!
Thanks Ross for nearly five decades of music, hopefully a celebration of a successful night:)
Sunday, July 19, 2009
Calling All Butterfly Effect fans of the Dead Letter Circus
Band: Calling All Cars, Dead Letter Circus, The Butterfly Effect
Venue: Forum Theatre
Date: 18th July 2009
Reviewed By: Espylyn
Calling All Cars are first on tonight and the crowd is already cramming into the beautiful room at the Forum Theatre. A lovely stringed start then the three piece open with Disconnect, a loud song with tempting beats and open mouthed poses from the band. Shake Girl follows with awesome drum licks whilst the two guitarists prance around on stage. The singer runs to the speakers for some on top of speaker action before he jumps back on stage to get into the next tune, Runaway- another fast song. Soldier On has a cruisy beat and the new song (off the soon to be released album) Cold Cold Fire displays energy from the band but this energy is in every song tonight. This is their first home town performance for a while and judging by the crowd’s reaction, it won’t be their last.
Dead Letter Circus have the potential to be a massive band and Clint from The Butterfly Effect said later during their show that he feels this band will be the next big thing and he hopes to be riding their coat tails for some time yet. The theatre is practically full now to see this band support the main act tonight and I’d say this gig is sold out due to the amazing line up of all three bands. Kim Benzie (vocals) has high vocals (reminiscent of Ian from Karnivool) and there is plenty of flashing lights to help the four piece spill forth their fast paced groovy songs. The two guitarists give the show a thicker sound whilst the drummer plays in sync with his quick and racy beats. The band really gel together live and Kim has fantastic live vocals. Song in the Wall is played and this is from their new album due out soon, the song is completed with a haunting guitar sound. The crowd belt out the tunes with the band with enthusiasm, spirit and warmth.
A lengthy wait and finally, lights down and the tune from Dire Straits - Money for Nothing, is blasted around us, we only the start of the song before the band come out and into Window and the Watcher which was like unleashing a beast on stage, Clint Boge on vocals sporting a military style jacket and gracing the stage with his ever felt presence. The song is off their latest offering Final Conversation of Kings. A red screen behind the band has flashing lights and we all know it’s going to be a top gig tonight. The Butterfly Effect hail from Brisbane and have been around since 1999 and something tells me they’ll be around for a few more years yet. The crowd are going insane, rock hands in the air and just about everyone is singing the songs around me. Rain is next displaying energy from all band members - Ben Hall on drums, Glenn Esmond on bass and Kurt Goedhart on guitar and tonight they are fully pumped. Around us moulded into the theatre, the naked young male statues which are all around this theatre, watch on, and I can’t help but wonder what they’ve seen over the years!
The pure energy of The Butterfly Effect cruises into Slow Descent (from their last album Imago) whilst the images on the screen make me feel like I’m on the train ride and I have to say that Clint’s vocals are the best I’ve ever heard live. The long notes are held and this makes for one strong performance and his signature moves and actions are displayed with wonderment from the audience. The next treats are Room Without a View followed by In A Memory with its bouncy bass and reckless drum beats. An acoustic version of Beautiful Mine (thank you for singing this x 1000) is such a lovely song and the crowd go mad, a song that is rarely played live (from their first full length album, Begins Here), it is brilliant to hear the song live. Reach has a cruisy edge and long vocal strands, and allows the audience to sing out loud -word for word whilst Perception Twin rocks the stage and Gone is another crowd tickler which Clint dedicates to the ladies in the audience. The next song is a cover from the 1980’s, Reckless, by Aussie Crawl. Some of the crowd find this the time to head for a beer or a toilet stop but Clint and co performs a reasonable job of the song and I still can’t understand the lyrical content!
Throughout the entire show the screen displays many images, some from album pictures from over the years and some are random images. For the next song Worlds on Fire we’re asked to watch the screen and then Clint tells us to remember we can do anything. Picture of wars enter our minds and allows us all to think of the catastrophes of war gone by. A beautiful guitar instrumental and then encore ensues.
Aisles of White takes us all on a journey whether it be to dance like crazy or sing no matter how good or bad we sound, and the light show goes mad around the stage. Sum of 1 ends the night and Clint tells us it’s the best show of the tour and it’s not something he says often. Melbourne is one top crowd and all the Melbournite’s give knowingly looks of agreement to Clint. As we leave the gig a cold blast tells me the front doors are open and it’s into the cold Melbourne winter night to follow, but a fantastic gig and happy chatting voices of the punters, tells me The Butterfly Effect put on one hell of a show.
features on www.thedwarf.com.au
Venue: Forum Theatre
Date: 18th July 2009
Reviewed By: Espylyn
Calling All Cars are first on tonight and the crowd is already cramming into the beautiful room at the Forum Theatre. A lovely stringed start then the three piece open with Disconnect, a loud song with tempting beats and open mouthed poses from the band. Shake Girl follows with awesome drum licks whilst the two guitarists prance around on stage. The singer runs to the speakers for some on top of speaker action before he jumps back on stage to get into the next tune, Runaway- another fast song. Soldier On has a cruisy beat and the new song (off the soon to be released album) Cold Cold Fire displays energy from the band but this energy is in every song tonight. This is their first home town performance for a while and judging by the crowd’s reaction, it won’t be their last.
Dead Letter Circus have the potential to be a massive band and Clint from The Butterfly Effect said later during their show that he feels this band will be the next big thing and he hopes to be riding their coat tails for some time yet. The theatre is practically full now to see this band support the main act tonight and I’d say this gig is sold out due to the amazing line up of all three bands. Kim Benzie (vocals) has high vocals (reminiscent of Ian from Karnivool) and there is plenty of flashing lights to help the four piece spill forth their fast paced groovy songs. The two guitarists give the show a thicker sound whilst the drummer plays in sync with his quick and racy beats. The band really gel together live and Kim has fantastic live vocals. Song in the Wall is played and this is from their new album due out soon, the song is completed with a haunting guitar sound. The crowd belt out the tunes with the band with enthusiasm, spirit and warmth.
A lengthy wait and finally, lights down and the tune from Dire Straits - Money for Nothing, is blasted around us, we only the start of the song before the band come out and into Window and the Watcher which was like unleashing a beast on stage, Clint Boge on vocals sporting a military style jacket and gracing the stage with his ever felt presence. The song is off their latest offering Final Conversation of Kings. A red screen behind the band has flashing lights and we all know it’s going to be a top gig tonight. The Butterfly Effect hail from Brisbane and have been around since 1999 and something tells me they’ll be around for a few more years yet. The crowd are going insane, rock hands in the air and just about everyone is singing the songs around me. Rain is next displaying energy from all band members - Ben Hall on drums, Glenn Esmond on bass and Kurt Goedhart on guitar and tonight they are fully pumped. Around us moulded into the theatre, the naked young male statues which are all around this theatre, watch on, and I can’t help but wonder what they’ve seen over the years!
The pure energy of The Butterfly Effect cruises into Slow Descent (from their last album Imago) whilst the images on the screen make me feel like I’m on the train ride and I have to say that Clint’s vocals are the best I’ve ever heard live. The long notes are held and this makes for one strong performance and his signature moves and actions are displayed with wonderment from the audience. The next treats are Room Without a View followed by In A Memory with its bouncy bass and reckless drum beats. An acoustic version of Beautiful Mine (thank you for singing this x 1000) is such a lovely song and the crowd go mad, a song that is rarely played live (from their first full length album, Begins Here), it is brilliant to hear the song live. Reach has a cruisy edge and long vocal strands, and allows the audience to sing out loud -word for word whilst Perception Twin rocks the stage and Gone is another crowd tickler which Clint dedicates to the ladies in the audience. The next song is a cover from the 1980’s, Reckless, by Aussie Crawl. Some of the crowd find this the time to head for a beer or a toilet stop but Clint and co performs a reasonable job of the song and I still can’t understand the lyrical content!
Throughout the entire show the screen displays many images, some from album pictures from over the years and some are random images. For the next song Worlds on Fire we’re asked to watch the screen and then Clint tells us to remember we can do anything. Picture of wars enter our minds and allows us all to think of the catastrophes of war gone by. A beautiful guitar instrumental and then encore ensues.
Aisles of White takes us all on a journey whether it be to dance like crazy or sing no matter how good or bad we sound, and the light show goes mad around the stage. Sum of 1 ends the night and Clint tells us it’s the best show of the tour and it’s not something he says often. Melbourne is one top crowd and all the Melbournite’s give knowingly looks of agreement to Clint. As we leave the gig a cold blast tells me the front doors are open and it’s into the cold Melbourne winter night to follow, but a fantastic gig and happy chatting voices of the punters, tells me The Butterfly Effect put on one hell of a show.
features on www.thedwarf.com.au
Sunday, June 28, 2009
Old Friends - Simon and Garfunkel
Band: Simon and Garfunkel
Venue: Rod Laver Arena
Date: 26th June 2009
Reviewed By: Espylyn
Tonight Old Friends gather for a memorable evening of hit songs from the 70's and 80's. Paul Simon and Art Garfunkel bring all their hits to a sold out show at Rod Laver and they do not disappoint. The two have been friends since school days and recorded their first record in 1957 and over the years have broken up a few times. In February 2009 Simon had Garfunkel appear as a special guest for an encore at Simon's show and a joint tour soon followed.
Tonight started with a quick video presentation of their life from school, to recording, to their hit songs then the video ended at Rod Laver Arena, a great capture of their life in the spotlight.
Hazy Shade of Winter was the first song of the night and I could feel the love in the arena for this duo. I am a Rock soon followed and their 10 piece band were on a roll tonight joining the duo performing song after song. Scaffolding which were placed in a tree formation hit the roof and the arms of the tree reached out over the stage - the scaffolding had lights and speakers attached to them and this look really suited the style of the performance tonight.
Scarborough Fair showed off more of their talented voices and Homeward Bound delivered an acoustic set from Simon. Old movies displayed throughout the show, showing good times and old times. Mrs Robinson was the crowd pleaser and Bright Eyes was delivered by Garfunkel with such beauty in his voice. Diamonds on the Soles of her Shoes was a great song live and got many people up and dancing, followed by Bridge Over Troubled Water (Garfunkle wrote for Simon) which recieved a standing ovation. Encore followed by The Boxer and the night was ended on the song Cecilia. Introductions of all 10 band members and big thanks for coming tonight. I leave the venue knowing I've seen a bit of history.
Venue: Rod Laver Arena
Date: 26th June 2009
Reviewed By: Espylyn
Tonight Old Friends gather for a memorable evening of hit songs from the 70's and 80's. Paul Simon and Art Garfunkel bring all their hits to a sold out show at Rod Laver and they do not disappoint. The two have been friends since school days and recorded their first record in 1957 and over the years have broken up a few times. In February 2009 Simon had Garfunkel appear as a special guest for an encore at Simon's show and a joint tour soon followed.
Tonight started with a quick video presentation of their life from school, to recording, to their hit songs then the video ended at Rod Laver Arena, a great capture of their life in the spotlight.
Hazy Shade of Winter was the first song of the night and I could feel the love in the arena for this duo. I am a Rock soon followed and their 10 piece band were on a roll tonight joining the duo performing song after song. Scaffolding which were placed in a tree formation hit the roof and the arms of the tree reached out over the stage - the scaffolding had lights and speakers attached to them and this look really suited the style of the performance tonight.
Scarborough Fair showed off more of their talented voices and Homeward Bound delivered an acoustic set from Simon. Old movies displayed throughout the show, showing good times and old times. Mrs Robinson was the crowd pleaser and Bright Eyes was delivered by Garfunkel with such beauty in his voice. Diamonds on the Soles of her Shoes was a great song live and got many people up and dancing, followed by Bridge Over Troubled Water (Garfunkle wrote for Simon) which recieved a standing ovation. Encore followed by The Boxer and the night was ended on the song Cecilia. Introductions of all 10 band members and big thanks for coming tonight. I leave the venue knowing I've seen a bit of history.
Wednesday, June 24, 2009
Get Out of Billy's Dreams and into the Palais Theatre
Name of Band: Billy Ocean
Venue: Palais Theatre
Date: 12th June 2009
Reviewed By: Espylyn
There was a cancelled support for tonights show so it was a bit of a wait for those who came early, but it didn't matter as Billy Ocean and band were going to entertain us tonight and we were all ready to dance in our seats. A fantastic show from Billy Ocean (aka Leslie Sebastian Charles) and his 10 piece orchestra. Displaying gleaming white teeth, which almost stole the show, Billy showed the crowd that he really is a legend (at a mere 59 years of age) and it was the songs of the 1980's that hit hard with the crowd. His 1976 hit Love Really Hurts Without You was the show opener and songs Suddenly and There'll be Sad Songs got the mood high as we all knew the bigger hits were to follow. Get Out of My Dreams allowed youngies to leap from their seats with hands pumping like time had gone back into the 1980's, and the crowd fully expoded into these hits by singing each song word for word. Loverboy was a beauty and When The Going Gets Tough was sung the security had a hard time trying to get people back into their seats whilst the crowd leapt around.
Billy displayed plenty of moves and grooves, dressed in a suit for the evening. Long hair and a happy persona were displayed throughout. How this wasn't close to a sell out is odd. The Palais was over half packed tonight and I bet many people are screwing up their faces with dispair as they missed a top show from a man who was a big 80's hit in the pop charts and his best of albums are double platinum sellers that continue to sell today.
The night was ended with Caribbean Queen which again got the crowd leaping about. Billy put on a fantastic show and with his orchestra to boot, and we were treated to a great night out.
Venue: Palais Theatre
Date: 12th June 2009
Reviewed By: Espylyn
There was a cancelled support for tonights show so it was a bit of a wait for those who came early, but it didn't matter as Billy Ocean and band were going to entertain us tonight and we were all ready to dance in our seats. A fantastic show from Billy Ocean (aka Leslie Sebastian Charles) and his 10 piece orchestra. Displaying gleaming white teeth, which almost stole the show, Billy showed the crowd that he really is a legend (at a mere 59 years of age) and it was the songs of the 1980's that hit hard with the crowd. His 1976 hit Love Really Hurts Without You was the show opener and songs Suddenly and There'll be Sad Songs got the mood high as we all knew the bigger hits were to follow. Get Out of My Dreams allowed youngies to leap from their seats with hands pumping like time had gone back into the 1980's, and the crowd fully expoded into these hits by singing each song word for word. Loverboy was a beauty and When The Going Gets Tough was sung the security had a hard time trying to get people back into their seats whilst the crowd leapt around.
Billy displayed plenty of moves and grooves, dressed in a suit for the evening. Long hair and a happy persona were displayed throughout. How this wasn't close to a sell out is odd. The Palais was over half packed tonight and I bet many people are screwing up their faces with dispair as they missed a top show from a man who was a big 80's hit in the pop charts and his best of albums are double platinum sellers that continue to sell today.
The night was ended with Caribbean Queen which again got the crowd leaping about. Billy put on a fantastic show and with his orchestra to boot, and we were treated to a great night out.
Sunday, May 24, 2009
Geoffrey Gurramul Yunupingu
Band: Gurramul with support from Ego Lemos
Venue: Palais Theatre
Date: 23rd May 2009
Reviewed By: Espylyn
Tonight I prepared myself to see a muscian who has been nicknamed The Voice of an Angel and I'm not sure if timing was deliberate but the show was played on the day the AFL call Dreamtime. Gurramul is supported tonight by a East Timor talented man called Ego Lemos with two fellow band members. Together the trio of highly talented musicians spoke and sung about the environment, politics and other issues with force and passion in their native tongue. In East Timor Ego Lemos is recognised as their top musician and tonight they brought their life and music into the Palais Theatre and they didn't dissapoint the crowd. A wide variety of punters joined the beautiful Palais Theatre in experiencing some very cultural musicians, be it five year olds to seventy five year young.
Soon the man the crowd came to see appeared. Gurramul was seated with guitar and into the music he leap. A shy guy who barely spoke throughout the show, yet his voice displayed no hint of shyness at all. Gurramul has around him his double bass player, acoustic guitarist and four violinists who captured his music whilst he played his native music in his native tongue. The backdrop consisted of three screens that translated to us in english the words that Gurramul sang about. This was a wonderful addition to the show as it brough awareness about his life and history that we may never have known. The screens also displayed pictures that were just beautiful. Although Gurramul barely spoke, his bassist told us stories and explained songs to us. When Gurramul did speak (to say thank you) the house lept into full applaude.
Gurramul's last song about his blindness was very touching and although he never does a encore, tonight he came back out with Ego Lemus and band for one last song.
Gurramul got the standing ovation he so duly deserved. Thank you for a perfect show.
Venue: Palais Theatre
Date: 23rd May 2009
Reviewed By: Espylyn
Tonight I prepared myself to see a muscian who has been nicknamed The Voice of an Angel and I'm not sure if timing was deliberate but the show was played on the day the AFL call Dreamtime. Gurramul is supported tonight by a East Timor talented man called Ego Lemos with two fellow band members. Together the trio of highly talented musicians spoke and sung about the environment, politics and other issues with force and passion in their native tongue. In East Timor Ego Lemos is recognised as their top musician and tonight they brought their life and music into the Palais Theatre and they didn't dissapoint the crowd. A wide variety of punters joined the beautiful Palais Theatre in experiencing some very cultural musicians, be it five year olds to seventy five year young.
Soon the man the crowd came to see appeared. Gurramul was seated with guitar and into the music he leap. A shy guy who barely spoke throughout the show, yet his voice displayed no hint of shyness at all. Gurramul has around him his double bass player, acoustic guitarist and four violinists who captured his music whilst he played his native music in his native tongue. The backdrop consisted of three screens that translated to us in english the words that Gurramul sang about. This was a wonderful addition to the show as it brough awareness about his life and history that we may never have known. The screens also displayed pictures that were just beautiful. Although Gurramul barely spoke, his bassist told us stories and explained songs to us. When Gurramul did speak (to say thank you) the house lept into full applaude.
Gurramul's last song about his blindness was very touching and although he never does a encore, tonight he came back out with Ego Lemus and band for one last song.
Gurramul got the standing ovation he so duly deserved. Thank you for a perfect show.
Sunday, April 19, 2009
Sierra Fin headline a dazzling array of performers at The Evelyn
Band: Sierra Fin, Plastic Palace Alice, The Good China & The Mischief
Venue: The Evelyn Hotel
Date: 18th April 2009
Reviewed By: Espylyn
To kick off the night The Mischief takes the stage with zing. A band that bloom from Sydney, they are a little bit country and little bit western mixed with a little bit of punkfuzz. Filled with frivolity and creation they fill the room with 60’s beat, punk and groove tunes that allow the punters to rise out of their chairs for a dance. Songs include Gentleman, Hollow Gold and On the Day. They won the 2008 NSW MTV kickstart Competition and have played the circuit with many well known bands.Next off the chopping block is The Good China (Melbourne) and they have an indie and pop sound, mixed with Chinese Pop ! They won the AIR New Music Prize at the 2009 St Kilda Festival (which will see them play the stage at St Kilda Festival in 2010) and they have also been part of JJJ unearthed. The eight piece band amaze many punters tonight with a plethora of instruments including, violin, banjo and melodica (gotta love this instrument), the band fill every orifice with floaty, groovy, happy, folk rock tunes. We are kept on our toes by band members moving around to play each other’s instruments. The show is very enjoyable and includes songs 39 Black, Window Seat and Turn the Page. The set ends on a collective noise and we’re left wondering how much better can the next band be!
Plastic Palace Alice (Melbourne) is the third act up tonight. A smartly dressed band which includes a male with a green bow in his hair!! A xylophone starts for No Shame and the six members bring a lush amount of rock and groove to the mixture. Explode is a new song and they follow this by Angle Matter and I’m Glad you Came. I’m sure I heard a bit of country clown rock at times with a cocktail of lush theatrical vibes thrown into the mix. Great band to groove too whilst the music is complimented with haunting female vocal s (*Emily Taylor*),- there is something special about the female voice I’m told by a punter who sat back with eyes closed taking her voice in. The bands changes instruments between them as they tried to upstage The Good China band.
Where does one start with a band who so aptly names their tour the Meet and Greet Tour? Sierra Fin are four young men hot off the press of their released EP entitled, Shake Stare Sleep, they headline some truly great acts at the Evelyn Hotel tonight . I can safely say the band pull off headlining the stage and they stand out with their voluptuous sound of orchestral experimental indie pop rock. The sound between music and noise can be flimsy and the results can end a bands lifeline. Sierra Fin craft their music to listening pleasure and the result is fine, dam fine, music.
First song to be launched into our ears tonight is Over my Head which is impacted initially by a boom and lead by the passions of singer Russ Tainton. Russ puts his all into the music, and the next few songs Polystyrene Dream, ScrapBook and Out of Favours show a very passionate front man and a band who seem right at home with the music that is Sierra Fin. At the back Frosty lets his ambitions loose on drum, whilst Oli slowly grooves away on bass leaving Joel pumping the keyboards. All members looking smart in shirts and vests and together they harmonise well. At one point we are greeted by a punter displaying some form of a monkey dance, perhaps the happy music allowed her to beam her energy into another type of mammal!Acoustic guitar is brought out for Been Sleeping (which is the first song off EP), a rocking song with an upbeat tempo and ends with the sound that is like twittering birds. Some ukulele trouble which is short lived then off they head into Claustrophobia, a rocking song where the keys gel with immense pleasure. Collaboration of the senses overloads and the drum solo takes hold. Russ heads to keyboard and mentions that they too can swap instruments. A mellow yet vibrant song, Wrapped in Plastic, that brings home a stellar performance. Russ pulling all the moves on the key solo which is touched by drums then Russ decides a bit of feet keyboard action is required much to the delight of the punters watching. Oli is the demure member of the group on stage fulfilling his ambience with rhythmic rustic moves. Russ sings the start of the next song Like a Stone and a touch of drum is added, then this thunderous tune is filled with gusty bass, a song complimenting the talent of the musicians. Russ gets members of all bands who have played tonight out from the audience and up on stage for the song The Square which has an Irish twist to it. The crowd can’t help but be pulled in to the music that is offered by Sierra Fin and yes, a meet and greet after the show is welcomed by all.
www.fasterlouder.com.au
Venue: The Evelyn Hotel
Date: 18th April 2009
Reviewed By: Espylyn
To kick off the night The Mischief takes the stage with zing. A band that bloom from Sydney, they are a little bit country and little bit western mixed with a little bit of punkfuzz. Filled with frivolity and creation they fill the room with 60’s beat, punk and groove tunes that allow the punters to rise out of their chairs for a dance. Songs include Gentleman, Hollow Gold and On the Day. They won the 2008 NSW MTV kickstart Competition and have played the circuit with many well known bands.Next off the chopping block is The Good China (Melbourne) and they have an indie and pop sound, mixed with Chinese Pop ! They won the AIR New Music Prize at the 2009 St Kilda Festival (which will see them play the stage at St Kilda Festival in 2010) and they have also been part of JJJ unearthed. The eight piece band amaze many punters tonight with a plethora of instruments including, violin, banjo and melodica (gotta love this instrument), the band fill every orifice with floaty, groovy, happy, folk rock tunes. We are kept on our toes by band members moving around to play each other’s instruments. The show is very enjoyable and includes songs 39 Black, Window Seat and Turn the Page. The set ends on a collective noise and we’re left wondering how much better can the next band be!
Plastic Palace Alice (Melbourne) is the third act up tonight. A smartly dressed band which includes a male with a green bow in his hair!! A xylophone starts for No Shame and the six members bring a lush amount of rock and groove to the mixture. Explode is a new song and they follow this by Angle Matter and I’m Glad you Came. I’m sure I heard a bit of country clown rock at times with a cocktail of lush theatrical vibes thrown into the mix. Great band to groove too whilst the music is complimented with haunting female vocal s (*Emily Taylor*),- there is something special about the female voice I’m told by a punter who sat back with eyes closed taking her voice in. The bands changes instruments between them as they tried to upstage The Good China band.
Where does one start with a band who so aptly names their tour the Meet and Greet Tour? Sierra Fin are four young men hot off the press of their released EP entitled, Shake Stare Sleep, they headline some truly great acts at the Evelyn Hotel tonight . I can safely say the band pull off headlining the stage and they stand out with their voluptuous sound of orchestral experimental indie pop rock. The sound between music and noise can be flimsy and the results can end a bands lifeline. Sierra Fin craft their music to listening pleasure and the result is fine, dam fine, music.
First song to be launched into our ears tonight is Over my Head which is impacted initially by a boom and lead by the passions of singer Russ Tainton. Russ puts his all into the music, and the next few songs Polystyrene Dream, ScrapBook and Out of Favours show a very passionate front man and a band who seem right at home with the music that is Sierra Fin. At the back Frosty lets his ambitions loose on drum, whilst Oli slowly grooves away on bass leaving Joel pumping the keyboards. All members looking smart in shirts and vests and together they harmonise well. At one point we are greeted by a punter displaying some form of a monkey dance, perhaps the happy music allowed her to beam her energy into another type of mammal!Acoustic guitar is brought out for Been Sleeping (which is the first song off EP), a rocking song with an upbeat tempo and ends with the sound that is like twittering birds. Some ukulele trouble which is short lived then off they head into Claustrophobia, a rocking song where the keys gel with immense pleasure. Collaboration of the senses overloads and the drum solo takes hold. Russ heads to keyboard and mentions that they too can swap instruments. A mellow yet vibrant song, Wrapped in Plastic, that brings home a stellar performance. Russ pulling all the moves on the key solo which is touched by drums then Russ decides a bit of feet keyboard action is required much to the delight of the punters watching. Oli is the demure member of the group on stage fulfilling his ambience with rhythmic rustic moves. Russ sings the start of the next song Like a Stone and a touch of drum is added, then this thunderous tune is filled with gusty bass, a song complimenting the talent of the musicians. Russ gets members of all bands who have played tonight out from the audience and up on stage for the song The Square which has an Irish twist to it. The crowd can’t help but be pulled in to the music that is offered by Sierra Fin and yes, a meet and greet after the show is welcomed by all.
www.fasterlouder.com.au
Keane at the Palace Theatre
Band: Keane
Venue: The Palace
Date: 16th April 2009
Reviewed By: Espylyn
Keane are back, better than ever and taking the stage as its mission in life to reward their punters with some top notch piano rock music. Having sold over 8 million records, the UK (East Sussex) band, bring their latest album to our shores and what better way than to spend a Thursday night in Melbourne's fabulous venue, the Palace, watching a band who wants to take the stage over.
It’s been 5 years since Keane hit our shores and the crowd’s reactions tonight will tell me the band is forgiven! Keane are known for their piano song introductions using delayed and distortion effects on the keys. It was in the year 2000 when the band initially tried this different approach in the studio and it’s certainly paid off. Their first two albums have been listed as best albums of all time in certain UK magazines and they have a string of awards to add to their collection. The new album Perfect Symmetry has challenged the band and they love it!
I enter the venue and take pride in getting rather close to stage as there was a large area unfilled by punters. It didn't take me long to realize that it may have been empty due to a certain person in front of me dropping a few el-stinko's. So whilst I'm trying my best to catch the essence of the gig and not of that around me, I found I had to move about 3 songs into the set to get away from the smell! I pity those I left behind.
Keane fans are a variety of people of all ages (many with UK accents) and there is a solid crowd in the venue tonight. The punters are more than ready for the band and a grumbling through the speakers tells us its time- lights dim and out they come, Tom Chaplin on vocals and guitar (such engaging front man skills), Richard Hughes on drums, Tim Rice-Oxley on piano and tour member Jesse Quin on bass. They start the show with The Lovers are Losing which is the first single off their new album Perfect Symmetry, and Keane tell us this is their best album yet.
Everybody’s Changing is a boppy song, Tim going off like Paul Mac on keys, bopping and grooving away and spending about quarter of the time actually sitting on the stool, his performance tonight is dramatically pleasing to watch! Bend and Break takes us through some amazing light display, whilst singer Tom glides up and down the stage greeting fans and taking in the vibrant crowd. Nothing to Say is such a fantastic song, and the song is done justice live. Tom has a strong live voice which carries throughout the entire show without any form of tiredness. The song Again and Again has lyrics that glide around the room and next few songs This is the Last Time and Spiralling is music that takes me back in time to the 80's. Spiralling is a pretty song with lots of Woo’s blended into crowd participation. Keane certainly enjoy and are grateful to the crowd for clapping and cheering which is constant between songs - and loud!
The next section takes us on an acoustic edge with Tom singing Your Eyes Open then Try Again to which this song is joined with melodic keys and a big tom/bass drum that is incorporated into the tune and gives extra sound to the already defined song. Tom certainly enjoys this part of the set and the punters lap it up, they just love him!
Back to full band and lights and more grooving moves, You Haven't Told Me Anything ends with humble grins from the boys as the applause fills the room one more time. Can these boys get enough of this audience? I don’t think so! You Don’t See Me has a nice acoustic vocal start with shakers then the drum kicks in and is carried on with lush vocals delightfully wrapped in keys, the song ends with a boom and smiles galore. The album title is next, Perfect Symmetry, with sexy vocals from Tom blended with backing vocals by the rest of band, this fills the song up and it sizzles for crowd. Tom tells us we all need to raise the roof for Somewhere Only We Know which is soon followed by a high climax from Crystal Ball, definitely a stand out song. Tom is like a monkey on stage, and this song is such a funky moving song and before we know it, the thumping drums tell us the show has ended.
Thank you from all band members who leap up and clap us back and off they prowl. The crowd won’t give up, they beg for more and naturally Keane come back. Keyboard start and high vocals launch into Better Than This with jazzy snare sounds and a polished bass. Next song is delivered with bright white lights and a powerful rock start which then heads down a notch for Is it any Wonder and punters around me scream for joy. The band launch slowly into the song Bedshaped (not sure this is a fitting last song) and Tom’s vocals are still sounding glorious – his voice has barely missed a beat tonight. The crowd sing a long to this song, knowing it’s the last. Will we have to wait another 5 years? Judging from the Keane members, I don’t think so.
www.thedwarf.com.au
Venue: The Palace
Date: 16th April 2009
Reviewed By: Espylyn
Keane are back, better than ever and taking the stage as its mission in life to reward their punters with some top notch piano rock music. Having sold over 8 million records, the UK (East Sussex) band, bring their latest album to our shores and what better way than to spend a Thursday night in Melbourne's fabulous venue, the Palace, watching a band who wants to take the stage over.
It’s been 5 years since Keane hit our shores and the crowd’s reactions tonight will tell me the band is forgiven! Keane are known for their piano song introductions using delayed and distortion effects on the keys. It was in the year 2000 when the band initially tried this different approach in the studio and it’s certainly paid off. Their first two albums have been listed as best albums of all time in certain UK magazines and they have a string of awards to add to their collection. The new album Perfect Symmetry has challenged the band and they love it!
I enter the venue and take pride in getting rather close to stage as there was a large area unfilled by punters. It didn't take me long to realize that it may have been empty due to a certain person in front of me dropping a few el-stinko's. So whilst I'm trying my best to catch the essence of the gig and not of that around me, I found I had to move about 3 songs into the set to get away from the smell! I pity those I left behind.
Keane fans are a variety of people of all ages (many with UK accents) and there is a solid crowd in the venue tonight. The punters are more than ready for the band and a grumbling through the speakers tells us its time- lights dim and out they come, Tom Chaplin on vocals and guitar (such engaging front man skills), Richard Hughes on drums, Tim Rice-Oxley on piano and tour member Jesse Quin on bass. They start the show with The Lovers are Losing which is the first single off their new album Perfect Symmetry, and Keane tell us this is their best album yet.
Everybody’s Changing is a boppy song, Tim going off like Paul Mac on keys, bopping and grooving away and spending about quarter of the time actually sitting on the stool, his performance tonight is dramatically pleasing to watch! Bend and Break takes us through some amazing light display, whilst singer Tom glides up and down the stage greeting fans and taking in the vibrant crowd. Nothing to Say is such a fantastic song, and the song is done justice live. Tom has a strong live voice which carries throughout the entire show without any form of tiredness. The song Again and Again has lyrics that glide around the room and next few songs This is the Last Time and Spiralling is music that takes me back in time to the 80's. Spiralling is a pretty song with lots of Woo’s blended into crowd participation. Keane certainly enjoy and are grateful to the crowd for clapping and cheering which is constant between songs - and loud!
The next section takes us on an acoustic edge with Tom singing Your Eyes Open then Try Again to which this song is joined with melodic keys and a big tom/bass drum that is incorporated into the tune and gives extra sound to the already defined song. Tom certainly enjoys this part of the set and the punters lap it up, they just love him!
Back to full band and lights and more grooving moves, You Haven't Told Me Anything ends with humble grins from the boys as the applause fills the room one more time. Can these boys get enough of this audience? I don’t think so! You Don’t See Me has a nice acoustic vocal start with shakers then the drum kicks in and is carried on with lush vocals delightfully wrapped in keys, the song ends with a boom and smiles galore. The album title is next, Perfect Symmetry, with sexy vocals from Tom blended with backing vocals by the rest of band, this fills the song up and it sizzles for crowd. Tom tells us we all need to raise the roof for Somewhere Only We Know which is soon followed by a high climax from Crystal Ball, definitely a stand out song. Tom is like a monkey on stage, and this song is such a funky moving song and before we know it, the thumping drums tell us the show has ended.
Thank you from all band members who leap up and clap us back and off they prowl. The crowd won’t give up, they beg for more and naturally Keane come back. Keyboard start and high vocals launch into Better Than This with jazzy snare sounds and a polished bass. Next song is delivered with bright white lights and a powerful rock start which then heads down a notch for Is it any Wonder and punters around me scream for joy. The band launch slowly into the song Bedshaped (not sure this is a fitting last song) and Tom’s vocals are still sounding glorious – his voice has barely missed a beat tonight. The crowd sing a long to this song, knowing it’s the last. Will we have to wait another 5 years? Judging from the Keane members, I don’t think so.
www.thedwarf.com.au
Friday, April 3, 2009
Snow Patrol and Jenny Lewis hit the Palais theatre
Band: Snow Patrol with support from Jenny Lewis
Venue: Palais Theatre - St Kilda
Date: 2nd April 2009
Reviewed By: Espylyn
Jenny Lewis is one hot buxom American babe. Leggy with a voice to match her startling presence. Jenny's style tonight is country rock but many people may know her from the indie rock band Rilo Kiley as well as her many walk in's on various sitcom's from the 1980's and many movie roles to boot. I'd never heard her music before and I was blown away by her voice and stage presence. Tonight there is a full band joining in harmonies for some songs as well as a male singer who belts out a few groovy tunes himself. Jenny is one person you all need to see live. I think I turned to the other side whilst seeing her performance! She may just be the next Dolly Parton!
A half hour break and enter an extremely loud Snow Patrol to a crowd full of beer and water (hot in the venue tonight). Yes I actually had to put earplugs in (voluntarily!!). A practically sold out show that almost did blow the roof with their music. Lots of hits were played tonight and the crowd were really nuts. A northern Irish/Scottish band with many punters of the same lingo, supporting flags and rather interesting dance moves (in dress circle anyway!). I enjoyed the set and I thought the light show was dazzling - many colours coating the stage and giving it presence. Belle and Sebastian drummer (see supergroup) joined them tonight and all Snow Patrol members pumped the stage at the Palais Theatre.
Venue: Palais Theatre - St Kilda
Date: 2nd April 2009
Reviewed By: Espylyn
Jenny Lewis is one hot buxom American babe. Leggy with a voice to match her startling presence. Jenny's style tonight is country rock but many people may know her from the indie rock band Rilo Kiley as well as her many walk in's on various sitcom's from the 1980's and many movie roles to boot. I'd never heard her music before and I was blown away by her voice and stage presence. Tonight there is a full band joining in harmonies for some songs as well as a male singer who belts out a few groovy tunes himself. Jenny is one person you all need to see live. I think I turned to the other side whilst seeing her performance! She may just be the next Dolly Parton!
A half hour break and enter an extremely loud Snow Patrol to a crowd full of beer and water (hot in the venue tonight). Yes I actually had to put earplugs in (voluntarily!!). A practically sold out show that almost did blow the roof with their music. Lots of hits were played tonight and the crowd were really nuts. A northern Irish/Scottish band with many punters of the same lingo, supporting flags and rather interesting dance moves (in dress circle anyway!). I enjoyed the set and I thought the light show was dazzling - many colours coating the stage and giving it presence. Belle and Sebastian drummer (see supergroup) joined them tonight and all Snow Patrol members pumped the stage at the Palais Theatre.
Couting Crows at the Palais Theatre
Band: Counting Crows with support from Clinton Cryton
Venue: Palais Theatre
Date: 30th March 2009
Reviewed By: Espylyn
The night started with many of us wondering who Clinton is, and I guess you can say his style is like Jack Johnson, similar looks and even similar in wardrobe. The crowd enjoyed his music which fulfilled a laid back, cruisy sound and got punters out to the merchandise stand to purchase his cd. He obligated his wonderment with the punters by signing cd's after the show.
Counting Crows started with a big bang and the crowd lept up in their seats with high anticipation of seeing a band who hasn't toured our land for 14 years. The sound was perfect tonight and the set list a completely different list than their first show on 27th March at the Palais. I was a bit disappointed as I didn't get to hear the songs I knew the most but I got to hear many other gracious songs which include Sullivan Street (magic song), A Murder of One and You Can't Count on Me. Adam Duritz is the frontman (wearing a Kiss tee shirt) who owns the stage by plonking himself on any surface for a sit down sing, shaking hands of the crowd and jiggling his booty! David Bryson (guitar), Charles Gillingham (keyboards), David Immergluck (guitar), Dan Vickrey (guitar), Jim Bogios (drums), and Millard Powers (bass) all took the show to great heights that were appreciated by a very full Palais Theatre tonight.
Other songs of the night included Miami and Los Angeles and we were blessed with a show of high standard and one to take to work tomorrow and chat about over the water cooler.
Venue: Palais Theatre
Date: 30th March 2009
Reviewed By: Espylyn
The night started with many of us wondering who Clinton is, and I guess you can say his style is like Jack Johnson, similar looks and even similar in wardrobe. The crowd enjoyed his music which fulfilled a laid back, cruisy sound and got punters out to the merchandise stand to purchase his cd. He obligated his wonderment with the punters by signing cd's after the show.
Counting Crows started with a big bang and the crowd lept up in their seats with high anticipation of seeing a band who hasn't toured our land for 14 years. The sound was perfect tonight and the set list a completely different list than their first show on 27th March at the Palais. I was a bit disappointed as I didn't get to hear the songs I knew the most but I got to hear many other gracious songs which include Sullivan Street (magic song), A Murder of One and You Can't Count on Me. Adam Duritz is the frontman (wearing a Kiss tee shirt) who owns the stage by plonking himself on any surface for a sit down sing, shaking hands of the crowd and jiggling his booty! David Bryson (guitar), Charles Gillingham (keyboards), David Immergluck (guitar), Dan Vickrey (guitar), Jim Bogios (drums), and Millard Powers (bass) all took the show to great heights that were appreciated by a very full Palais Theatre tonight.
Other songs of the night included Miami and Los Angeles and we were blessed with a show of high standard and one to take to work tomorrow and chat about over the water cooler.
Tuesday, March 31, 2009
Duffy takes on the local Sydney icon
Band: Duffy with support from Andy Bull
Venue: Sydney Opera House - Concert Hall
Date: 26th March 2009
Reviewed By: Espylyn
I was highly excited to head into the Concert Hall at the Sydney Opera House, an Aussie icon, and somewhere I've never seen live music before. Lots of people dress up for the occasion and I'm sure it's like this most of the time. We enter and take our seats (70's decor inside which is actually 'in' again) and take in the music of Andy Bull. I think my friends and I spent most of the set wondering if we were watching a guy or girl (sorry Andy) but seriously from where we sat, back in row O) this person looked like a bloke but sung like a girl, and even spoke like a girl. A local talent who is just as excited about being at the opera house as I am gave a lovely performance of vocals and keys. Last cover was Electric Feel, the MGMT tune. So during the break we google'd and discovered we were watching a bloke! woah, one out of three were correct. We decided to head outside and check out the lovely bay views and here I discovered the opera house has bathroom tiles all over it, rather hilarious I thought!
Packed house which is all geared up to watch the Welsh singer who has taken some of the world by storm, she has been noted as the new Dusty Springfield and likened to Amy Winehouse (not in the drug sense!). Out Duffy comes singing my favourite song, Rockferry, and with gracious stage presence she swings the microphone like she owns the room and she is wearing a little black dress tonight which is her fashion norm. A pint sized rock star who displays a huge talent on stage. Initially the sound appears too strong for the venue but that thought didn't last too long. This chick can seriously belt out a decent note. After two songs the dress is off and underneath is short shorts and top. Duffy sings Serious then Warwick Avenue and is joined by two backing vocals who look like twins themselves!
Syrup and Honey is just Duffy and guitar which fills the room with mystic motion, then Stepping Stone (with some cheesy moves by the backing singers) . A few cover songs throughout the set but its her own music that fills the room with happiness tonight. Delayed Devotion brings out some crooners and Mercy has many up in their seats pumped by this energy driven song. Encore already and back for a few more songs of the less pumped variety. Distant Dreamer is the song for Duffy to end on tonight and we take away with us a night to remember, a special night at a special (white tiled) palace.
Venue: Sydney Opera House - Concert Hall
Date: 26th March 2009
Reviewed By: Espylyn
I was highly excited to head into the Concert Hall at the Sydney Opera House, an Aussie icon, and somewhere I've never seen live music before. Lots of people dress up for the occasion and I'm sure it's like this most of the time. We enter and take our seats (70's decor inside which is actually 'in' again) and take in the music of Andy Bull. I think my friends and I spent most of the set wondering if we were watching a guy or girl (sorry Andy) but seriously from where we sat, back in row O) this person looked like a bloke but sung like a girl, and even spoke like a girl. A local talent who is just as excited about being at the opera house as I am gave a lovely performance of vocals and keys. Last cover was Electric Feel, the MGMT tune. So during the break we google'd and discovered we were watching a bloke! woah, one out of three were correct. We decided to head outside and check out the lovely bay views and here I discovered the opera house has bathroom tiles all over it, rather hilarious I thought!
Packed house which is all geared up to watch the Welsh singer who has taken some of the world by storm, she has been noted as the new Dusty Springfield and likened to Amy Winehouse (not in the drug sense!). Out Duffy comes singing my favourite song, Rockferry, and with gracious stage presence she swings the microphone like she owns the room and she is wearing a little black dress tonight which is her fashion norm. A pint sized rock star who displays a huge talent on stage. Initially the sound appears too strong for the venue but that thought didn't last too long. This chick can seriously belt out a decent note. After two songs the dress is off and underneath is short shorts and top. Duffy sings Serious then Warwick Avenue and is joined by two backing vocals who look like twins themselves!
Syrup and Honey is just Duffy and guitar which fills the room with mystic motion, then Stepping Stone (with some cheesy moves by the backing singers) . A few cover songs throughout the set but its her own music that fills the room with happiness tonight. Delayed Devotion brings out some crooners and Mercy has many up in their seats pumped by this energy driven song. Encore already and back for a few more songs of the less pumped variety. Distant Dreamer is the song for Duffy to end on tonight and we take away with us a night to remember, a special night at a special (white tiled) palace.
Thursday, March 12, 2009
Green grass, no mud, simply Golden
Band: Golden Plains Music Festival
Venue: Meredith Ampitheatre
Date: 9th and 10th March 2009
Reviewed By: Espylyn
Ah Golden Plains, come one, come all. No bottles, no dogs and no dickheads. It doesn't get much easier than that. Two car loads of us entered the site within minutes and found a cool possie on Highway to Hell path (turned out to be not so cool due to chairs being stolen - usually unheard of at Meredith), tents up and sorted it was time to get the beers ready in the mini esky's and head down to the ampitheatre. A sold out crowd as per usual, and it was good to see the Nolan's checking out the vibe too. A wander around and then it was time to plonk ourselves on the grass, yes green grass which was strange at first - ahh how I've missed it. The time felt like about 5pm cos we got there early but it was only 2pm! So.... lots of hilarity amongst the crowd (and us), funky costumes, silly costumes and many people in animal costumes (found out later that a facebook site called golden plains open range zoo is the reason behind all the animal costumes!). Mogwai were fantastic giving us a stellar instrumental performance, and Black Machines were great too (anyone got a flipper?). As someone in our group said, they are like Judith Durnam with Wolfmother! I was disapointed with Of Montreal, not as good as what I'd read about. You Am I topped the bill tonight, less crazy than usual but Tim Rogers in a green suit with a large bow tie (yuk!) gave the crowd what they came for - a jolly good time. A late night and a cosy warm tent before a sleep in and then time for upsie's to check out more bands around lunchtime. Two egg sandwiches later we saw Bridezilla who I find are always a great watch then Pivot who were a cruisy instrumental group, Old Crow Medicine Man had that hill billy kicking feel about them, definately got the crowd warming up! Time for more walkies and good ole hare krisna food - go the snack plate! Then it was time for more bands including The Church who have still got it and the crowd seemed very pumped for this set, The Drones and highlight of the night was Gary Numan, fantastic set, fantastic voice. As a volunteer it was my shift of midnight till 4am to work where, as crowd carer, with a monkey, we wandered around campsites making sure all was okay, and with looking at ping pong tables, pool tables and bars, all was okay in golden plains land.
Venue: Meredith Ampitheatre
Date: 9th and 10th March 2009
Reviewed By: Espylyn
Ah Golden Plains, come one, come all. No bottles, no dogs and no dickheads. It doesn't get much easier than that. Two car loads of us entered the site within minutes and found a cool possie on Highway to Hell path (turned out to be not so cool due to chairs being stolen - usually unheard of at Meredith), tents up and sorted it was time to get the beers ready in the mini esky's and head down to the ampitheatre. A sold out crowd as per usual, and it was good to see the Nolan's checking out the vibe too. A wander around and then it was time to plonk ourselves on the grass, yes green grass which was strange at first - ahh how I've missed it. The time felt like about 5pm cos we got there early but it was only 2pm! So.... lots of hilarity amongst the crowd (and us), funky costumes, silly costumes and many people in animal costumes (found out later that a facebook site called golden plains open range zoo is the reason behind all the animal costumes!). Mogwai were fantastic giving us a stellar instrumental performance, and Black Machines were great too (anyone got a flipper?). As someone in our group said, they are like Judith Durnam with Wolfmother! I was disapointed with Of Montreal, not as good as what I'd read about. You Am I topped the bill tonight, less crazy than usual but Tim Rogers in a green suit with a large bow tie (yuk!) gave the crowd what they came for - a jolly good time. A late night and a cosy warm tent before a sleep in and then time for upsie's to check out more bands around lunchtime. Two egg sandwiches later we saw Bridezilla who I find are always a great watch then Pivot who were a cruisy instrumental group, Old Crow Medicine Man had that hill billy kicking feel about them, definately got the crowd warming up! Time for more walkies and good ole hare krisna food - go the snack plate! Then it was time for more bands including The Church who have still got it and the crowd seemed very pumped for this set, The Drones and highlight of the night was Gary Numan, fantastic set, fantastic voice. As a volunteer it was my shift of midnight till 4am to work where, as crowd carer, with a monkey, we wandered around campsites making sure all was okay, and with looking at ping pong tables, pool tables and bars, all was okay in golden plains land.
Thursday, February 12, 2009
Simply Wonderful at the Palais Theatre
Band: Simply Red supported by Kate Cebrano
Venue: Palais Theatre - St Kilda
Date: 10th February 2009
Reviewed By: Espylyn
Tonight is like a double header act for the lucky punters who had tickets to a sold out show at the Palais Theatre. Kate Cebrano takes to stage amongst talented musicians and sings many of her own songs plus a few covers. Songs include Bedroom Eyes, Kiss me Passionately and more. Kate always puts on a great show, talking to her audience, wiggles her amazing body and smiling with passion and honesty. The seats are practically full for Kate.
Simply Red are an English band basing their music on pop, rock, jazz and soul. This tour coincides with their greatest hits cd and 2009 will be the last time we’ll see the band. After 25 years Mick says the band will end, basically saying that 25 years is enough.
The crowd tonight is very mixed. Many people have been waiting 20 years to see Simply Red, some received the ticket from their children as Christmas presents. The first part of the set is slower songs such as ‘Holding back the years’, ‘For your Babies’ and ‘Fairground’. As this is the greatest hits tour, we soon heard all the upbeat songs ‘Money too tight to Mention’, ‘Something got me Started’, ‘The Right thing’ and the night ended on ‘If you don’t know me by now’ which was a slow song to end on, I feel it would have been better ending on a upbeat song, but hey – I didn’t hear the audience complain. Plenty of patrons in the aisles dancing away and I overheard many people saying it was a fantastic show. Thanks Mick for coming to Australia and we missed seeing you at the Day on the Green tour (which was cancelled due to the bushfire threat in the Yarra Valley).
Melbourne Live’s thoughts are with the people who have lost beloved ones or animals due to the bushfires. This is a tragedy that has brought many people together at such a devastating time in life. Please donate to the Animal Aid in Coldstream
Venue: Palais Theatre - St Kilda
Date: 10th February 2009
Reviewed By: Espylyn
Tonight is like a double header act for the lucky punters who had tickets to a sold out show at the Palais Theatre. Kate Cebrano takes to stage amongst talented musicians and sings many of her own songs plus a few covers. Songs include Bedroom Eyes, Kiss me Passionately and more. Kate always puts on a great show, talking to her audience, wiggles her amazing body and smiling with passion and honesty. The seats are practically full for Kate.
Simply Red are an English band basing their music on pop, rock, jazz and soul. This tour coincides with their greatest hits cd and 2009 will be the last time we’ll see the band. After 25 years Mick says the band will end, basically saying that 25 years is enough.
The crowd tonight is very mixed. Many people have been waiting 20 years to see Simply Red, some received the ticket from their children as Christmas presents. The first part of the set is slower songs such as ‘Holding back the years’, ‘For your Babies’ and ‘Fairground’. As this is the greatest hits tour, we soon heard all the upbeat songs ‘Money too tight to Mention’, ‘Something got me Started’, ‘The Right thing’ and the night ended on ‘If you don’t know me by now’ which was a slow song to end on, I feel it would have been better ending on a upbeat song, but hey – I didn’t hear the audience complain. Plenty of patrons in the aisles dancing away and I overheard many people saying it was a fantastic show. Thanks Mick for coming to Australia and we missed seeing you at the Day on the Green tour (which was cancelled due to the bushfire threat in the Yarra Valley).
Melbourne Live’s thoughts are with the people who have lost beloved ones or animals due to the bushfires. This is a tragedy that has brought many people together at such a devastating time in life. Please donate to the Animal Aid in Coldstream
Saturday, February 7, 2009
Root! of money is the evil at the Northcote Social Club
Band: Root! with support from Lightning Dead and Austin Floyd
Venue: Northcote Social Club
Date: 6th february 2009
Reviewed By: Espylyn
Live music is vehicle to bring people together and Melbourne’s most unsexy band Root! bring a certain type together, whether it be the boot scooting variety, the poets, the unethical, the bogans and those who want a bloody good laugh.
The Northcote Social Club tonight takes on board Root! including two support acts. First off the base is Lightning Dead, who begin with guitar and drum which builds up with bass and electric guitar. Deep strong vocals and an impressive voice are what first hits you, then that great rock/indie alternative sound. Lyrics are story like and most songs build up their sound before they truly rock out. Their song Out Of Control has a slight twang to it whilst other songs sound almost punk like. Bit country, bit old school and a slight sound of New Order at times.
Austin Floyd are up next, a Melbourne country rock of the grunt variety band, which fits into the pub scene as though they are part of the furniture with a manner like Ian Rilen, that has that jive, boot scooting feel. They are a very fitting support band for tonight’s main act to follow. Murray Floyd is on vocals and rhythm guitar and sports a cowboy hat, pouting lips and an oozing raw gravel voice. To support Murray is Justin Rudge on lead guitar and backing vocals, Chris Pain on double bass and Roman Ceder on drums. The song Haven’t had a Woman since Johnny Cash died includes harmonica and the solid crowd thoroughly bakes in the song and then with the words "wham bam thank you mam, that is the end of the show"! how can we not agree that this band puts on a great rocking performance and the punters certainly know how to have a good time to them.
Curtains that were closed are now open and out come the band of the night, Root! All wearing hats and they head straight into a new song Groove from their new album titled Root is the money of all Evil, a talking style of song which is quickly backed up by their hit single Get Up Yourself with its great harmonies and a rap in the middle of it, this is a great song for the crowd to get into. Another newie titled Famous is more a cabaret and melodic song which was wonderfully sung and had sing-talking throughout which is what DC Root is renowned for. I Hang Out with the Guy’s in Jet (‘s Uncle) brought to the stage a striking presence that the crowd lapped up, all members zooming around the stage with utter delight and comfortableness. Henri, Barnaby, Doug Lee and Steve Root all bring a wealth of passion and zest to stage and complement DC Root’s style. The song Emo took on the darker beats which were taken upside down and around about with some happy undercurrents. This is one hell of a song full of rhyme. Next up was a treat - keyboard start then a poem recited by DC entitled Fuck I’m Dead with lines like “been waiting 25 years for a MCG membership but fuck, I’m dead”, and this erupted laughter from the near sold out crowd. Dark keys envelope the start of the next song which is a melancholy tune called Crown, about the casino, and sung in the tune of Hokey Pokey.
Uncle Vom Vom shows the strong vocals from DC and I still call Australia “HO” has great lyrical content (and DC wears an Arab style of hat). The band are very interactive with the audience and it’s something I feel the punters need. One comes to a Root! show knowing it’s going to be a fun evening with humorous lyrics and a singer who engages with his audience. The crowd tickler with wild guitar riffs I wish I was Tex Perkins has many punters singing and perhaps many agreeing “he eats roots and leaves”. A broken snare plagues the band but not for long before the band launches into Back to Mine then Orange (“don’t drink carrot juice”). Encore arrives but naturally the band comes back. Shazza and Michelle is the next treat with the hilarious bogan tune to make any bogan’s cringe. The night is finished with Pauline Hanson says there are Christian Muslims too and DC finds his way to the bar (then tells us this perhaps wasn’t the best thing as now he has a wet bum)!
Do I think the band is slightly funny? No I think the band is much more than slightly funny and everyone should know this is a country rock lyrical rap band worth exploring.
www.fasterlouder.com.au
Venue: Northcote Social Club
Date: 6th february 2009
Reviewed By: Espylyn
Live music is vehicle to bring people together and Melbourne’s most unsexy band Root! bring a certain type together, whether it be the boot scooting variety, the poets, the unethical, the bogans and those who want a bloody good laugh.
The Northcote Social Club tonight takes on board Root! including two support acts. First off the base is Lightning Dead, who begin with guitar and drum which builds up with bass and electric guitar. Deep strong vocals and an impressive voice are what first hits you, then that great rock/indie alternative sound. Lyrics are story like and most songs build up their sound before they truly rock out. Their song Out Of Control has a slight twang to it whilst other songs sound almost punk like. Bit country, bit old school and a slight sound of New Order at times.
Austin Floyd are up next, a Melbourne country rock of the grunt variety band, which fits into the pub scene as though they are part of the furniture with a manner like Ian Rilen, that has that jive, boot scooting feel. They are a very fitting support band for tonight’s main act to follow. Murray Floyd is on vocals and rhythm guitar and sports a cowboy hat, pouting lips and an oozing raw gravel voice. To support Murray is Justin Rudge on lead guitar and backing vocals, Chris Pain on double bass and Roman Ceder on drums. The song Haven’t had a Woman since Johnny Cash died includes harmonica and the solid crowd thoroughly bakes in the song and then with the words "wham bam thank you mam, that is the end of the show"! how can we not agree that this band puts on a great rocking performance and the punters certainly know how to have a good time to them.
Curtains that were closed are now open and out come the band of the night, Root! All wearing hats and they head straight into a new song Groove from their new album titled Root is the money of all Evil, a talking style of song which is quickly backed up by their hit single Get Up Yourself with its great harmonies and a rap in the middle of it, this is a great song for the crowd to get into. Another newie titled Famous is more a cabaret and melodic song which was wonderfully sung and had sing-talking throughout which is what DC Root is renowned for. I Hang Out with the Guy’s in Jet (‘s Uncle) brought to the stage a striking presence that the crowd lapped up, all members zooming around the stage with utter delight and comfortableness. Henri, Barnaby, Doug Lee and Steve Root all bring a wealth of passion and zest to stage and complement DC Root’s style. The song Emo took on the darker beats which were taken upside down and around about with some happy undercurrents. This is one hell of a song full of rhyme. Next up was a treat - keyboard start then a poem recited by DC entitled Fuck I’m Dead with lines like “been waiting 25 years for a MCG membership but fuck, I’m dead”, and this erupted laughter from the near sold out crowd. Dark keys envelope the start of the next song which is a melancholy tune called Crown, about the casino, and sung in the tune of Hokey Pokey.
Uncle Vom Vom shows the strong vocals from DC and I still call Australia “HO” has great lyrical content (and DC wears an Arab style of hat). The band are very interactive with the audience and it’s something I feel the punters need. One comes to a Root! show knowing it’s going to be a fun evening with humorous lyrics and a singer who engages with his audience. The crowd tickler with wild guitar riffs I wish I was Tex Perkins has many punters singing and perhaps many agreeing “he eats roots and leaves”. A broken snare plagues the band but not for long before the band launches into Back to Mine then Orange (“don’t drink carrot juice”). Encore arrives but naturally the band comes back. Shazza and Michelle is the next treat with the hilarious bogan tune to make any bogan’s cringe. The night is finished with Pauline Hanson says there are Christian Muslims too and DC finds his way to the bar (then tells us this perhaps wasn’t the best thing as now he has a wet bum)!
Do I think the band is slightly funny? No I think the band is much more than slightly funny and everyone should know this is a country rock lyrical rap band worth exploring.
www.fasterlouder.com.au
Cold War Kids
Band: Cold War Kids supported by Bridezilla
Venue: The Palace
Date: 4th february 2009
Reviewed By: Espylyn
Tonight’s gig takes me on a adventure to the Palace Theatre in Melbourne to see one hot American band and another hauntingly hot band from Sydney. The later of the two is the first band of the night, Bridezilla, a young (some are still doing or have just done their HSC) five piece band that has been around since 2005. Fronted by Holly Sidewinder on gorgeous vocals and rhythm guitar, the band includes Pia May on guitar, Millie Hall on saxophone and keys, Daisy Tulley on violins (insane playing, like Warren Ellis), and the odd man out (or lucky) , Josh Bush. Bridezilla take to stage induced with violin and a single drum beat, enter haunting vocals that crawl into every crevice in the venue and add a grunty bass, some saxophone and you have a great start for a great act. Their outfits take on a more sombre feel than what I’ve seen in the past but that doesn’t mean they’re boring, not at all. Take the bassist, Pia, who intrigues me, tonight Pia wears a long dress whilst she cuts the chords, this is a sexy sight to see - include some bright red lipstick and swaying brown hair and there you have one chick that looks innocent and sultry at the same time! The crowd take a more responsive approach around half way into the set (also due to more arrivals). The tambourine finds a way to fit in to the music and when a large instrumental is before us, the crowd goes nuts. Easy to see why they are supporting tonight (a thought I wasn’t so sure about at first).Holiday’s voice is spectacular; she delivers the music with passion and conviction.
A short break and we’re greeted with dimmed lights and the crowd goes nuts, then lights and action, Cold War Kids rock the stage whilst a huge skeleton sets the scene as a back drop. A nearly sold out crowd in attendance for this American band who started in 2004 in historic Fullerton, California and whose music is inspired by Bob Dylan, Jeff Buckley and Velvet Underground.
Seven white lights are the only source of illumination on stage to begin with and it’s rather effective. Nathan Willett (lead vocals, piano and guitar) plays the keys and we’re launched into Mexican Dogs from their latest creation Loyalty to Loyalty and this takes the audience to a crazy level. Jonnie Russell (guitar, vocals, percussion) and Matt Maust (bass) are rather uncoordinated as they leap about the stage falling into each other, but the effect of 4 buzzing lads evoking the presence of the crowd sucks all tiredness out of the room to allow themselves to be lost in the music of Cold War Kids. Every Valley is not a Lake is the next song and Nathan jumps to the opposite side of stage to a different set of keyboards. Dynamic feel on stage with Matt Aveiro (drums) gaining momentum and complexity throughout the set. Nathan takes to centre stage for We used to Vacation and Dreams Old Man Dreams are from the highly talked about debut album, Robbers and Cowards. The band then launch into the highly popular song Something is not Right with Me which takes on a joyous cheer and the punters show the band what their made of by leaping around and moshing till they could mosh no more. Nathan’s vocals are crisp, raw and are combined with some sexy guitar riffs and a dark stage, then the song ends in the dark. But hey presto, flashlights are brought out and are waved around into the crowd as the mysterious song Robbers takes us on a journey. CWC show they don’t need to be hounded by huge light shows; the lights of this performance are perfect, even if one song is sung with flashlights! Maybe they are carbon footprint wary! Coffee Spoons (MySpace transmissions) follows then I’ve seen Enough. Next song needs no introduction but I’ll say it anyway, Hang Me Out To Dry, a huge crowd tickler and around the stage the band members zoom. One really needs to love a song sung around washing! Next takes us to a mellow land for a delicate song called Relief which is powered through and fills the room with exquisite noise and ends in stormy surrounds. The punters deliver rapturous applause and they launch into Cryptomnesia (Wikipedia -meaning memory bias whereby a person falsely recalls generating a thought, an idea, a song, or a joke) then it’s that sad time of the night where the encore takes a hold. Whilst we wait for the band to return, a female punter decides to jump on bar and give the crowd a bit of boogie action! Quickly the band bounce back and propel into Quiet Please to which the audience paid no attention to in the title, and then Nathan plunges with growling vocals into, Hospital Beds. Last song of the night is Saint John which has assorted vocals to begin with and is a great twisted yet structured sing-a-long tune. Fabulous choice to end on
This is CWC third time in Melbourne and I’m sure this won’t be the last.
www.thedwarf.com.au
Venue: The Palace
Date: 4th february 2009
Reviewed By: Espylyn
Tonight’s gig takes me on a adventure to the Palace Theatre in Melbourne to see one hot American band and another hauntingly hot band from Sydney. The later of the two is the first band of the night, Bridezilla, a young (some are still doing or have just done their HSC) five piece band that has been around since 2005. Fronted by Holly Sidewinder on gorgeous vocals and rhythm guitar, the band includes Pia May on guitar, Millie Hall on saxophone and keys, Daisy Tulley on violins (insane playing, like Warren Ellis), and the odd man out (or lucky) , Josh Bush. Bridezilla take to stage induced with violin and a single drum beat, enter haunting vocals that crawl into every crevice in the venue and add a grunty bass, some saxophone and you have a great start for a great act. Their outfits take on a more sombre feel than what I’ve seen in the past but that doesn’t mean they’re boring, not at all. Take the bassist, Pia, who intrigues me, tonight Pia wears a long dress whilst she cuts the chords, this is a sexy sight to see - include some bright red lipstick and swaying brown hair and there you have one chick that looks innocent and sultry at the same time! The crowd take a more responsive approach around half way into the set (also due to more arrivals). The tambourine finds a way to fit in to the music and when a large instrumental is before us, the crowd goes nuts. Easy to see why they are supporting tonight (a thought I wasn’t so sure about at first).Holiday’s voice is spectacular; she delivers the music with passion and conviction.
A short break and we’re greeted with dimmed lights and the crowd goes nuts, then lights and action, Cold War Kids rock the stage whilst a huge skeleton sets the scene as a back drop. A nearly sold out crowd in attendance for this American band who started in 2004 in historic Fullerton, California and whose music is inspired by Bob Dylan, Jeff Buckley and Velvet Underground.
Seven white lights are the only source of illumination on stage to begin with and it’s rather effective. Nathan Willett (lead vocals, piano and guitar) plays the keys and we’re launched into Mexican Dogs from their latest creation Loyalty to Loyalty and this takes the audience to a crazy level. Jonnie Russell (guitar, vocals, percussion) and Matt Maust (bass) are rather uncoordinated as they leap about the stage falling into each other, but the effect of 4 buzzing lads evoking the presence of the crowd sucks all tiredness out of the room to allow themselves to be lost in the music of Cold War Kids. Every Valley is not a Lake is the next song and Nathan jumps to the opposite side of stage to a different set of keyboards. Dynamic feel on stage with Matt Aveiro (drums) gaining momentum and complexity throughout the set. Nathan takes to centre stage for We used to Vacation and Dreams Old Man Dreams are from the highly talked about debut album, Robbers and Cowards. The band then launch into the highly popular song Something is not Right with Me which takes on a joyous cheer and the punters show the band what their made of by leaping around and moshing till they could mosh no more. Nathan’s vocals are crisp, raw and are combined with some sexy guitar riffs and a dark stage, then the song ends in the dark. But hey presto, flashlights are brought out and are waved around into the crowd as the mysterious song Robbers takes us on a journey. CWC show they don’t need to be hounded by huge light shows; the lights of this performance are perfect, even if one song is sung with flashlights! Maybe they are carbon footprint wary! Coffee Spoons (MySpace transmissions) follows then I’ve seen Enough. Next song needs no introduction but I’ll say it anyway, Hang Me Out To Dry, a huge crowd tickler and around the stage the band members zoom. One really needs to love a song sung around washing! Next takes us to a mellow land for a delicate song called Relief which is powered through and fills the room with exquisite noise and ends in stormy surrounds. The punters deliver rapturous applause and they launch into Cryptomnesia (Wikipedia -meaning memory bias whereby a person falsely recalls generating a thought, an idea, a song, or a joke) then it’s that sad time of the night where the encore takes a hold. Whilst we wait for the band to return, a female punter decides to jump on bar and give the crowd a bit of boogie action! Quickly the band bounce back and propel into Quiet Please to which the audience paid no attention to in the title, and then Nathan plunges with growling vocals into, Hospital Beds. Last song of the night is Saint John which has assorted vocals to begin with and is a great twisted yet structured sing-a-long tune. Fabulous choice to end on
This is CWC third time in Melbourne and I’m sure this won’t be the last.
www.thedwarf.com.au
Tuesday, January 27, 2009
Two Giants of the music scene, Serj Tankian and Fantomas
Band: Serj Tankian and Fantomas
Venue: Palace Theatre
Date: 25th January 2009
Reviewed By: Espylyn
I had balcony views in anticipation for some great music. I love the Fantomas 'Directers Cut' cd , so when I heard Fantomas were going to play this cd live, I was there with bells on. Mike Patton (musical genius) sported a cricket outfit for tonights show which did include leg pads! Indeed Mike got away with it, as did guitarist Buzz Osborne (The Melvins) and bassist Trevor Dunn (Mr Bungle). Drummer Dave Lombardo (Slayer) was a treat tonight and he worked that kit and was ripping it to shreds.
Mike's haunting vocals fill the room tonight on many a song, a highlight being Rosemary's Baby, then Mike fills the room with noise and various tricks and treats from his keys and mixer. Buzz powers through the set and takes Trevor with him. Other songs include The Godfather and The Omen and all punters were taken on a mythological journey through the divide that is Fantomas.
For your information - Fantomas comes from a fictional arch villian and master criminal book by french Marcel Allian and Pierre Souvestre. I would say many punters were here just to see Fantomas and the crowd ached for more tunes. But alas, Mike and co weren't coming back, it was time for Serj Tankian (singer System of a Down).
Each time I think of Serj I imagine him to be part of a circus and I can hear him saying 'roll up, roll up' to the crowds. He just has that appeal about him. The band arrives, in top hats and straight into The Unthinking Majority which sent the crowd into a frenzy. The rest of the band were in red suits but the top hats came off after only a short time. We all sang Happy Birthday to Mike Patton at one point and engulfed more songs from Serj. Empty Walls was a big hit. The show took us on a rock and roll adventure hightlighted with Serj's front man adventure and circus hilarity. Only downer was ending on a cover of David Bowie's Ground Control to Major Tom - Sure it sounded great, but I wasn't impressed with it being the last song. Serj's cd called Elect the Dead is awesome, go buy it!
Venue: Palace Theatre
Date: 25th January 2009
Reviewed By: Espylyn
I had balcony views in anticipation for some great music. I love the Fantomas 'Directers Cut' cd , so when I heard Fantomas were going to play this cd live, I was there with bells on. Mike Patton (musical genius) sported a cricket outfit for tonights show which did include leg pads! Indeed Mike got away with it, as did guitarist Buzz Osborne (The Melvins) and bassist Trevor Dunn (Mr Bungle). Drummer Dave Lombardo (Slayer) was a treat tonight and he worked that kit and was ripping it to shreds.
Mike's haunting vocals fill the room tonight on many a song, a highlight being Rosemary's Baby, then Mike fills the room with noise and various tricks and treats from his keys and mixer. Buzz powers through the set and takes Trevor with him. Other songs include The Godfather and The Omen and all punters were taken on a mythological journey through the divide that is Fantomas.
For your information - Fantomas comes from a fictional arch villian and master criminal book by french Marcel Allian and Pierre Souvestre. I would say many punters were here just to see Fantomas and the crowd ached for more tunes. But alas, Mike and co weren't coming back, it was time for Serj Tankian (singer System of a Down).
Each time I think of Serj I imagine him to be part of a circus and I can hear him saying 'roll up, roll up' to the crowds. He just has that appeal about him. The band arrives, in top hats and straight into The Unthinking Majority which sent the crowd into a frenzy. The rest of the band were in red suits but the top hats came off after only a short time. We all sang Happy Birthday to Mike Patton at one point and engulfed more songs from Serj. Empty Walls was a big hit. The show took us on a rock and roll adventure hightlighted with Serj's front man adventure and circus hilarity. Only downer was ending on a cover of David Bowie's Ground Control to Major Tom - Sure it sounded great, but I wasn't impressed with it being the last song. Serj's cd called Elect the Dead is awesome, go buy it!
Sunday, January 25, 2009
Green Grass, Sunshine, Wine and Leonard Cohen
Band: Leonard Cohen
Venue: A day on the Green at Rochford Winery
Date: 24th January 2009
Reviewed By: Espylyn
The Prince of precision, Leonard Cohen, graced the Rochford winery in the Yarra Valley for A Day on the Green, a 74 year young man and a nearly sold out crowd. The sunshine was just enough and the punters were in their element. On stage Leonard brought a full band, all wearing black suits, consisting of Dean on sax who is the master of breath we’re told, Bob on electric guitar, Raphael on drums, Javier Mas as the shepard or strings, Neil on keyboards and piano accordion, Russell on bass guitar and double bass, singer and co writer Sharon Robinson (who co wrote Everybody Knows) and Hattie and Charley, who are sisters, and they are the other two backing singers.
This is Leonard’s first tour of Australia in 24 years, so naturally the crowd are ready to hear his music. The crowd is a mixed lot, the older crowd is a-plenty and many young people flood through the gates. You may wonder if Leonard can still hold the crowd and he shows us that he defiantly can. With his beautiful Canadian accent he talks to the crowd and his singing voice takes us on a magical experience.
After almost every song the crowd erupts from their seats with applause, some punters are in tears over the music. Leonard seems a humble man who feels blessed at the crowd’s reaction to his music.
Sharon sings Boogie st and her voice is glorious, she could easily have her own sold out show throughout Australia. Such a fabulous voice that I’m jealous of!
Leonard sings songs which include Tower of Song, Everybody Knows, Suzanne (a song about a former wife of a friend and not his ex wife), Gypsy Wife, Hallelujah and So long Marianne. Leonard talks the song A Thousand Kisses which again brings people around me in tears and I can hear people talking the lyrics with Leonard. After the first set Leonard runs of stage whilst doing some small high kicks!
Whilst watching the show I see flocks of ducks fly overhead and cockatoos screeching above the crowd - are they too enjoying the beautiful music that fills the sky tonight?
Leonard tells us the complexities of life are ‘do da dum dum’ and this we take away with us! Leonard has suffered from depression throughout his life and his music often reflects this, but the songs often reflect war, politics, cultural and sexual themes. His live set wasn’t as depressing as I thought it cAAould be, quite the opposite actually.
Leonard bows to his band members when introducing them and he looks at them all with passion when they performing their solo’s. Whilst watching him I cannot help but feel blessed at seeing such a humble and passionate man.
I enjoyed drinking some wine and listening to the magical voice of Leonard and I wondered if he was like a fine wine that gets better with age.
Venue: A day on the Green at Rochford Winery
Date: 24th January 2009
Reviewed By: Espylyn
The Prince of precision, Leonard Cohen, graced the Rochford winery in the Yarra Valley for A Day on the Green, a 74 year young man and a nearly sold out crowd. The sunshine was just enough and the punters were in their element. On stage Leonard brought a full band, all wearing black suits, consisting of Dean on sax who is the master of breath we’re told, Bob on electric guitar, Raphael on drums, Javier Mas as the shepard or strings, Neil on keyboards and piano accordion, Russell on bass guitar and double bass, singer and co writer Sharon Robinson (who co wrote Everybody Knows) and Hattie and Charley, who are sisters, and they are the other two backing singers.
This is Leonard’s first tour of Australia in 24 years, so naturally the crowd are ready to hear his music. The crowd is a mixed lot, the older crowd is a-plenty and many young people flood through the gates. You may wonder if Leonard can still hold the crowd and he shows us that he defiantly can. With his beautiful Canadian accent he talks to the crowd and his singing voice takes us on a magical experience.
After almost every song the crowd erupts from their seats with applause, some punters are in tears over the music. Leonard seems a humble man who feels blessed at the crowd’s reaction to his music.
Sharon sings Boogie st and her voice is glorious, she could easily have her own sold out show throughout Australia. Such a fabulous voice that I’m jealous of!
Leonard sings songs which include Tower of Song, Everybody Knows, Suzanne (a song about a former wife of a friend and not his ex wife), Gypsy Wife, Hallelujah and So long Marianne. Leonard talks the song A Thousand Kisses which again brings people around me in tears and I can hear people talking the lyrics with Leonard. After the first set Leonard runs of stage whilst doing some small high kicks!
Whilst watching the show I see flocks of ducks fly overhead and cockatoos screeching above the crowd - are they too enjoying the beautiful music that fills the sky tonight?
Leonard tells us the complexities of life are ‘do da dum dum’ and this we take away with us! Leonard has suffered from depression throughout his life and his music often reflects this, but the songs often reflect war, politics, cultural and sexual themes. His live set wasn’t as depressing as I thought it cAAould be, quite the opposite actually.
Leonard bows to his band members when introducing them and he looks at them all with passion when they performing their solo’s. Whilst watching him I cannot help but feel blessed at seeing such a humble and passionate man.
I enjoyed drinking some wine and listening to the magical voice of Leonard and I wondered if he was like a fine wine that gets better with age.
Thursday, January 22, 2009
Cinematic Orchestra at the Palais Theatre
Band: The Cinematic Orchestra
Venue: Palais Theatre
Date: 20th January 2009
Reviewed By: Espylyn
Tonight I witnessed the sound that is Cinematic Orchestra. The crowd tonight were fully pumped to witness this band, and a nearly sold out Palais theatre tells me this is a band worth seeing.
A combination of jazz and electronic fusion mixed with lush vocals of the spine tingling variety. The band formed in 1999 and it was created by Jason Swinscoe. On vocals tonight we are graced with the presence of the magnificent voice of Heidi Vogel and Reverend Grey. Heidi is truly show stopping – strong vocals and a haunting powerful voice - I could see why she received the most claps from the audience. I could not help but watch her and wish I could sing that way!
Hailing from the UK the band consists of Luke Flowers on drums, Tom Chant on saxophone, Nick Ramm on piano, Stuart McCallum on guitar and Phil France on double bass. Jason Swinscoe plays the turntable like the professional he is, using the singers vocals by recording the live music, then playing it back as backing vocals, one had to look around and see where the backing singers had come from, the sound was awesome. Jason spins the turntable whilst improvising throughout the performance. He also received a strong reaction from the crowd.
Jason talks to the audience a fair bit throughout the show and manages a laugh when his hard drive fails him. It thankfully doesn’t take too long for the show to go on and the disruption is soon forgotten.
I overheard a few people saying it was about time this band toured and I have no doubt they were not disappointed tonight. I had never heard of this band so seeing them was a great experience. Check them out, you won’t regret it.
Venue: Palais Theatre
Date: 20th January 2009
Reviewed By: Espylyn
Tonight I witnessed the sound that is Cinematic Orchestra. The crowd tonight were fully pumped to witness this band, and a nearly sold out Palais theatre tells me this is a band worth seeing.
A combination of jazz and electronic fusion mixed with lush vocals of the spine tingling variety. The band formed in 1999 and it was created by Jason Swinscoe. On vocals tonight we are graced with the presence of the magnificent voice of Heidi Vogel and Reverend Grey. Heidi is truly show stopping – strong vocals and a haunting powerful voice - I could see why she received the most claps from the audience. I could not help but watch her and wish I could sing that way!
Hailing from the UK the band consists of Luke Flowers on drums, Tom Chant on saxophone, Nick Ramm on piano, Stuart McCallum on guitar and Phil France on double bass. Jason Swinscoe plays the turntable like the professional he is, using the singers vocals by recording the live music, then playing it back as backing vocals, one had to look around and see where the backing singers had come from, the sound was awesome. Jason spins the turntable whilst improvising throughout the performance. He also received a strong reaction from the crowd.
Jason talks to the audience a fair bit throughout the show and manages a laugh when his hard drive fails him. It thankfully doesn’t take too long for the show to go on and the disruption is soon forgotten.
I overheard a few people saying it was about time this band toured and I have no doubt they were not disappointed tonight. I had never heard of this band so seeing them was a great experience. Check them out, you won’t regret it.
Monday, January 19, 2009
The Hell Hounds take on the Greyhound - best gig ever!!!
Band: Hell Hounds
Venue: Greyhound Hotel
Date: 17th January 2009
Reviewed By: Dave Espy
The Greyhound was packed to the rafters for tonights Hell Hounds gig, (I've never seen it so full). Most of the familiar crowd that we usually see down there on Sundays were there, as well as most of Phil Para's crowd (which initally takes place at the espy on sat nights from 6pm). The bar staff could not cope, it was four deep at the bar. F**king hell it took ages to get a drink ( but l still managed to get pissed!!) This was Venom"s the drummers third gig in 24 hours, Electric Mary last night at the espy, Phil Para tonight and now the Hell Hounds, he looked a bit tired, but played to his usual high standard. By the time the 2nd set started, everyone was up dancing, even Ivan Millats brother ??!!, great auusie crowd. Steve Pricker joined the band in the 2nd set, he was f**king awesome. In conclusion it was a fantastic night had by all, great band and all the misfits had fun :-)
BTW my ears are still ringing!!!
Venue: Greyhound Hotel
Date: 17th January 2009
Reviewed By: Dave Espy
The Greyhound was packed to the rafters for tonights Hell Hounds gig, (I've never seen it so full). Most of the familiar crowd that we usually see down there on Sundays were there, as well as most of Phil Para's crowd (which initally takes place at the espy on sat nights from 6pm). The bar staff could not cope, it was four deep at the bar. F**king hell it took ages to get a drink ( but l still managed to get pissed!!) This was Venom"s the drummers third gig in 24 hours, Electric Mary last night at the espy, Phil Para tonight and now the Hell Hounds, he looked a bit tired, but played to his usual high standard. By the time the 2nd set started, everyone was up dancing, even Ivan Millats brother ??!!, great auusie crowd. Steve Pricker joined the band in the 2nd set, he was f**king awesome. In conclusion it was a fantastic night had by all, great band and all the misfits had fun :-)
BTW my ears are still ringing!!!
Tuesday, September 9, 2008
Comedian and Singer Newton Faulkner
Band: Newton Faulkner and Old Man River
Venue: Forum Theatre
Date: 6th september 2008
Reviewed By: Lyn Harder
Photos By : Lyn Harder
A mild spring night out in the Melbourne city and I sneezed my way to the forum theatre to witness Sam Newton Battenberg Faulkner aka Newton Faulkner play to a sold out crowd. Born in Surrey, England, the 23 year old is well known for his guitar techniques which see him not only use the guitar strings, but playfully tap the guitars body which creates some developed sounds that he has mastered and which he delightfully plays to the enchanted crowd.
On entering the forum theatre I wasn’t pleased with the new queuing regime that they have adopted, waiting in queue outside to then wait in another queue inside! What the! So here you have people queuing up the stairs to the top bar to then come down again once they got up there to be ushered into the theatre! Ridiculous!
Venue: Forum Theatre
Date: 6th september 2008
Reviewed By: Lyn Harder
Photos By : Lyn Harder
A mild spring night out in the Melbourne city and I sneezed my way to the forum theatre to witness Sam Newton Battenberg Faulkner aka Newton Faulkner play to a sold out crowd. Born in Surrey, England, the 23 year old is well known for his guitar techniques which see him not only use the guitar strings, but playfully tap the guitars body which creates some developed sounds that he has mastered and which he delightfully plays to the enchanted crowd.
On entering the forum theatre I wasn’t pleased with the new queuing regime that they have adopted, waiting in queue outside to then wait in another queue inside! What the! So here you have people queuing up the stairs to the top bar to then come down again once they got up there to be ushered into the theatre! Ridiculous!
Lights on and Rosie Henshaw enters the stage and sits down to play what looks like a sittah (forgive me if I’m wrong), and the eastern music fills the room as she carefully plucks this beautiful instrument. Old Man River aka Ohad Rein joins her and they sing Sunshine. The acoustic guitar and sittah do justice to Sunshine and their voices are melodic as well as soft and tonight they sing with passion and freedom. We’re hearing new tunes from Old Man River during the set, and Ohad is rather entertaining as he tries to get reactions from the crowd between songs. Old Man River’s music is for a laid back night out for those who want to listen to some decent, quirky tunes over a few brews.
Enter Newton Faulkner who puts on a great show tonight, he is quite the comedian up on stage as well as a talented muscian. To The Light starts the night full of melodic pop and a beat played by tapping the guitars body, something he is well known for and he takes us through many guitar twists and turns throughout the night.
He gives us plenty to laugh about as he tells stories with songs, She's got the time is about travelling with his brother and acting weird and UFO mentioned anal probes! Dream Catch Me is his biggest hit and when played the crowd went mad, singing and swaying with arms in the air, you can tell this is a much loved song. Newton covers Dead or Alive You Spin me right round and the Massive Attack hit Teardrop which is on his album.
The stage tonight isn't very glossy, a disco ball hangs centre of stage and the lights on the backdrop change every now and then, but Newton is such the act he doesnt require any more stage decoration. He is joined part of the way through the set by drummer and bassist who ad some beats and grunt to the music tonight.
Other songs played are Straight Towards the Sun and People Should Smile More which take us all on different journey's with each song, Newton's voice is passionate and strong showing us he has a great voice for the live scene. Newton's dreadlocks are rather long, it makes me wonder if they are real or whether he's grown them since birth! Considering he is 23 years of age! For Gods Sake and Take It are new songs tonight, and they are beautiful heartfelt songs which hopefully will be on his next album. He doesn't worry about an encore tonight, we just pretend he left stage and came back, and he sings Lullaby which is a bit like that, and the night ends on a Queen cover of Bohemian Rhapsody which brings out all the drunken boys and girls to sing along to.
Newton is a show that you can bring anyone along to and each person would get something out of the show, whether it be a hangover or sore belly from laughter!
He gives us plenty to laugh about as he tells stories with songs, She's got the time is about travelling with his brother and acting weird and UFO mentioned anal probes! Dream Catch Me is his biggest hit and when played the crowd went mad, singing and swaying with arms in the air, you can tell this is a much loved song. Newton covers Dead or Alive You Spin me right round and the Massive Attack hit Teardrop which is on his album.
The stage tonight isn't very glossy, a disco ball hangs centre of stage and the lights on the backdrop change every now and then, but Newton is such the act he doesnt require any more stage decoration. He is joined part of the way through the set by drummer and bassist who ad some beats and grunt to the music tonight.
Other songs played are Straight Towards the Sun and People Should Smile More which take us all on different journey's with each song, Newton's voice is passionate and strong showing us he has a great voice for the live scene. Newton's dreadlocks are rather long, it makes me wonder if they are real or whether he's grown them since birth! Considering he is 23 years of age! For Gods Sake and Take It are new songs tonight, and they are beautiful heartfelt songs which hopefully will be on his next album. He doesn't worry about an encore tonight, we just pretend he left stage and came back, and he sings Lullaby which is a bit like that, and the night ends on a Queen cover of Bohemian Rhapsody which brings out all the drunken boys and girls to sing along to.
Newton is a show that you can bring anyone along to and each person would get something out of the show, whether it be a hangover or sore belly from laughter!
Wednesday, August 20, 2008
Mr Murray at the beautiful forum theatre
Band: Pete Murray with support from Gin Wagmore and The Audrey's Trio
Venue: Forum theatre
Date: 15th August 2008
Reviewed By: Lyn
Another chilly night out in Melbourne and already the beautiful Forum Theatre is filled and punters are taking advantage of an early open bar. Gin Wagmore, her name as interesting as her sound is on first. Her sound is squeakier, nasaly version of welsh singer Duffy, but I like her style and sound very much. One cannot stop watching her. Her arms waving around madly or perhaps a mosie was bothering her!An eclectic mix of punters and a near full crowd for The Audrey's Trio. Singer Taasha Coates beautiful melodic voice singes songs which include 'Oh Honey', 'Found a Place', and an INXS cover 'Don't Change a Thing'. Crowd seems lazy with their applause for this band.A full house awaits Mr Murray and Co. On stage I observe the four large bookshelves complete with books and suitcases (same picture as front cover on new album) and the crashing sounds of bottles from the nearby bar being emptied into a rubbish bin interrupts my thoughts. At last the 5 mebmbers including Australia's boy next door enter and the punters scream and cheer. Ben McCarthy on keyboard, Andy Sylvio on drums, bassist Jonathon Zion and Brett on lead guitar. Straight into 'Chance to say Goodbye' with nice keyboard arrangement and electric guitar riffs. Pete in cowboy shirt sets the girls hearts thumping. old wood lamps adorne the stage and give it a homely feel and four rectangle screens above the stage emit light. The crowd becoming even more pumped with standing and sitting room full. Lights flash for and thebookcase becomes a light show and pink lights flood the stage 'Ten FT Tall'. A cymbol start followed by drum beats flavoured with guitar and keyboards gets the crowd pumping. Pete's electric guitar sounding fantastic with circular riffs for ' Fall Your Way', keys muching the sound and ending with smooth drum beats. 'Class A' includes all out instrumental and a drum solo that the crowd love and Andy recieves thunderous applause. Pete brings out shakers and the crowd clap, pleased with the singer/crowd connection and the lead guitarist ends the song. The latest single "Pick Me Up' tickles the punters and this song Pete says is one of his most upbeat so far. The bookcase comes alight displaying blue cubes of light and I'm sure some punters are now blind! This song is blended with guitar and drum. Pete's honey soaked voice has a soothing melody and is soul baring. Music from the new album is bright and positive, displaying energy and honest emotions.The lead guitarist likes to steal the limelight with rock moves and sound. 'Better Days', a song for inspiration, flowing keyboards and the grunting bass delivers the song with Pete's semi acoustic. Pete tells us he's been sick the last few days but I couldn't tell, although he is very still on stage. Next journey is the song which is about touring and leaving his family at home 'The Game' 'HELLO MISS YOU' is written in lights. This tour is called 'Eureka Tour' which is the latest titled album from Pete. Produced in Pete's studio in rural nothern NSW and recorded over summer. Pete wanted to produce this album himself so he wouldn't have to fall back on anyone else. The album reflects this freedom. Now Ben taks to a comfy lounge seat and pulls a book from the bookcase and reads a book called 'Spotlight on Love' to the crowd who hangs on his every word, once he has read a few bits he gives to a punter. Songs to follow are 'Opportunity' then 'Saving Grace' and is started with harmonica and followed by keyboard and semi acoustic. A soft song with lovely harmonies. Rest of band enter again for 'Lost Soul' which is a country rock tune. Big whoops for "Bail Me Out' and 'Sugar' followed by 'Feeler'. Ben the keyboard wiz has great stage presence and clearly loves being here tonight. The lead struts his rock side, hence the lights displaying the word ROCK during one of his solo's. Funeral music keyboard start for 'Please'. Short encore and back for some new tunes, some guitar changes for Mr Murray.The statues in the Forum Theatre seem to be keeping an eye on the show, I'm sure they are enjoying the show as much as the full house tonight. Pete gets back to the semi acoustic for the end song with "So beautiful' whilst the entire room sings along to every word. Melody of keys, back beats, guitar - I can see why this is a crowd favorite. Guitars off, held above head and Pete says goodbye.
Venue: Forum theatre
Date: 15th August 2008
Reviewed By: Lyn
Another chilly night out in Melbourne and already the beautiful Forum Theatre is filled and punters are taking advantage of an early open bar. Gin Wagmore, her name as interesting as her sound is on first. Her sound is squeakier, nasaly version of welsh singer Duffy, but I like her style and sound very much. One cannot stop watching her. Her arms waving around madly or perhaps a mosie was bothering her!An eclectic mix of punters and a near full crowd for The Audrey's Trio. Singer Taasha Coates beautiful melodic voice singes songs which include 'Oh Honey', 'Found a Place', and an INXS cover 'Don't Change a Thing'. Crowd seems lazy with their applause for this band.A full house awaits Mr Murray and Co. On stage I observe the four large bookshelves complete with books and suitcases (same picture as front cover on new album) and the crashing sounds of bottles from the nearby bar being emptied into a rubbish bin interrupts my thoughts. At last the 5 mebmbers including Australia's boy next door enter and the punters scream and cheer. Ben McCarthy on keyboard, Andy Sylvio on drums, bassist Jonathon Zion and Brett on lead guitar. Straight into 'Chance to say Goodbye' with nice keyboard arrangement and electric guitar riffs. Pete in cowboy shirt sets the girls hearts thumping. old wood lamps adorne the stage and give it a homely feel and four rectangle screens above the stage emit light. The crowd becoming even more pumped with standing and sitting room full. Lights flash for and thebookcase becomes a light show and pink lights flood the stage 'Ten FT Tall'. A cymbol start followed by drum beats flavoured with guitar and keyboards gets the crowd pumping. Pete's electric guitar sounding fantastic with circular riffs for ' Fall Your Way', keys muching the sound and ending with smooth drum beats. 'Class A' includes all out instrumental and a drum solo that the crowd love and Andy recieves thunderous applause. Pete brings out shakers and the crowd clap, pleased with the singer/crowd connection and the lead guitarist ends the song. The latest single "Pick Me Up' tickles the punters and this song Pete says is one of his most upbeat so far. The bookcase comes alight displaying blue cubes of light and I'm sure some punters are now blind! This song is blended with guitar and drum. Pete's honey soaked voice has a soothing melody and is soul baring. Music from the new album is bright and positive, displaying energy and honest emotions.The lead guitarist likes to steal the limelight with rock moves and sound. 'Better Days', a song for inspiration, flowing keyboards and the grunting bass delivers the song with Pete's semi acoustic. Pete tells us he's been sick the last few days but I couldn't tell, although he is very still on stage. Next journey is the song which is about touring and leaving his family at home 'The Game' 'HELLO MISS YOU' is written in lights. This tour is called 'Eureka Tour' which is the latest titled album from Pete. Produced in Pete's studio in rural nothern NSW and recorded over summer. Pete wanted to produce this album himself so he wouldn't have to fall back on anyone else. The album reflects this freedom. Now Ben taks to a comfy lounge seat and pulls a book from the bookcase and reads a book called 'Spotlight on Love' to the crowd who hangs on his every word, once he has read a few bits he gives to a punter. Songs to follow are 'Opportunity' then 'Saving Grace' and is started with harmonica and followed by keyboard and semi acoustic. A soft song with lovely harmonies. Rest of band enter again for 'Lost Soul' which is a country rock tune. Big whoops for "Bail Me Out' and 'Sugar' followed by 'Feeler'. Ben the keyboard wiz has great stage presence and clearly loves being here tonight. The lead struts his rock side, hence the lights displaying the word ROCK during one of his solo's. Funeral music keyboard start for 'Please'. Short encore and back for some new tunes, some guitar changes for Mr Murray.The statues in the Forum Theatre seem to be keeping an eye on the show, I'm sure they are enjoying the show as much as the full house tonight. Pete gets back to the semi acoustic for the end song with "So beautiful' whilst the entire room sings along to every word. Melody of keys, back beats, guitar - I can see why this is a crowd favorite. Guitars off, held above head and Pete says goodbye.
Monday, August 11, 2008
Soul Glo
Band: Soul Glo
Venue: Blue Diamond
Date: 8th august 2008
Reviewed By: Lyn Harder
Blue Diamond is such a well suited venue for Soul Glo, it’s as though the stage is made for this band. With many talented members, they need all the space they can get! Adorning the stage is Shirley in her stunning outfits and sexy heels surrounded by 8 males in black suits and pink ties. The way the boys are dressed it certainly allows Shirley to stand out as the front for the band.
Tonight we are treated to 3 sets, kicking off nice and early in the first set with an instrumental then songs include ‘kiss my neck’, ‘crazy’ which is sung by their bassist and is a great cover of this song and lastly in the first set ‘carwash’. The crowd reaps the bands energy and watches the band like someone looking for a muse.
Blue diamond is full of fashionable ladies and gents’ kicking their heels off to the music, and the dance floor is chockoblock with groovsters. Stunning dresses and suits set the scene with their cocktails, only things missing were umbrellas in the drinks!
Second and third set we hear ‘rehab’, ‘ain’t no other man’, split milk’, ‘Valerie’ which had the dance floor packed, and ‘more mess on my thing’. Bands that are covered include Metro Station, Jaci Velasquez, Big Daddy Kane and Dizzee Rascal.
Soul Glo give an amazing performance to the ambience of the night, the horn section giving divine treats of sound, the drummer providing back beats, keyboards twinkling in the night, percussion delivering the grunt and of course the guitars melting with the music. Shirley gives one hell of a performance with her soulful voice bringing the music together and including dance moves and womanly banter as the voice, front of the band.
The music of soul glo is funk and soul and one leaves a Soul Glo gig looking forward to the next journey with the band and their music.
Check out their myspace for future shows.
Venue: Blue Diamond
Date: 8th august 2008
Reviewed By: Lyn Harder
Blue Diamond is such a well suited venue for Soul Glo, it’s as though the stage is made for this band. With many talented members, they need all the space they can get! Adorning the stage is Shirley in her stunning outfits and sexy heels surrounded by 8 males in black suits and pink ties. The way the boys are dressed it certainly allows Shirley to stand out as the front for the band.
Tonight we are treated to 3 sets, kicking off nice and early in the first set with an instrumental then songs include ‘kiss my neck’, ‘crazy’ which is sung by their bassist and is a great cover of this song and lastly in the first set ‘carwash’. The crowd reaps the bands energy and watches the band like someone looking for a muse.
Blue diamond is full of fashionable ladies and gents’ kicking their heels off to the music, and the dance floor is chockoblock with groovsters. Stunning dresses and suits set the scene with their cocktails, only things missing were umbrellas in the drinks!
Second and third set we hear ‘rehab’, ‘ain’t no other man’, split milk’, ‘Valerie’ which had the dance floor packed, and ‘more mess on my thing’. Bands that are covered include Metro Station, Jaci Velasquez, Big Daddy Kane and Dizzee Rascal.
Soul Glo give an amazing performance to the ambience of the night, the horn section giving divine treats of sound, the drummer providing back beats, keyboards twinkling in the night, percussion delivering the grunt and of course the guitars melting with the music. Shirley gives one hell of a performance with her soulful voice bringing the music together and including dance moves and womanly banter as the voice, front of the band.
The music of soul glo is funk and soul and one leaves a Soul Glo gig looking forward to the next journey with the band and their music.
Check out their myspace for future shows.
Tuesday, July 29, 2008
Dirty York at the Espy
Photography By;Mark Geisel
Dirty York are a 6 piece Melbourne band and when they enter the stage, I can’t help but look – tall blokes and beards and I must not forget the dreadlocked lass on keys! Great bluesy grooves and rock moves and you are taken away to a space somewhere in time. Call it a bit of ‘Black Crowes’ sound, call it what you want, but this band takes you on a journey you won’t forget. With Clare Whitcombe on the Hammond organ, Benny James and Todd Bennett on guitarist (mmm….slide guitar), Luka Szpakolski on bass and singer Shaun Brown’s with his animated tamborine we are given such songs tonight as ‘take me home?’ a rock country song and ‘all my friends look like Jesus’ – yes laugh at this title.
Then they get pretty up we’re told which means time for softer song ‘crazy little thing you’re going through’. I can’t help but smile at the music with zesty beats and a profound chemistry throughout the band. The dance floor had people dancing and really enjoying the vibe of the band that is Dirty York. My only advice is to have your name on the drum kit or somewhere! As their myspace states, they boldly remind us what good rock and roll is all about
Then they get pretty up we’re told which means time for softer song ‘crazy little thing you’re going through’. I can’t help but smile at the music with zesty beats and a profound chemistry throughout the band. The dance floor had people dancing and really enjoying the vibe of the band that is Dirty York. My only advice is to have your name on the drum kit or somewhere! As their myspace states, they boldly remind us what good rock and roll is all about
The High Drifters at the Espy
Band: The High Drifters
Venue: the Esplanade Hotel
Date: 24th July 2008
Reviewed By: Lyn Harder
The high drifters are a blues indie alternative rock, two-piece Melbourne duo who really do rock!
Ringo on guitar and Matt on drums and vocals. They entered the stage with confidence which remained throughout the set. Songs of the night were ‘somewhat thankful’, ‘stay’ -which is the first song they ever wrote, ‘upside down blues’ a guitar change for ‘blue room blues’ which is a real rocking bluesy instrumental.
They are a band who are solid, loud and work well together and judging from how well they play, they’ve been around a while but if not, they are doing extremely well.
Great vocals from Matt, anyone who can sing and drum at the same time gets my attention. Ringo is midly animated on stage including some nice slide guitar.
Set ended with ‘homebody?’ (I’m not sure on exact title), this song has a heavy spin on it – and I’m sure I heard the imperial death march during the song.
Name on drumkit! Yay! Always like bands who put names on a drum kit, especially when you’re at the espy on a Thursday night, watching a heap of bands, and can’t find the gig list around and sometimes one does not know which band of the line up are currently on stage! A top band, worthy of a second look
Their Ep is available for $5 on their myspace site.
Venue: the Esplanade Hotel
Date: 24th July 2008
Reviewed By: Lyn Harder
The high drifters are a blues indie alternative rock, two-piece Melbourne duo who really do rock!
Ringo on guitar and Matt on drums and vocals. They entered the stage with confidence which remained throughout the set. Songs of the night were ‘somewhat thankful’, ‘stay’ -which is the first song they ever wrote, ‘upside down blues’ a guitar change for ‘blue room blues’ which is a real rocking bluesy instrumental.
They are a band who are solid, loud and work well together and judging from how well they play, they’ve been around a while but if not, they are doing extremely well.
Great vocals from Matt, anyone who can sing and drum at the same time gets my attention. Ringo is midly animated on stage including some nice slide guitar.
Set ended with ‘homebody?’ (I’m not sure on exact title), this song has a heavy spin on it – and I’m sure I heard the imperial death march during the song.
Name on drumkit! Yay! Always like bands who put names on a drum kit, especially when you’re at the espy on a Thursday night, watching a heap of bands, and can’t find the gig list around and sometimes one does not know which band of the line up are currently on stage! A top band, worthy of a second look
Their Ep is available for $5 on their myspace site.
Wednesday, June 18, 2008
shihad at hi fi bar and ballroom
Band: Shihad
Venue: Hi Fi Bar and Ballroom
Date: 12th June 2008
Reviewed By: Lyn Harder
Venue: Hi Fi Bar and Ballroom
Date: 12th June 2008
Reviewed By: Lyn Harder
Photography By : Mark Geisel
Shihad
rocked!
Friday, June 13, 2008
John "JT" Tomaino at Veludo Bar
Photos By: Mark Geisel
Live review and info about his new EP.
A Tuesday night in st Kilda had me venture out to the Veludo Bar to see a solo performance from JOHN “JT " TOMAINO. Having read great reviews about JT (as I’ll call him too) I thought I’d check it out for myself. JT recorded the EP with care and love in Scott Matthews’s boutique personal studio in San Francisco using analogue gear which brought about a non glitzy appeal to the EP. JT is very passionate earthy person, who could talk about his music forever, nothing wrong with that though! Many punters turned out tonight to sit and enjoy the solo show. I must say I enjoyed the gig and when I listened to the EP I had the feeling that seeing JT with band would be excellent. The EP treats us to JT’s melodic voice and balances it with keyboards, violin, percussion and back up singers, a very radio friendly EP with great potential. His voice live reminded me of Cat Stevens, singing with passion and showing us just how organic his music is. The type of sound could be said to be classic folk/pop.
The night started with the tune ‘Force of Habit’ which is a new song then followed with ‘blue tune’ from the new EP. After these songs finished JT realised some mixing was sought (yep, guitar was a little loud!). This definitely helped the rest of the set. More songs in the set were ‘Watching the Detectives’ an Elvis Costello cover which sounded very much like Costello. A cover of the Leonard Cohen classic ‘hallelujah’ was beautifully covered. A song called ‘scarecrow’ which is also off the new EP was a heart felt song about betrayal. The last few songs off the new EP were ‘how far is heaven’ (on the Ep this song has guitar loops that really perfect the song) and ‘as good a times as any’ which was a faster track to end on.
The EP is available on itunes and will be distributed across many countries very soon.
A Tuesday night in st Kilda had me venture out to the Veludo Bar to see a solo performance from JOHN “JT " TOMAINO. Having read great reviews about JT (as I’ll call him too) I thought I’d check it out for myself. JT recorded the EP with care and love in Scott Matthews’s boutique personal studio in San Francisco using analogue gear which brought about a non glitzy appeal to the EP. JT is very passionate earthy person, who could talk about his music forever, nothing wrong with that though! Many punters turned out tonight to sit and enjoy the solo show. I must say I enjoyed the gig and when I listened to the EP I had the feeling that seeing JT with band would be excellent. The EP treats us to JT’s melodic voice and balances it with keyboards, violin, percussion and back up singers, a very radio friendly EP with great potential. His voice live reminded me of Cat Stevens, singing with passion and showing us just how organic his music is. The type of sound could be said to be classic folk/pop.
The night started with the tune ‘Force of Habit’ which is a new song then followed with ‘blue tune’ from the new EP. After these songs finished JT realised some mixing was sought (yep, guitar was a little loud!). This definitely helped the rest of the set. More songs in the set were ‘Watching the Detectives’ an Elvis Costello cover which sounded very much like Costello. A cover of the Leonard Cohen classic ‘hallelujah’ was beautifully covered. A song called ‘scarecrow’ which is also off the new EP was a heart felt song about betrayal. The last few songs off the new EP were ‘how far is heaven’ (on the Ep this song has guitar loops that really perfect the song) and ‘as good a times as any’ which was a faster track to end on.
The EP is available on itunes and will be distributed across many countries very soon.
keep an eye on his myspace for when he is out and about next!
Thursday, June 12, 2008
Soul Glo getting funky at Veludo Bar
Photos By:Lyn Harder
Soul glo is a crew of 8 talented funk members from Melbourne who have plenty of heart and soul. Stepping into Veludo Bar I felt I was taken to another world. Dancers were grooving away on the dance floor and the 8 members somehow fitted onto a very small stage! The female singer, Stunning Diva Davis (who was wearing a fantastic outfit and I loved her shoes!!!), was in the middle of the stage, singing her heart out surrounded by some hunky men. First set started with an instrumental song followed by colourful tunes like ‘kiss my neck’ ‘what have you done for me lately’ and carwash’. The horn section was a pleasure to watch as they were all smiles and totally enjoying the music they produce. Audience members were dancing away enthralled by the groovy music. Afro Centric Dave Dharumasena is the second vocalist with a deep melodic voice which suited the sound.
The second and third set consisted of tunes such as ‘ain’t no other woman’ ‘right on’ ‘Valerie’ and ‘dance with me’. One gets the impression that there could be no one in the room and Soul Glo would have an awesome time. They gel together and create the perfect mix of funk and groove.
Watching the band play together you feel like you are taken on a ride of a funky and groovy lifetime. They are playing around Melbourne in the next few months so check them out!
Watching the band play together you feel like you are taken on a ride of a funky and groovy lifetime. They are playing around Melbourne in the next few months so check them out!
Tuesday, June 10, 2008
Dallas Crane at Hi Fi Bar and Ballroom
Band: Dallas Crane
Venue: Hi Fi Bar and Ballroom
Date: 30th May 2008
Reviewed By: Danelle Lee
Photos By: Danelle Lee
(please do not copy photos without permission)
Rumour has it that this Gig was the last Dallas Crane gig, which some might say was backed up by the fact that they didn't play any new material; had a big fan fare of fans up on the stage (of which I was one), and they even brought back their original bass player Chris. Rumour also has it that the band are in fact about to make a new album (sans MX May 30th) and if the band were to ever have a farewell gig it would be held at The Espy. Whichever rumour you prefer to favour the crowd loved the Crane, and I would personally be gutted if the band departed. Even the thought of it brings a tissue to dab at the wetness in my eyes. Nothing beats the rootsie dirty rock of The Crane, and tonight was no different. For me it felt like an old school reunion. It's been nearly two years since the band last played at the Hi Fi and a little less than that since they played at all. I ran into so many people that I haven't seen for years, and the set list compounded this for me. A set list of all the greats, spanning all of their albums, keeping all fans old and new very very happy, God Damn Pride, Sit on my Knee, Wrong Party, Numb all Over, Can't Work You Out, Dirty Heart and the list continues. I have to admit the night rocked and unlike most gigs there was no one sing-a-long song, every song was treated like a great by the crowd. Dave is a great showman, and one of my personal favourite acts is counting how many songs in, it takes for him to loose whichever hat he is wearing. Tonight it was by about the fourth song. Of course there are a few attempts to put it back on his head, but it never stays there for long. And who would Dave be if he wasn't well and truly drenched in sweat by the end of the gig, well it just wouldn't be a Crane gig if he was dryzabone now would it? I always feel that Shannon gets lost in the back there, hidden behind all the other band members, especially when he's not on a particularly high platform. But that's no slur at his playing, it's just sad because I didn't get much chance to ogle at my favourite piece of band candy, but i digress. It was a real night of comradery with all members talents on show equally impressive, that I really can't pin point any one solo as being any better than the other. I think has a lot to do with the attitude of the band on the night and Dave repetitively noting Dallas Crane to the audience ensuring that all members were constantly considered as a whole. Me, the group of friends I was with and every lost friend that I re-encountered that night had an incredible time. Dallas Crane epitomizes Melbourne rock and Melburniuns attitude to rock. It's a homely business with a lot of beer and all your friends celebrating a little piece of Australia. Oh how I love it and everything it stands for.
Thursday, June 5, 2008
Milk in Brunswick
Band: Milk
Venue: Brunswick Hotel
Date: 1st June 2008
Reviewed By: Heather
This was a special performance for me - it doubled as a benefit (called Songs For Mary) for a friend's sister's family, who are going through a very difficult time with cancer. On that side of things there was a wonderful result, with the money raised exceeding expectations.
I had (shock, horror!) never set foot inside the Brunswick Hotel until that afternoon. I was pleasantly surprised by the clean look of the bar and the good size of the venue. Not too big, but certainly not poky. The biggest feature of the interior was the record wall. They had the most fantastic collection of vintage record sleeves displayed, and it provided a great source of conversation along with a little laughter at some of the more interesting cover artwork.
Milk were just taking the stage as we arrived around fifteen minutes after the advertised time. Their sound? Predominantly folk/roots, with a strong jazz influence and a touch of soul - oh, and some country thrown in for good measure.
The four members of the band are Helen Begley (Vocals, Guitar, Accordion), Emily Hayes (Vocals, percussion), Greg Craske (Vocals, Double Bass) and Teal Bain-Roben (Percussion). Oh, but the guitar was passed around freely between Helen and Emily, and when the ukeleles were on stage everybody seemed to be an expert. Separately they are obviously all great artists, but put them together and the blend is incredible. Helen has a rich and deep, solid tone that contrasts and harmonises perfectly with Emily's clear and sweet jazz voice. When you add the harmonies from both Greg and Teal the effect was breathtaking - a single sound that had a depth and clarity I've rarely seen. Sometimes it was difficult to hear where the melody ended and the harmony began. Songwriting is their strong point. A great sounds without lyrics to match tends to be empty, but every single song told a story.
Their set was varied, including songs from their current album (Shipwrecked at the Royal Oak) along with older songs and even a cover of I Will Survive thrown in at the end as a tribute to Mary's family. However, the standout song was one with a strong story behind it: All Aboard. It was written about their time with activists in the Tasmanian forests who were living on a pirate ship in protest. Emily described it as a song of mourning for the ship and those who lived on it. You can hear it on their Myspace, but that recording doesn't even come close to doing it justice. Hearing it live gave me goosebumps. It's to appear on a Wilderness Society Benefit CD entitled Forests Forever, which includes a huge lineup of Aussie artists.
Milk are not fading into the horizon - they're playing at the Forests Forever CD Launch at the East Brunswick Club on June 8th, and they have a month's residency coming up at the Brunswick Hotel too.
Have a listen to the Myspace or buy their CD, but if you can, get to a live gig. There really is no substitute.
Venue: Brunswick Hotel
Date: 1st June 2008
Reviewed By: Heather
This was a special performance for me - it doubled as a benefit (called Songs For Mary) for a friend's sister's family, who are going through a very difficult time with cancer. On that side of things there was a wonderful result, with the money raised exceeding expectations.
I had (shock, horror!) never set foot inside the Brunswick Hotel until that afternoon. I was pleasantly surprised by the clean look of the bar and the good size of the venue. Not too big, but certainly not poky. The biggest feature of the interior was the record wall. They had the most fantastic collection of vintage record sleeves displayed, and it provided a great source of conversation along with a little laughter at some of the more interesting cover artwork.
Milk were just taking the stage as we arrived around fifteen minutes after the advertised time. Their sound? Predominantly folk/roots, with a strong jazz influence and a touch of soul - oh, and some country thrown in for good measure.
The four members of the band are Helen Begley (Vocals, Guitar, Accordion), Emily Hayes (Vocals, percussion), Greg Craske (Vocals, Double Bass) and Teal Bain-Roben (Percussion). Oh, but the guitar was passed around freely between Helen and Emily, and when the ukeleles were on stage everybody seemed to be an expert. Separately they are obviously all great artists, but put them together and the blend is incredible. Helen has a rich and deep, solid tone that contrasts and harmonises perfectly with Emily's clear and sweet jazz voice. When you add the harmonies from both Greg and Teal the effect was breathtaking - a single sound that had a depth and clarity I've rarely seen. Sometimes it was difficult to hear where the melody ended and the harmony began. Songwriting is their strong point. A great sounds without lyrics to match tends to be empty, but every single song told a story.
Their set was varied, including songs from their current album (Shipwrecked at the Royal Oak) along with older songs and even a cover of I Will Survive thrown in at the end as a tribute to Mary's family. However, the standout song was one with a strong story behind it: All Aboard. It was written about their time with activists in the Tasmanian forests who were living on a pirate ship in protest. Emily described it as a song of mourning for the ship and those who lived on it. You can hear it on their Myspace, but that recording doesn't even come close to doing it justice. Hearing it live gave me goosebumps. It's to appear on a Wilderness Society Benefit CD entitled Forests Forever, which includes a huge lineup of Aussie artists.
Milk are not fading into the horizon - they're playing at the Forests Forever CD Launch at the East Brunswick Club on June 8th, and they have a month's residency coming up at the Brunswick Hotel too.
Have a listen to the Myspace or buy their CD, but if you can, get to a live gig. There really is no substitute.
Root takes on The Espy!
Photo: Mark Geisel
I had expectation of the band Root! I thought they'd have to be a great band to see live. I have to say I wasn’t disappointed. A fantastic show, lots of great songs with much comical humour. The band put their all into the set and the crowd lapped it up. Out they came in suits and cowboy hats, very stylish I must ad! The front bar of the espy was chock o block, and the anticipation could be felt in the air. I mean who could blame the crowd for this! ‘Jet’ started the set; ‘get up’ was next, more of a talking song with great keyboards. Shazza, orange people glowing we’re told by front man DC Root, and out he came walking through the crowd, truly inspiring lyrics…not. ‘Spring me out of Caroline Springs’ was a hoot, the names sums that song up! ‘Pauline’ (yep Hanson), quote ‘she made the digestion of chewing gum seem quick’! A song called Crown summed up pokies and was sung in tune of hokey pokey, quite the crowd tickler. ‘Back to mine’ (not sure if this correct title) had a rock country feel – rhyming words with emo – clever adapted song.; ‘I wish I was Tex Perkins’ (he eats roots and leaves), this song most people would know, a highly hilarious song of the man that is Tex Perkins. To sum up, a show that was quirky, funny, full of hilarity, well dressed men, comical, musical as well as being raw, so I recommend you go see Root. Nothing quite compares really…..
Thursday, May 22, 2008
Gyroscope at Hi Fi Bar and Ballroom
Band: Gyroscope with Young and Restless
Venue: Hi Fi Bar and Ballroom
Date: 17th may 2008
Reviewed By: Lyn Harder
Young and Restless started the night in a blaze of rock and roll. The band seemed to be fully into their set, showering it with all their must. I felt the crowd weren’t as into the band, maybe the main band was all they wanted, of course there were many cheers but didn’t set the crowd alight. There were those few moshing at the front, but needless to say, doesn’t mean they don’t rock. The band has been together since 2005. Karina, ever the rock chick, belted out the tunes, and when she removed her skirt to show us an almost ‘Sandi from grease’ outfit, the boys in the crowd stood up!
Gyroscope started with a bang, four hunky boys on stage and the crowd went nuts. Not my kind of hunky, but judging from some girl’s reactions a few would have taken any member home. The lead singer and guitarist Daniel Sanders and drummer Rob Nassif remind me of boys found on chapel st in pink and white tops and trendy hair do’s, Zoran Trivic looks like a rapper and Brad Campbell is the rock of the group. First song ‘weapon’ got the punters shaking and moshing. Other songs include ‘midnight’ ‘these days’ ‘ok’ 1981’ ‘driving’ ‘safe forever’. Daniel decided to join the crowd for the song ‘safe forever’ and he stayed in the crowd singing for a while. Brad sung great backing vocals. More songs were ‘all in on one’ ‘beware’ and ‘Doctor’ rocked with backing vocals by Brad.
Finished with ‘snakeskin’, which really is a fantastic song. They only played for one hour literally and managed to fit in 17 songs all up! I’m not used to such short gigs and my friend and I thought maybe the kids of today haven’t the energy to listen to a band for longer!!? I admit I am yet to own one of their cd’s so I didn’t know a few songs but overall these guys put on a great show, the crowd loved them. A sold out hi fi bar tells me this band will be around for a while.
Venue: Hi Fi Bar and Ballroom
Date: 17th may 2008
Reviewed By: Lyn Harder
Young and Restless started the night in a blaze of rock and roll. The band seemed to be fully into their set, showering it with all their must. I felt the crowd weren’t as into the band, maybe the main band was all they wanted, of course there were many cheers but didn’t set the crowd alight. There were those few moshing at the front, but needless to say, doesn’t mean they don’t rock. The band has been together since 2005. Karina, ever the rock chick, belted out the tunes, and when she removed her skirt to show us an almost ‘Sandi from grease’ outfit, the boys in the crowd stood up!
Gyroscope started with a bang, four hunky boys on stage and the crowd went nuts. Not my kind of hunky, but judging from some girl’s reactions a few would have taken any member home. The lead singer and guitarist Daniel Sanders and drummer Rob Nassif remind me of boys found on chapel st in pink and white tops and trendy hair do’s, Zoran Trivic looks like a rapper and Brad Campbell is the rock of the group. First song ‘weapon’ got the punters shaking and moshing. Other songs include ‘midnight’ ‘these days’ ‘ok’ 1981’ ‘driving’ ‘safe forever’. Daniel decided to join the crowd for the song ‘safe forever’ and he stayed in the crowd singing for a while. Brad sung great backing vocals. More songs were ‘all in on one’ ‘beware’ and ‘Doctor’ rocked with backing vocals by Brad.
Finished with ‘snakeskin’, which really is a fantastic song. They only played for one hour literally and managed to fit in 17 songs all up! I’m not used to such short gigs and my friend and I thought maybe the kids of today haven’t the energy to listen to a band for longer!!? I admit I am yet to own one of their cd’s so I didn’t know a few songs but overall these guys put on a great show, the crowd loved them. A sold out hi fi bar tells me this band will be around for a while.
Friday, May 16, 2008
Atmospheric Cog
Band: Cog with Kora and Jakob
Venue: Palace Nightclub
Date: 15th may 2008
Reviewed By:Lyn Harder
Venue: Palace Nightclub
Date: 15th may 2008
Reviewed By:Lyn Harder
Photographs By: Mark Geisel
Tonight was my first night at the new palace venue and I must say hats off to the management for fixing the place, love the fact the bar which used to be in the middle of the room is now on the right hand side. Jakob were already playing on arrival. A truly remarkable instrumental band. Watching them makes me wish I could usher everybody out of the room then place a bed on the dance floor and have my way with my partner! The music was hypnotic, flowing and amazing.
After a long break NZ band Kora arrived and brought with them a mix of electronica, rock and even some island sounding tunes. Most of it I enjoyed, the more electronica isn’t my thing, but the crowd certainly thought it was. One almost thought the Haka was going to break out.
After another long break (way too long –45 mins) we are entertained with John Farnham’s ‘You’re the voice’ blaring out of the speakers, and who would have thought it, but most of the crowd in their black tees and tattoos were singing to good ole Johnny! Cog came on stage and started with ‘No other way’ then crept into ‘Bird of feather’ which sounded fantastic live, such a brilliant song. Other songs include “Resonate’, ‘Are you interested?’, and ‘Four Walls’. ‘Spine' got the crowd going and pumped us up even further. An amazing live song and one of my faves (I just can’t go past the guitar solo, one of the best). “Sharing Space’ which is the latest album title , ‘Real Life’ which included drum solo, and speaking of the drum kit, what an amazing piece of equipment, looking like a space craft, part illuminating and part ‘who can not look at it in awe’. The drum kit was placed high up in the middle of stage like he was king on a throne.
After a long break NZ band Kora arrived and brought with them a mix of electronica, rock and even some island sounding tunes. Most of it I enjoyed, the more electronica isn’t my thing, but the crowd certainly thought it was. One almost thought the Haka was going to break out.
After another long break (way too long –45 mins) we are entertained with John Farnham’s ‘You’re the voice’ blaring out of the speakers, and who would have thought it, but most of the crowd in their black tees and tattoos were singing to good ole Johnny! Cog came on stage and started with ‘No other way’ then crept into ‘Bird of feather’ which sounded fantastic live, such a brilliant song. Other songs include “Resonate’, ‘Are you interested?’, and ‘Four Walls’. ‘Spine' got the crowd going and pumped us up even further. An amazing live song and one of my faves (I just can’t go past the guitar solo, one of the best). “Sharing Space’ which is the latest album title , ‘Real Life’ which included drum solo, and speaking of the drum kit, what an amazing piece of equipment, looking like a space craft, part illuminating and part ‘who can not look at it in awe’. The drum kit was placed high up in the middle of stage like he was king on a throne.
Other songs were ‘The Movies’ an old classic ‘Moshiach’ ‘Swamp’, ‘Town of Lincoln’, and ‘My Enemy’. They ended on a different song ‘Bitter Pills’, adding acoustic guitar it was rather a nice ending to the gig, a creeper of a song that is slow then fast. I’ve been following Cog for about 3 years now and they are a fantastic live band. Though I have to ad ‘sharing Space” for me doesn’t get me going like ‘The New Normal’ or ‘Just visiting EP’s’ and I wish they’d sing more off the latter mentioned EP. Apparently Sharing Space was supposed to be recorded in 5 months and ended up taking 10 months, recorded in the US. The lighting guy did an amazing job, really added to a lot of songs. I did notice the gower boys didn’t have lights directly on them so they looked like were in fog at times, not that that was a bad thing. I was asked to mention by a guy called Lachy that Cog sound like atmospheric frog stomp music! Cog is about the music and putting on a great show and that I must say, they do.
Friday, May 9, 2008
James Blunt takes on Rod Laver Arena
Photos By Lyn Harder:
I think as far as a venue goes, Rod Laver really is too big for solo artists although for James Blunt the arena does try to create a more intimate space by curtaining off the top tier. This still makes an artist work hard to keep a 10,000 strong audience feel included in the performance. However James made it seem effortless with a few songs in recognising all audience members from General Admin through to those in the stix, complimenting Australia as one of his strongest fan bases and this Melbourne gig being one of his biggest turnouts. I don't know what this says about Australians but from my observation of the fans I'd say that it's pretty mixed, with a reasonably large percentage going to the 40+. Yes Mr Blunt is someone you wouldn't take home to meet your mother because she'd most likely try and get a piece of his well spoken, four day furry fuzzed, spoken face all for herself. Regarding the male turnout begs the question of how many were dragged by their girlfriends. However due to the amount of shout outs during the show, it seems that Blunt has a reasonable independent male following as well. The Show opened with 'Give me some Love' from the new Album All The Lost Souls, this track set the president for a show that was never going to be fast paced with huge feats of physical stage dominance but about creating an atmosphere that encouraged the audience to think about the content of his songs hitting an intelligent chord and not just an emotional one. This was backed up by the opening video which was a preview to Al Gores " An Inconvenient Truth" and later enhanced by footage of war torn Kosovo during "No Bravery". There is something of the social activist in Blunt (even though to some he might seem like a commercial sellout) commenting during his dialogue with the audience, on societies celebrity obsession "with whether Britney Spears is wearing knickers or not", adding that 'his first album did things that he never thought would and possibly didn't want to'.I would have been very suprised if any fan in the audience didn't have both of Blunts albums and he kept everyone happy by playing a huge selection of songs from the first album as well as his new one. 'Goodbye My Lover' was the crowd singalong and was always going to be a personal favourite of mine, along with 'I Really Want You' and 'Shine On'. It was amusing to find out that 'Goodbye My Lover' is the No# 1 song played at funerals and 'Your Beautiful' No#1 at weddings, which is quite ironic if you think of it. I'm not too sure why but alot of his songs seemed to take on a slower tempo, particularly during 'I Really Want you' which is one song that I would have liked to have kepted up beat. His band were great however i'm not too sure how long they've been together, with Blunt as the star of the show his interaction with his band fell short of any personal connection and felt strictly professional. As for the stage design it felt like someone had ravaged a prop box and desided to use whatever they wanted whether it was apropriate or not, for example the Gong making one brief appearence at the end of 'So Long Jimmy' and disappearing. Then there was the Disco ball for '1973' and the net of lights that at some point during the show were rigged up and several songs later pulled down, never really adding or devaluing anything from the performance. However as I stated at the beginning, the show wasn't about theatrics but the music. I just wish whoever raided the magic box would just put all those gadgets back in it, they just weren't necessary. All in all I had a very satisfying evening, even though when I stood up half way through the very last song '1973' some old lady tapped me on the shoulder to sit down, to which I replied she should stand up, the cheek. James pushed all my buttons and I would gladly let him push some more, there really is just something about the way he sings, speaks and his furry face that just makes me ripple with that loving feeling.
Tuesday, April 29, 2008
Band: Juliet and the Licks with support by The Gingers
Venue: Prince of Wales, melbourne
Date: 27th April 2008
Reviewed By:Lyn Harder
Venue: Prince of Wales, melbourne
Date: 27th April 2008
Reviewed By:Lyn Harder
Photographer: Mark Geisel
Many braved a cold night to see Juliet and the licks and from what I’ve heard about their music, we all knew it would be worth venturing out to see.
The Gingers opened the night with their great set of punk, fast paced, school garage rock music. I still find it strange that bands don't put a name on drum kit or somewhere. They are a 4 piece band from Melbourne and the crowd embraced them tonight. A song that stood out for me was ‘I wanna love you but i can't' a catchy doo wop song with groovy chorus.
We all waited in a room filled almost to the max to see Juliet and the Licks, a band who have been around for five years and are making their dint in the rock world. Many punters wore colourful feather head bands mimicking their singer, their hero.
Right on time the band enter, Todd Morse on guitar, Jason Womack on bass, drummer Ed Davis. I was wondering where Juliet was as the crowd was going nuts, and it wasn’t until she slinked up the microphone stand that I saw her and realised why the front of the room was cheering! She started singing 'Inside the cage' and the crowd go even more nuts. She plays to the crowd embracing their hugs. Juliet definitely knows how to work the stage; I’d say her former life as an actor has taught her this. Her jacket is removed after the third song and after lots of head shaking her feather head piece is shaken off and any composure (if there even was any) is gone now.
When 'bull shit king' is played the drummer shows us his impressive drumming skills. Juliet loves to swing her hair around; I don’t think I’ve ever seen so much hair flicking and leg kicking. Then we are given a song for the ladies and Juliet leaps into crowd and sings 'coming around'. Juliet runs off and we're left with bass music thumping through our bodies. Back she comes with costume change, blind folds herself and dancers erotically whilst singing ‘death of a whore' which is a groovy rock song, very theatrical with out all the costumes. Juliet really goes off like a fire cracker. She loves to talk to the crowd. When watching her sing 'Purgatory blues' I find I just can't stop watching her. One person tells me it’s almost like watching an aerobics class! Hmmm…not sure about that! The band puts in a show that is 110% rock. 'This i know' is a romantic song and one which stands out for me as she kisses the crowds hands and cheeks. Awesome guitar lead by Todd for 'hot deal' then the licks do a song for us ‘Aussies’, an ACDC cover of ‘dirty deeds’, Juliet grabs a hat from a punter as it looks like Brian Johnson’s. Backing vocals are fantastic in dirty deeds, they got that grunt going on, a few vocal mishaps but overall a great version.
Always been a dream of Juliet’s to get a band started and she feels amazing. 'Get up' is a song about leaving what she knows to pursue a musical career; this has cheery start to the music. 'So amazing' she sings with the audience, making them sing in sections of the room but this didn’t go for long, most people preferred her to do the singing! A short encore then ‘Pray for Latoya’ which is a song for the band because she can apparently be difficult to work with.
They go with bows and kisses and Juliet tells us it'll be a while till they're back as going to record new album.
Licks fever has come and gone and mesmerised us all and the punters face the brave cold night outside.
The Gingers opened the night with their great set of punk, fast paced, school garage rock music. I still find it strange that bands don't put a name on drum kit or somewhere. They are a 4 piece band from Melbourne and the crowd embraced them tonight. A song that stood out for me was ‘I wanna love you but i can't' a catchy doo wop song with groovy chorus.
We all waited in a room filled almost to the max to see Juliet and the Licks, a band who have been around for five years and are making their dint in the rock world. Many punters wore colourful feather head bands mimicking their singer, their hero.
Right on time the band enter, Todd Morse on guitar, Jason Womack on bass, drummer Ed Davis. I was wondering where Juliet was as the crowd was going nuts, and it wasn’t until she slinked up the microphone stand that I saw her and realised why the front of the room was cheering! She started singing 'Inside the cage' and the crowd go even more nuts. She plays to the crowd embracing their hugs. Juliet definitely knows how to work the stage; I’d say her former life as an actor has taught her this. Her jacket is removed after the third song and after lots of head shaking her feather head piece is shaken off and any composure (if there even was any) is gone now.
When 'bull shit king' is played the drummer shows us his impressive drumming skills. Juliet loves to swing her hair around; I don’t think I’ve ever seen so much hair flicking and leg kicking. Then we are given a song for the ladies and Juliet leaps into crowd and sings 'coming around'. Juliet runs off and we're left with bass music thumping through our bodies. Back she comes with costume change, blind folds herself and dancers erotically whilst singing ‘death of a whore' which is a groovy rock song, very theatrical with out all the costumes. Juliet really goes off like a fire cracker. She loves to talk to the crowd. When watching her sing 'Purgatory blues' I find I just can't stop watching her. One person tells me it’s almost like watching an aerobics class! Hmmm…not sure about that! The band puts in a show that is 110% rock. 'This i know' is a romantic song and one which stands out for me as she kisses the crowds hands and cheeks. Awesome guitar lead by Todd for 'hot deal' then the licks do a song for us ‘Aussies’, an ACDC cover of ‘dirty deeds’, Juliet grabs a hat from a punter as it looks like Brian Johnson’s. Backing vocals are fantastic in dirty deeds, they got that grunt going on, a few vocal mishaps but overall a great version.
Always been a dream of Juliet’s to get a band started and she feels amazing. 'Get up' is a song about leaving what she knows to pursue a musical career; this has cheery start to the music. 'So amazing' she sings with the audience, making them sing in sections of the room but this didn’t go for long, most people preferred her to do the singing! A short encore then ‘Pray for Latoya’ which is a song for the band because she can apparently be difficult to work with.
They go with bows and kisses and Juliet tells us it'll be a while till they're back as going to record new album.
Licks fever has come and gone and mesmerised us all and the punters face the brave cold night outside.
Messing with the Foo Fighters
Band: Foo Fighters with support Kaki King and The Mess Hall
Venue: Rod Laver Arena
Date: 26th April 2008
Reviewed By: Lyn Harder
Venue: Rod Laver Arena
Date: 26th April 2008
Reviewed By: Lyn Harder
Photographs By: Mark Geisel
We arrived early to find Kaki King from NYC playing amazing slide guitar with groovy back beats. I was quite blown away with her sound, reminded me of John Butler Trio, but without the singing! The Mess Hall (Sydney), an awesome two piece band started with grunt. A nice big white sheet with their name painted on it was the back drop, effective without the cost! Set list includes ‘pils’ and the rock beat song ‘pulse’ then ‘metal and hair’ and finally their big hit ‘keep walking’. They didn’t play long to my disappointment. Great support act enjoyed by many who had already turned up for the show.
Tonight’s show is sold out. The crowd go nuts when Dave and co bound out. Long haired Dave runs down the walk way which is about ¾ length on the ground, his number one aim tonight seems to be obtaining applause. Tonight there are 8 members on stage including newest member on double bass, Jessie Green. Songs include ‘pretender’, ‘times like these’, ‘break out, and ‘learn to fly’. Dave plays and plays on the crowd’s vibe and love for him. He runs from one side to the other sinking his vibe into the guitar whilst creating pandemonium! The entire band give 110% to the show and certainly indulge in the attention. A long instrumental break (too long for my liking) then to the punters amazement a second stage descends from the rood about ¾ way on the floor and sits on the end of the run way. The FF head to it, again creating noise galore, and the less rock part of the night begins. ‘Skin and bones’, ‘marigold’ and ‘hero’ are the songs played. Ronnie on keyboards, Chris on guitar, Jessie on double bass, Drew on cow bell/chimes/triangle who gives us a bit of a solo of his instruments! Lucky last is Taylor on drums. Dave would go to any of the three microphones so all viewing aspects are covered of him to the audience. The introductions of all these band members went for way too long. Taylor sings rather nicely on ‘cold man’ then we hear ‘but honestly’ and ‘ballad of the Beaconsfield minors’ with Kaki King. Finally they run back to the rock stage and give us ‘monkey wrench’ and ‘one by one’. Encore and Dave amuses us with his videoing of himself talking to the crowd then they’re back with Jessie Green and Dave taking on a song together which worked well. Last songs include ‘long road to ruin’, ‘generator’ and lastly ‘best of you’.
Tonight’s show is sold out. The crowd go nuts when Dave and co bound out. Long haired Dave runs down the walk way which is about ¾ length on the ground, his number one aim tonight seems to be obtaining applause. Tonight there are 8 members on stage including newest member on double bass, Jessie Green. Songs include ‘pretender’, ‘times like these’, ‘break out, and ‘learn to fly’. Dave plays and plays on the crowd’s vibe and love for him. He runs from one side to the other sinking his vibe into the guitar whilst creating pandemonium! The entire band give 110% to the show and certainly indulge in the attention. A long instrumental break (too long for my liking) then to the punters amazement a second stage descends from the rood about ¾ way on the floor and sits on the end of the run way. The FF head to it, again creating noise galore, and the less rock part of the night begins. ‘Skin and bones’, ‘marigold’ and ‘hero’ are the songs played. Ronnie on keyboards, Chris on guitar, Jessie on double bass, Drew on cow bell/chimes/triangle who gives us a bit of a solo of his instruments! Lucky last is Taylor on drums. Dave would go to any of the three microphones so all viewing aspects are covered of him to the audience. The introductions of all these band members went for way too long. Taylor sings rather nicely on ‘cold man’ then we hear ‘but honestly’ and ‘ballad of the Beaconsfield minors’ with Kaki King. Finally they run back to the rock stage and give us ‘monkey wrench’ and ‘one by one’. Encore and Dave amuses us with his videoing of himself talking to the crowd then they’re back with Jessie Green and Dave taking on a song together which worked well. Last songs include ‘long road to ruin’, ‘generator’ and lastly ‘best of you’.
Dragon Still Breathes Fire
Julie and Mark
Victor and Todd
Band: Dragon
Venue: The Palms at Crown Casino
Date: 18th April 2008
Reviewed By: Victor Wong
Photos by Julie Mitcheson
With the new reformed Dragon line-up, they still delivered the passion that was created in the 1970’s and 80’s. Marc Hunter who is best remembered as the lead singer of Dragon is irreplaceable but another Marc came close. Mark Williams who had a solo hit with “Show No Mercy” back in 1990, rocked The Palms Casino in Melbourne. Notably the only original Dragon member is Todd Hunter. Is this still Dragon or just a bunch of musicians getting together and Todd Hunter as an insertion?
The first half of the concert was “The Songs of Our Brothers”, a tribute to the Aussies deceased. The opener was Billy Thorpe’s “Most People I Know” set the mood for a great night. Other tributes included Bon Scott’s (AC/DC) “Long Way To The Top”, Michael Hutchence (INXS) “Don’t Change” and Steve Gilpin (Mi-Sex) “Blue Day”.
A huge absent from the deceased playlist was Graeme “Shirley” Strahan (Skyhooks) and even perhaps Ted Mulry (Ted Mulry Gang) could have included in Dragon’s memory lane repertoire. Most of the sedated Dragon fans were seated most of the night except one enthusiastic girl who bopped a lone figure in front of the stage nearly all night. Then, until “April Sun In Cuba” rocked the house. Then the flood gates opened when the way post-teenies hobbled towards the stage to sing and dance and mingle with the “lone girl”. The entire mood somewhat changed from tapping foot to get up and groove! It was time to “Get That Jive”! Now with the crowd singing and old joints moving, Dragon proceeded with favourites “Are You Old Enough”, “Dreams Of Ordinary Men”, “Still In Love With You”,“Ozambezi” and acoustically “Young Years”. The restored Dragon kept the fans happy with its high energy. I believe if they played on, other songs would have made it such as “Cry” and “Magic” but not “This Time”.
Tuesday, April 22, 2008
Bitch, Korn mustn’t have a problem tour!
Band: Korn with support from Biohazard, Chimera and Blood Simple
Venue: Vodaphone Arena
Date: 18th April 2008
Reviewed By: Lyn Harder
Venue: Vodaphone Arena
Date: 18th April 2008
Reviewed By: Lyn Harder
Photographs by Mark Geisel
Entering vodaphone I had missed the first two supports of the night. i did manage to see Biohazard (New Yorkers and a band who have released 8 studio albums in 15 years). This was the original line up we’re told! Playing oldies for the (and I quote) ‘hardcore mutherfu**ers’, the vodaphone arena is pumping tonight with punters thriving on the band. This is my first time seeing biohazard and their music is definitely hard core and fast paced. The singer/guitarist Billy Graziadei is a muscular, tattooed raw voiced bloke whose aim is to get the crowd pumping tonight and this includes a death pool i.e. lots of boys run around in a circle and bash into each other, all in the name of fun, and fun they seem to be having. Bassist/singer Evan Seinfeld, Drummer Danny Schuler and guitarist Bobby Hambel make up the rest of the band that is biohazard.
Anticipation starts for the arrival of Korn and when Jonathon’s covered microphone is placed on stage the crowd screams and when the cover comes off they even more nuts! Instrumental, first song from the new album starts the night, the newer members enter stage and start playing the music, then enter Fieldy (bassist), Munky (guitarist) and Jon (vocals). These are the three members of Korn. Crowd goes nuts. The Korn sound is amazing at vodaphone arena. ‘Right Now’ is the second song and the music is so crisp, loud and pumping. There is a strong crowd of 5,000 here tonight and the noise they make feels like there are double the amount of people. Jon’s voice just gets better and better each time I’ve seen them live. Terry Bozzio? plays two drum sets, throwing and twirling his sticks around . The rest of the band are amazing also (I didn’t catch names so if anyone can email them to me, that would be great). More songs include ‘love song’ ‘ADIDAS’ and ‘hold on’. Munky in a gorgeous long coat and outfit gives a strong presence on stage and in the correct light (and once coat is removed) his face and hands illuminate a green colour. Munky is an amazing guitarist; he plays the songs with passion. Right of stage sit a few people who wear gas masks or bandana’s over most of their face. On the right of stage are girls dancing and one in theatrical mask as well. The crowd truly love this band; everywhere I look I see black tee’s and majority are Korn’s. Fieldy throwing slap riffs which are a Korn sound. More songs include ‘did my time’ and for the old school fans ‘freak on a leash’ and ‘faggot’. Backing singer/percussion with long blonde rocker hair added plenty to the band with a great backing voice and hair girls would die for! The wonderful bagpipes were brought out for ‘Helmut in the bush’ then we hear ‘kill you’ and the band exit. After stomping and chanting from the crowd, Korn are back. ‘Blind’ starts the encore set (a fave of mine) then ‘somebody someone’ and lastly ‘got the life’. We are thanked many times for supporting/buying Korn's music and bringing them to where they are today.
Call them rock, call them nu-metal but Korn are a fantastic live band (one of my fave OS bands to see). I always leave a Korn gig looking forward to the next one.
Anticipation starts for the arrival of Korn and when Jonathon’s covered microphone is placed on stage the crowd screams and when the cover comes off they even more nuts! Instrumental, first song from the new album starts the night, the newer members enter stage and start playing the music, then enter Fieldy (bassist), Munky (guitarist) and Jon (vocals). These are the three members of Korn. Crowd goes nuts. The Korn sound is amazing at vodaphone arena. ‘Right Now’ is the second song and the music is so crisp, loud and pumping. There is a strong crowd of 5,000 here tonight and the noise they make feels like there are double the amount of people. Jon’s voice just gets better and better each time I’ve seen them live. Terry Bozzio? plays two drum sets, throwing and twirling his sticks around . The rest of the band are amazing also (I didn’t catch names so if anyone can email them to me, that would be great). More songs include ‘love song’ ‘ADIDAS’ and ‘hold on’. Munky in a gorgeous long coat and outfit gives a strong presence on stage and in the correct light (and once coat is removed) his face and hands illuminate a green colour. Munky is an amazing guitarist; he plays the songs with passion. Right of stage sit a few people who wear gas masks or bandana’s over most of their face. On the right of stage are girls dancing and one in theatrical mask as well. The crowd truly love this band; everywhere I look I see black tee’s and majority are Korn’s. Fieldy throwing slap riffs which are a Korn sound. More songs include ‘did my time’ and for the old school fans ‘freak on a leash’ and ‘faggot’. Backing singer/percussion with long blonde rocker hair added plenty to the band with a great backing voice and hair girls would die for! The wonderful bagpipes were brought out for ‘Helmut in the bush’ then we hear ‘kill you’ and the band exit. After stomping and chanting from the crowd, Korn are back. ‘Blind’ starts the encore set (a fave of mine) then ‘somebody someone’ and lastly ‘got the life’. We are thanked many times for supporting/buying Korn's music and bringing them to where they are today.
Call them rock, call them nu-metal but Korn are a fantastic live band (one of my fave OS bands to see). I always leave a Korn gig looking forward to the next one.
BTW, the reason for the title is because they didn’t play the song of the tour title!
Wednesday, April 9, 2008
In Conversation with Nick Cave
Lyn and Nick
Mick and Nick
Band: Nick Cave and Mick Harvey
Venue: The ANZ pavillion at the Arts Centre
Date: 6th April 2008
Reviewed By: Lyn Harder
Photos by Lyn Harder and Mark Geisel
I wasn’t sure what to expect when I’d booked tickets to see ‘In Conversation with Nick Cave’. I have to say I wasn’t disappointed. How often do artists perform this type of show! Especially favourite artists! Wandering upstairs to the ANZ pavilion in the Arts Centre we almost bumped into Nick and Family who wandered in the foyer like general public before the show. When Nick was on stage the family was standing at the back which I thought was pretty cool.
A sold out show (this was the third session of the night, and the last), the crowd seemed to be wearing mainly black and present in an array of classic outfits, all waiting in anticipation of the show about to start. Nick Cave and his musical companion of many years, Mick Harvey, took to stage and sang ‘cos it’s a cool song” – Dig Lazarus Dig. Nick on piano and Mick on guitar. Then it was time for Q&A, as tonight was about the audience and what we wanted to ask Nick. Nick did say we could ask him anything we like, anything personal too. I was surprised no-one really dug all that deep into Nick’s life. There was a compare that moved the show along and asked questions to Nick also.
Being the last show of the night, Nick said they were feeling delirious by now. Questions ranged from his songs to Kylie, family, how to write love letters, school days (failing painting class that is) to working with Johnny Cash (Nick said he chose ‘The Mercy Seat’ for Johnny to sing). Nick spoke about his underwear, saying he was wearing white Calvin Klein’s, although he prefers the older style and not this new style which leaves him looking flat!
Questions were asked about his musical score and Nick said its almost easier writing a score for someone else than for his own music/band. If a question wasn’t understood Nick would say so and ad a bit of swearing and jokes at times. It was suggested a party in Nick’s hometown of Warracknabeal may happen and if Nick could come along for it. Nick said he would if a statue of him is erected in the town! Nick tells us he is often mistaken by writing melancholy songs and he’d be mortified if people sat around being depressed listening to his music. Nick was approached to write ‘And the Ass saw the Angel’, he got a dictionary and a thesaurus as he requested and the cost of these two items were deducted from his royalties! Hints of more scores in the future and then we’re told by his younger children that Dad isn’t cool and doesn’t sing bedtime stories. Blixa and Nick remain friends. Blixa changed the Bad Seeds by leaving the band and Nick felt this was a good thing as its changed complacency.
Nick enjoyed the exhibition at the Arts centre and although he has no interest in Nick Cave, he feels the people at the Arts Centre have done a great job; he says he gave all items to the Arts Centre. I won’t go over any more questions but overall we all saw a small insight into Nick’s life. I say small because 1.5 hours actually doesn’t cover much at all. In retrospective Nick seemed to give truthful but sometimes blunt answers. I’m glad we went to the last show of the night as I feel we received extra time for Q&A and after the show we were able to meet Nick where photos and signings took place. Thank you to Nick and Mick and thank you to the Arts Centre.
Songs of the night included: Dig Lazarus Dig, Love Letter, The Mercy Seat, Lucy and More news from nowhere.
Tuesday, April 1, 2008
Sea legends of the Cruel Kind
The Cruel Sea
Vasco Era
Band: The Cruel Sea with support from Vasco Era
Venue: Prince Of Wales
Date: 21st March 2008
Reviewed By: Lyn Harder
Pictures by Mark Geisel
Last week reviewing a gig it was icky hot and now this week I get a cold night, welcome to Melbourne and welcome to changing weather. A sold out crew packed out the POW to see a band that have been around for donkey’s years, The Cruel Sea. Last time I saw TCS would have been about 6 years ago at The Corner Hotel where Tex wore white thongs with his outfit and played his trademark mouth accordion (actual name escapes me).
Unfortunately I missed the first support band called The Fumes who I am told, are excellent. However I did see ‘Vasco Era’. First song starts with singer and guitar, Sid O’Neil. A good strong voice carried through the crowd, then enters the drummer, Michael Fitzgerald, and bassist, Ted O’Neil, and they were just insane! I couldn’t take my eyes of the later two, drummer pounding the drums like he’d been told to destroy them and the bassist grinding away like he was on heat with the bass. The band hail from Apollo Bay in Victoria, two brothers and the third considered a brother. Explosive rock and bluesy rock moves from a very mesmerising band.
Following this show was about a 45 minute wait then the band we had all come to see came to stage. I couldn’t help but notice drummer Jim Elliot's hair is now white and guitarist Danny Rumour looks very withdrawn since I’d seen them last, but appearances aside, these guys put on a tip top show. There was no white thongs or mouth acordian this time!
TCS played for nearly 2 hours and in that time we had 19 songs. Songs included, ‘Anybody but you’ ‘better get a lawyer’ (can’t get enough of those lazy bass riffs from Ken Gormly) ‘hard times’ and ‘delivery man’. ‘sell your soul’ we’re told was a hit in Spain for 2 weeks...hmmm....we got a reggae version of 'cocaine' with luscious keyboards from James Cruikshank and bouncing crowds. The ever popular ‘black stick’ with zesty, raw sounds, and a favourite for me ‘I don’t worry anymore’. Tex asks the crowd, "do we want to receive what we want?" and shoves the mic into a girls face who says ‘honeymoon is over’ and then we receive this song that Tex knows a lot of punters want and a lot of punters would be disappointed if they didn’t hear. The song goes off like a raw prawn and I get the feeling that Tex would skip this song if it wasn’t such a hit.
Encore comes around way too quick and the crowd burst into noise and whoop loudly and naturally TCS come back to play a few more, ‘naked flame’ groovy situation’ ‘and I don’t think they could not include ‘this is not the way home’ which was our last song of the night and definite a crowd pleaser.
What a fantastic night and welcome back to the fantastic Aussie band that is The Cruel Sea
Friday, March 28, 2008
Amphetame
Band: Amphetame
Venue: Ding Dong Lounge
Date: 14th March 2008
Reviewed By: Lyn Harder, photograph by Mark Geisel.
Ding Dong on a hot night with broken air con is not very enticing, but nonetheless I came to see a band called Amphetame (from L.A). Quite a decent crowd turned out tonight.
The band started with awesome guitar riffs from Ash Jones (Carousel) and Ben Brennen (Seven) then drums James Innes (Jaed) joined in - a great instrumental start.
Then Dani Raushithe, singer and founder of the music that is Amphetame, entered stage with confidence and showed us her music. Unfortunately the vocals were rather low for the second song 'Take My Hand' but after this the technician provided louder vocals and the sound was much clearer. This sound showed off the songs as they deserve, smooth and catchy song with more great riffs.
After lots of sweating (from band and punters alike) we heard ‘Give’, ‘Beat Me Up’ then ‘Glory Box’. Dani did chat a bit in between songs but being a quick talker (or maybe it was nerves) I couldn’t catch much of what she said, but I think the gist was to get the crowd going a bit more. The punters appeared to be enjoying the music that was on display.
Dani then launched into the last song ‘I Don’t Need You’, and I felt the crowd and I were finally enjoying the music and getting into it more when the plug was pulled and the show ended. Ding Dong are quite frugal about bands approaching timelines apparently. Oh well, we all got a quick fix of the band that is Amphetame.
Thursday, March 13, 2008
Goodbye Motel EP - End Play
Band: Goodbye Motel
CD Title: End Play EP
Reviewed By: Lyn and Heather
We both found it daunting to write a review of a CD that a band member has sent to us to review. They’ve gone out of their way to do this - what if we don’t like it?!
However, we can both say that once we received this EP and checked out the cover art, we had a sneaking suspicion we were going to enjoy it. Any daunting thoughts completely disappeared on the first listen.
This music would suit a wide range of listeners, from anyone interested in UK-styele indie rock and enjoy bands from The Verve to Suede, Eskimo Joe to U2, End of fashion, Gomez, David Bowie, Crowded House, iOTA and even Death Cab for a Cutie, who they have been compared to before.
This EP was recorded late 2006 by producer Kalju Tonuma (Crowded House, Evermore, The D4, the Mavis’s). Recorded and mixed in Collingwood, Melbournem it was then mastered in NY by Howie Weinberg (Jeff Buckley, Smashing Pumpkins, Nirvana).
‘Not Anymore’ starts off with smooth tones and builds to a catchy, beat-driven indie rock song. The guitars work so well with the strong vocals. It’s a nice strong start to an EP.
‘All That Bad’ is our standout favourite from the EP. The singer – Damian Capicchiano - has a voice that reminds us of Brett Anderson at times. There are great effects and vocals. With swaying beats and lyrics that catch hold of you and become familiar after just one listen, it's a fantastic radio song that has had some great airplay. Drums are prominent too, and there is great rhythm throughout.
‘Hell Out Of Here’ - if you like your music to escalate then this EP is for you. Straight grooves belt up into an explosion of sound. We love the intensity and slight angsty feel to this song.
‘Operation Lights’ boasts some more smooth vocals. A grunty, dirty bass riff starts the song, and crisp guitar work holds it all together. It’s definitely the dramatic song on the EP. The end gains pace with great backing vocals and voice distortion. Again, this song escalates your senses.
‘If This Is The Way Out (Then I'm Staying Here)’ is a great melodic tune layered with effects, piano, guitar, vocals and strings in a 51 piece orchestra. The song is an epic at around 7 minutes long, but it doesn't feel drawn out. It creates a beautiful ending to what is a well produced EP. It’s important to note that the orchestral strings for this song were arranged and conducted by Ben Northey (Hilltop Hoods, The Whitlams).
The thing that struck us most about the EP is that it almost sounded like we’d heard it before, like an old favourite we hadn’t listened to in a while. That’s probably because every song is extremely radio-friendly, a feature that should help Goodbye Motel along immensely as they gain popularity.
We’re certain that if these boys keep heading in the direction they are, they will develop an escalating fan base. Songs like this don’t grace us often. We can’t wait for a full album.
CD Title: End Play EP
Reviewed By: Lyn and Heather
We both found it daunting to write a review of a CD that a band member has sent to us to review. They’ve gone out of their way to do this - what if we don’t like it?!
However, we can both say that once we received this EP and checked out the cover art, we had a sneaking suspicion we were going to enjoy it. Any daunting thoughts completely disappeared on the first listen.
This music would suit a wide range of listeners, from anyone interested in UK-styele indie rock and enjoy bands from The Verve to Suede, Eskimo Joe to U2, End of fashion, Gomez, David Bowie, Crowded House, iOTA and even Death Cab for a Cutie, who they have been compared to before.
This EP was recorded late 2006 by producer Kalju Tonuma (Crowded House, Evermore, The D4, the Mavis’s). Recorded and mixed in Collingwood, Melbournem it was then mastered in NY by Howie Weinberg (Jeff Buckley, Smashing Pumpkins, Nirvana).
‘Not Anymore’ starts off with smooth tones and builds to a catchy, beat-driven indie rock song. The guitars work so well with the strong vocals. It’s a nice strong start to an EP.
‘All That Bad’ is our standout favourite from the EP. The singer – Damian Capicchiano - has a voice that reminds us of Brett Anderson at times. There are great effects and vocals. With swaying beats and lyrics that catch hold of you and become familiar after just one listen, it's a fantastic radio song that has had some great airplay. Drums are prominent too, and there is great rhythm throughout.
‘Hell Out Of Here’ - if you like your music to escalate then this EP is for you. Straight grooves belt up into an explosion of sound. We love the intensity and slight angsty feel to this song.
‘Operation Lights’ boasts some more smooth vocals. A grunty, dirty bass riff starts the song, and crisp guitar work holds it all together. It’s definitely the dramatic song on the EP. The end gains pace with great backing vocals and voice distortion. Again, this song escalates your senses.
‘If This Is The Way Out (Then I'm Staying Here)’ is a great melodic tune layered with effects, piano, guitar, vocals and strings in a 51 piece orchestra. The song is an epic at around 7 minutes long, but it doesn't feel drawn out. It creates a beautiful ending to what is a well produced EP. It’s important to note that the orchestral strings for this song were arranged and conducted by Ben Northey (Hilltop Hoods, The Whitlams).
The thing that struck us most about the EP is that it almost sounded like we’d heard it before, like an old favourite we hadn’t listened to in a while. That’s probably because every song is extremely radio-friendly, a feature that should help Goodbye Motel along immensely as they gain popularity.
We’re certain that if these boys keep heading in the direction they are, they will develop an escalating fan base. Songs like this don’t grace us often. We can’t wait for a full album.
Wednesday, January 30, 2008
Arresting Police
Band: The Police with support from Fergie and Fiction Plane
Venue: The Melbourne Cricket Ground (MCG)
Date: Saturday January 26
Reviewed By: Lyn
Corporate box tix to see The Police – yes please!
Up we went to sit down and be waited on with food and drinks. One cannot complain about this at all.
One also cannot complain about the first band of the night ‘Fiction plane’ which features Sting’s son, Joe Sumner, on vocals. Seton Daunt and Pete Wilhoit make the rest of the band. I was blown away by these guys. They are a three piece band from England who brought out an EP in 2001 under the name ‘Santa’s Boyfriend’ and changed their name before signing to a label. Although sound was quite bad from where we were sitting probably due to the MCG not being the best venue for rock and roll music – the music echoes and I feel the music gets lost in the large amount of open air - I still got the feeling that these guys rock. I hear they sell out shows in their home town and around the world and I can see why. This is a band I would see again. They could be described as pop rock, guitar rock and even melodic rock.
Next up was Fergie from the Black Eyed Peas. I thought it odd having her support The Police. Itdidn’t seem the correct mix, and judging from the crowd's response I was right. She bounced about the stage, long hair being whipped around till I began to think her head might fall off. There were 6 dancers with moves and grooves. Fergie, looking sultry, started singing ‘Girl Can’t Help It’ then we heard songs such as ‘My Hump’ (should be called my agony – yes I dislike this song), lots of bum views, shaking that ass. I couldn’t understand her talking as there was still an echo in the sound. There was a medley of BEP songs, which still didn’t seem to shift the crowds on the ground. I think the people around me clapped the most! There were a few costume changes then some covers -‘Live and Let Die’, ‘Start Me Up’ and ‘Black Dog’. No, she didn’t do them justice. There were heaps of empty spots around the arena and although I did hear the MCG wasn’t sold out I think many fans decided to come after Fergie. Baracuda was sung whilst performing cartwheels, then a new outfit, a gold dress, and after a few more songs we heard ‘Fruitilicious’ and we were thanked by Miss F then off she fluttered.
It was getting dark, and the show was held off a bit for the Australia Day fireworks held over the city. Finally the crowd screamed and cheered at the first sign of The Police. SOS is the starter song which had the stadium cheering even louder. Songs we heard are ‘Walking On the Moon’, ‘Don’t Stand So Close To Me’. Sting truly has an amazing voice and thankfully the sound was enjoyable throughout the set. At one point we were shown a grasshopper which seemed to have taken a liking to the stage and sat neat Sting for the entire show - at one point it was sitting on his water bottle! The band may be older and grey but they can still belt out tunes and play those instruments as if they are teenagers again. More songs include ‘Every Little Thing She Does Is Magic’, ‘De Do Do Do De Da Da Da’, ‘Walking In Your Footsteps’, ‘ I Can’t Stand Losing You’, ‘Roxanne’ (with appropriate red lights), ‘So Lonely’ and ‘Every Breath You Take’.
The MCG went crazy even though it was only half full. Most people danced and sang away and thoroughly enjoyed themselves. This was my first time to see The Police and I was most impressed. Sting tells us the last time they played here was in 1980 at Festival Hall.
It was a beautiful night with clear skies, a few wines and a truly memorable performance. Rod Laver would have been a more fitting venue, but hey, I’m not complaining about my seats!
Thanks Mushroom Music :-)
Venue: The Melbourne Cricket Ground (MCG)
Date: Saturday January 26
Reviewed By: Lyn
Corporate box tix to see The Police – yes please!
Up we went to sit down and be waited on with food and drinks. One cannot complain about this at all.
One also cannot complain about the first band of the night ‘Fiction plane’ which features Sting’s son, Joe Sumner, on vocals. Seton Daunt and Pete Wilhoit make the rest of the band. I was blown away by these guys. They are a three piece band from England who brought out an EP in 2001 under the name ‘Santa’s Boyfriend’ and changed their name before signing to a label. Although sound was quite bad from where we were sitting probably due to the MCG not being the best venue for rock and roll music – the music echoes and I feel the music gets lost in the large amount of open air - I still got the feeling that these guys rock. I hear they sell out shows in their home town and around the world and I can see why. This is a band I would see again. They could be described as pop rock, guitar rock and even melodic rock.
Next up was Fergie from the Black Eyed Peas. I thought it odd having her support The Police. Itdidn’t seem the correct mix, and judging from the crowd's response I was right. She bounced about the stage, long hair being whipped around till I began to think her head might fall off. There were 6 dancers with moves and grooves. Fergie, looking sultry, started singing ‘Girl Can’t Help It’ then we heard songs such as ‘My Hump’ (should be called my agony – yes I dislike this song), lots of bum views, shaking that ass. I couldn’t understand her talking as there was still an echo in the sound. There was a medley of BEP songs, which still didn’t seem to shift the crowds on the ground. I think the people around me clapped the most! There were a few costume changes then some covers -‘Live and Let Die’, ‘Start Me Up’ and ‘Black Dog’. No, she didn’t do them justice. There were heaps of empty spots around the arena and although I did hear the MCG wasn’t sold out I think many fans decided to come after Fergie. Baracuda was sung whilst performing cartwheels, then a new outfit, a gold dress, and after a few more songs we heard ‘Fruitilicious’ and we were thanked by Miss F then off she fluttered.
It was getting dark, and the show was held off a bit for the Australia Day fireworks held over the city. Finally the crowd screamed and cheered at the first sign of The Police. SOS is the starter song which had the stadium cheering even louder. Songs we heard are ‘Walking On the Moon’, ‘Don’t Stand So Close To Me’. Sting truly has an amazing voice and thankfully the sound was enjoyable throughout the set. At one point we were shown a grasshopper which seemed to have taken a liking to the stage and sat neat Sting for the entire show - at one point it was sitting on his water bottle! The band may be older and grey but they can still belt out tunes and play those instruments as if they are teenagers again. More songs include ‘Every Little Thing She Does Is Magic’, ‘De Do Do Do De Da Da Da’, ‘Walking In Your Footsteps’, ‘ I Can’t Stand Losing You’, ‘Roxanne’ (with appropriate red lights), ‘So Lonely’ and ‘Every Breath You Take’.
The MCG went crazy even though it was only half full. Most people danced and sang away and thoroughly enjoyed themselves. This was my first time to see The Police and I was most impressed. Sting tells us the last time they played here was in 1980 at Festival Hall.
It was a beautiful night with clear skies, a few wines and a truly memorable performance. Rod Laver would have been a more fitting venue, but hey, I’m not complaining about my seats!
Thanks Mushroom Music :-)
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